Despite multiple waves of feminist revolution, today’s single woman is still mired in judgment or, worse, pity. But for a brief, exclamatory period in the late 1930s, she was all the rage. A delicious cocktail of cultural history and literary biography, The Extra Woman transports us to the turbulent and transformative years between suffrage and the sixties, when, thanks to the glamorous grit of one Marjorie Hillis, single women boldly claimed and enjoyed their independence.Marjorie Hillis, pragmatic daughter of a Brooklyn preacher, was poised for reinvention when she moved to the big city to start a life of her own. Gone were the days of the flirty flapper; ladies of Depression-era New York embraced a new icon: the independent working woman. Hillis was already a success at Vogue when she published a radical self-help book in 1936: Live Alone and Like It: A Guide for the Extra Woman. With Dorothy Parker–esque wit, she urged spinsters, divorcées, and “old maids” to shed derogatory labels and take control of their lives, and her philosophy became a phenomenon. From the importance of a peignoir to the joy of breakfast in bed (alone), Hillis’s tips made single life desirable and chic.In a style as irresistible as Hillis’s own, Joanna Scutts, a leading cultural critic, explores the revolutionary years following the Live-Alone movement, when the status of these “brazen ladies” peaked and then collapsed. Other innovative lifestyle gurus set similar trends that celebrated guiltless female independence and pleasure: Dorothy Draper’s interior design smash, Decorating Is Fun! transformed apartments; Irma Rombauer’s warm and welcoming recipe book, The Joy of Cooking, reassured the nervous home chef that she, too, was capable of decadent culinary feats. By painting the wider picture, Scutts reveals just how influential Hillis’s career was, spanning decades and numerous best sellers. As she refashioned her message with every life experience, Hillis proved that guts, grace, and perseverance would always be in vogue.With this vibrant examination of a remarkable life and profound feminist philosophy, Joanna Scutts at last reclaims Marjorie Hillis as the original queen of a maligned sisterhood. Channeling Hillis’s charm, The Extra Woman is both a brilliant exposé of women who forged their independent paths before the domestic backlash of the 1950s trapped them behind picket fences, and an illuminating excursion into the joys of fashion, mixology, decorating, and other manifestations of shameless self-love.

    An internationally known and respected journalist, Robertson had a knack for finding the interesting and exotic in seemingly humble or ordinary folk and a keen eye for human interest stories. his power of description and disarmingly straightforward narrative were the hallmarks of his writing.A loyal Southern son, Robertson cherished what he judged to be the South's best traditions: personal independence and responsibility, the rejection of crass materialism, a deep piety, and a love of freedom. He repeatedly lamented the region's many shortcomings: poverty, racial hierarchy, political impotence, lack of inttellectual curiosity, and its tendency to blame all of its twentieth-century problems on the defeat of the Confederacy.An informative and entertaining new introduction by Lacy K. Ford, Jr., associate professor of history at the University of South Carolina, provides fascinating new facts about Robertson's life and recasts his achievements in Red Hills and Cotton as social commentary. Ford captures the essence of Robertson's restless and questioning, but unfailingly Southern, spirit.

    Little is known about the wife of the world's most famous playwright; a great deal, none of it complimentary, has been assumed. The omission of her name from Shakespeare's will has been interpreted as evidence that she was nothing more than an unfortunate mistake from which Shakespeare did well to distance himself. Yet Shakespeare is above all the poet of marriage. Before him, there were few comedies or tragedies about wooing or wedding. And yet he explored the sacrament in all its aspects, spiritual, psychological, sexual, sociological, and was the creator of some of the most tenacious and intelligent heroines in English literature. Is it possible, therefore, that Ann, who has been mocked and vilified by scholars for centuries, was the inspiration? Until now, there has been no serious critical scholarship devoted to the life and career of the farmer's daughter who married England's greatest poet. Part biography, part history, Shakespeare's Wife is a fascinating reconstruction of Ann's life, and an illuminating look at the daily lives of Elizabethan women, from their working routines to the rituals of courtship and the minutiae of married life. In this thoroughly researched and controversial book, Greer steps off the well-trodden paths of orthodoxy, asks new questions, and begins to right the wrongs done to Ann Shakespeare.

    It might seem easy, but it is actually very complicated.When Adam Smith proclaimed that all our actions were motivated by self-interest and the world turned because of financial gain he laid the foundations for 'economic man'. Selfish and cynical, 'economic man' has dominated our thinking ever since, the ugly rational heart of modern day capitalism. But every night Adam Smith's mother served him his dinner, not out of self-interest, but out of love.Even today, the unpaid work of mothering, caring, cleaning and cooking is not part of our economic models. All over the world, there are economists who believe that if women are paid less, then that's because their labour is worth less.In this engaging, popular look at the mess we're in, Katrine Marçal charts the myth of 'economic man', from its origins at Adam Smith's dinner table to its adaptation by the Chicago School and finally its disastrous role in the 2008 Global Financial Crisis.

    But first, they need the opportunity.The recent enthusiasm for reclaiming women’s place in history and celebrating their forgotten lives and overlooked achievements mustn’t be a fad – we cannot allow it to be. These women’s stories deserve to be told, talked about, remembered and learned from until they are household names just like the men of history. Women of the twenty-first century owe our predecessors a debt of gratitude, whether their contribution went unrecorded or made a significant change in the world, and it’s up to us to continue their work. To chip away at the glass ceiling. To redefine what powerful women look like. To refuse to be silenced. To keep roaring.’

    "A fine introduction to the bold, contentious, complicated women who categorically refused to be good little girls, and thereby changed the way our culture defines male-female relations".--Voice Literary Supplement.

    These women broke ground, broke ceilings, and broke molds--includingMaya Angelou - Jane Austen - Ruby Bridges - Rachel Carson - Shirley Chisholm - Marie Curie & Irene Joliot Curie - Isadora Duncan - Amelia Earhart - Artemisia Gentileschi - Grace Hopper - Dolores Huerta - Frida Kahlo - Billie Jean King - Audre Lorde - Wilma Mankiller - Toni Morrison - Michelle Obama - Sandra Day O'Connor - Sally Ride - Eleanor Roosevelt - Margaret Sanger - Sappho - Nina Simone - Gloria Steinem - Kanno Sugako - Harriet Tubman - Mae West - Virginia Woolf - Malala YousafzaiOpen to any page and find daily inspiration and lasting delight.

    From an early age, she knew that women were not given rights equal to men. But rather than accept her lesser status, Elizabeth went to college and later gathered other like-minded women to challenge the right to vote.Here is the inspiring story of an extraordinary woman who changed America forever because she wouldn't take "no" for an answer.Elizabeth Leads the Way is a 2009 Bank Street - Best Children's Book of the Year.This title has Common Core connections.

    Supreme Court. She fought for equality for women in the classroom, in the courtroom, and in politics. In her quest for fairness and parity, Lockwood ran for President of the United States, becoming the first woman on the ballot. In this riveting nonfiction picture book biography, award-winning author Kate Hannigan and celebrated artist Alison Jay illuminate the life of Lockwood, a woman who was never afraid to take the floor and speak her mind.

    From body lotion to tonic water, the popular new element shines bright in the otherwise dark years of the First World War.Meanwhile, hundreds of girls toil amidst the glowing dust of the radium-dial factories. The glittering chemical covers their bodies from head to toe; they light up the night like industrious fireflies. With such a coveted job, these "shining girls" are the luckiest alive—until they begin to fall mysteriously ill.But the factories that once offered golden opportunities are now ignoring all claims of the gruesome side effects, and the women's cries of corruption. And as the fatal poison of the radium takes hold, the brave shining girls find themselves embroiled in one of the biggest scandals of America's early 20th century, and in a groundbreaking battle for workers' rights that will echo for centuries to come.Written with a sparkling voice and breakneck pace, The Radium Girls fully illuminates the inspiring young women exposed to the "wonder" substance of radium, and their awe-inspiring strength in the face of almost impossible circumstances. Their courage and tenacity led to life-changing regulations, research into nuclear bombing, and ultimately saved hundreds of thousands of lives.

    Stanton devoted her life to the cause of advancing the political, legal, and social standing of women, and she became its most eloquent spokesperson. Whereas Susan B. Anthony, her "steadfast friend for half a century," had a gift for organizing and mobilizing women to take action, Stanton's talent was for publicizing the key issues of the movement and speech writing. This talent is evident on every page of this autobiography, which records as much about the cause that was her life's work as it does about her personal reminiscences.Here she vividly describes the momentous occasion of organizing the Seneca Falls Convention in the summer of 1848, her first speech before the New York State legislature, the preparation and delivery (by Susan B. Anthony) of the Woman's Declaration of Rights at the national centennial celebration in Philadelphia in 1876, writing the History of Woman Suffrage and The Woman's Bible, plus her views on theology, marriage, and divorce, as well as reminiscences of her parents, husband, and seven children. Two chapters are devoted to Susan B. Anthony, and there are many anecdotes about Lucretia Mott, Matilda Joslyn Gage, and other leading feminists of the day.This fascinating account of history in the making conveys the amazing commitment of all of these pioneering women's rights advocates, against the indifference and derision of what seemed to be a hopelessly patriarchal society. Through it all Stanton displays an unflagging, exuberant optimism and the determination that the noble goal to which she dedicated her life would someday be accomplished.This unabridged edition is enhanced by an introduction by Denise M. Marshall, trustee of the Elizabeth Cady Stanton Foundation.

    Conversations around consent, equal pay, access to contraception, and a host of other issues are foremost topics of conversation in American media. Today's teens are encountering these issues from a different perspective than any generation has before -- but what's often missing from the current discussion is an understanding of how we've gotten to this place.Fight Like a Girl introduces readers to the history of feminist activism in the U.S. in an effort to celebrate those who paved the way and draw attention to those who are working hard to further the feminist cause today.

    A tale of loyalty, love and courage, set against a vividly realised backdrop of Edwardian Britain, it follows the fortunes of a maid-of-all-work swept up in the feminist militancy of the era. Sally Heathcote: Suffragette is another stunning collaboration from Costa Award winners, Mary and Bryan Talbot. Teamed up with acclaimed illustrator Kate Charlesworth, Sally Heathcote's lavish pages bring history to life.

    From the nineteenth-century spinsters, of New England to the Bowery girls of New York City, from the 1920s flappers to the 1940s working women of the war years and the career girls of the 1950s and 1960s, single women have fought to find and feel comfortable in that room of their own. One need only look at Bridget Jones and the Sex and the City gang to see that single women still maintain an uneasy relationship with the rest of society -- and yet they radiate an aura of glamour and mystery in popular culture.As witty as it is well researched, as thoughtful as it is lively, Bachelor Girl is a must-read for women everywhere.

    Nagel brings the formidable Marie-Thérèse to life, along with the age of revolution and the waning days of the aristocracy, in a page-turning biography that will appeal to fans of Antonia Fraser's Marie Antoinette and Amanda Foreman's Georgiana: Duchess of Devonshire.In December 1795, at midnight on her seventeenth birthday, Marie-Thérèse, the only surviving child of Marie Antoinette and Louis XVI, escaped from Paris's notorious Temple Prison. To this day many believe that the real Marie-Thérèse, traumatized following her family's brutal execution during the Reign of Terror, switched identities with an illegitimate half sister who was often mistaken for her twin. Was the real Marie-Thérèse spirited away to a remote castle to live her life as the woman called "the Dark Countess," while an imposter played her role on the political stage of Europe? Now, two hundred years later, using handwriting samples, DNA testing, and an undiscovered cache of Bourbon family letters, Nagel finally solves this mystery. She tells the remarkable story in full and draws a vivid portrait of an astonishing woman who both defined and shaped an era. Marie-Thérèse's deliberate choice of husbands determined the map of nineteenth-century Europe. Even Napoleon was in awe and called her "the only man in the family." Nagel's gripping narrative captures the events of her fascinating life from her very public birth in front of the rowdy crowds and her precocious childhood to her hideous time in prison and her later reincarnation in the public eye as a saint, and, above all, her fierce loyalty to France throughout.