. . Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on paraphilosophical modes of discourse. The sections on Céline, for example, are indispensable reading for those interested in this writer and place him within a context that is both illuminating and of general interest." -Paul de Man

    . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement"Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura"Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen

    In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts.

    Robert Bresson makes some quite radical distinctions between what he terms "cinematography" and something quite different: "cinema"—which is for him nothing but an attempt to photograph theater and use it for the screen.Director of The Trial of Joan of Arc, Pickpocket, A Prisoner Escapes, Diary of a Country Priest, Money, and many other classic films, Robert Bresson is, quite simply, one of the most brilliant cinematographers in the history of film.

    The inspiration to write a work of art arises from the unconscious, full of ideas that the very author may have been unaware of. “The Little Prince for Grown-ups” gets to the roots of some of Antoine Saint-Exupéry’s Little Prince, using mythology and Jungian psychology concepts to expose some of its buried treasures. As in the book of Saint-Exupéry, the crash that leads the pilot to land in the Sahara desert becomes the beginning of a self-knowledge journey. Exupéry himself, or rather, Antoine, is the protagonist of this journey, and his companions are the blonde boy with the scarf around his neck and the Wise Old Man. In addition, there are many stories from the Bible as well as Gnostic texts, and Greek mythology.. Despite being based on Jungian ideas, no psychology knowledge is required to the read the book.

    The "Capcom 30th Anniversary Character Encyclopedia" celebrates Capcom's 30 years in the industry and gives fans concise information about every major Capcom character, their key artwork, statistics, background information, and interesting notes on the history of each character and game franchise. Including almost 200 characters from the Capcom family, this "Character Encyclopedia" sheds new light on these characters in a way nothing else does!

    The goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a student of the featured photographer. In this book, Mary Ellen Mark (1940-2015)--well known for the emotional power of her pictures, be they of people or animals--offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.

    Do not buy this "Sidekick" if you are looking for a full copy of this great book. "The Stormlight Archive" series from Brandon Sanderson began in 2010 with "The Way of Kings," a New York Times best seller. This sidekick to the next in the series, "Words of Radiance," helps you answer many of the questions left by the first in the series. The motives are deep in "Words of Radiance," and this sidekick is the ideal tool to walk you through the world of Roshar, as you delve into the mind and soul of each character. Years ago, during the celebration to honor the treaty between Parshendi and men, the Assassin in White murdered the Alethi king, at the behest of Parshendi. Now, the Assassin is back and looking for blood, especially the blood of he who is the backbone of the Alethi throne: Highprince Dalinar. No longer seen as a meaningless military pawn, Kaladin commands the king's bodyguards, a first for a lowly "darkeye." Now, he must not only protect Dalinar and the king from typical dangers, he must also find a way to keep the Assassin at bay. Take advantage of this sidekick as you travel to Shattered Plains to watch the Parshendi, led by Eshonai, rely on the same supernatural forces they once feared. Learn about the many ways the characters relate to the themes prejudice and religion in "Words of Radiance."

    In Pornocracy, a beautiful woman wanders through a gay disco and engages a man, confident that he will follow her. Perversely and dispassionately, she offers her body as the ground of a ritualistic game in which, over the course of three evenings, the two will explore the numbing mechanics of sexual brutality. What follows is an exchange between a man and a woman that is both frankly sexual and deeply philosophical. Adapted and directed for film in France by Breillat as Anatomy of Hell (2004), Pornocracy leads the reader through an undulating and atmospheric exploration of the criminal and the erotic, finally climaxing in a place well beyond more familiar moral terrain. Although Breillat's films—most recently Fat Girl (2001) and Romance (1999)—are well known to international audiences, this publication marks her literary debut in America. It will demonstrate that Breillat's famous films are but one aspect of her strikingly original poetic and philosophical vision.

    I write happy-ever-after romance novels, and after writing ten romance novels you’d think I’d know a thing or two about love. But I’ve been chasing my own happy-ever-after for a long time. I seem to have no problem starting my fairytale, but the ending never comes to be. My love life isn’t the best-seller that I’ve written, so I decided to change things up and write a dark romance.While finding my way around and reading books in that genre, I discovered something unexpected. I found a sexy, romantic man who happens to have a soft spot for romances. He’s an alpha male, and that type would never have appealed to me before…but it’s amazing what you see when you look between the lines.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Rowling’s script for Fantastic Beasts and Where to Find Them to the screen.  Explore the realm of fantastical creatures that roam the wizarding world and discover the magical cast of characters in pursuit of them.Officially licensed by Warner Bros. Consumer Products, and designed by MinaLima, designers of the graphic props for the Harry Potter films as well as Fantastic Beasts and Where to Find Them, The Case of Beasts delivers an enchanting interactive experience by sharing filmmaking secrets, film photography and artwork, and behind-the-scenes stories from cast and crew. Full of removable, facsimile reproductions of props and paper ephemera from the movie, along with some very special effects, this collectible volume offers a unique look from the talented group who created this movie magic.

     Book 1 Cat has spent years trying to leave the disappearance of her fiancé in the past when out on a date with a new man, she receives a message that can only be from her former love. Jay immediately falls for a girl like Cat, but how can he win her over with the ghosts of the past still lingering? Moving on isn't easy and even those closest to you may not be who they seem. But through it all, love can always find a way. Book 2 Ethan’s spent his entire adult life haunted by his past. A new cold case file is pulled from the box and Ethan is shocked to see almost the exact same murder scene that he witnessed when he walked into his sister’s murder years before. Certain there’s a connection, Ethan begins to dig deeper into the murders in the hopes of finally putting his horrific memories to rest. Book 3 Another young babysitter had been murdered, that made three in only a short amount of time. Though no one seems to believe there’s a connection, Angie is certain that it can’t be coincidence. Only person she wishes she could confide in is her partner and boyfriend, Ethan, but he’s still working out his own demons. Striking out on her own is the only way Angie believes she can provide justice for these murdered girls. Book 4 Angie had been waiting patiently for her daddy to be released from prison, but not under the terms that he must help Jay in breaking up the mob. Sampson must go undercover to dig up as much as he can in order to send his old bosses to jail. But Angie isn’t going to let that happen without some major precautions.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Coupled with an inconvenient affection toward the elusive ‘Stranger’ and her evil ex-fiancé wreaking havoc on her professional integrity, things aren't going well. Then she meets Blue, waiter and DJ extraordinaire. Penelope considers him condescending and undesirable at first, but over the course of ten days discovers he is not all he once appeared.