Scott Poole traces the confluence of history, technology, and art that gave us modern horror films and literatureIn the early twentieth century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world’s map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war.From Nosferatu to Frankenstein’s monster and the Wolf Man, from Fritz Lang, F. W. Murnau, and Albin Grau to Tod Browning and James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Historian W. Scott Poole chronicles these major figures and the many movements they influenced. Wasteland reveals how bloody battlefields, the fear of the corpse, and a growing darkness made their way into the deepest corners of our psyche.On the one-hundredth anniversary of the signing of the armistice that brought World War I to a close, W. Scott Poole takes us behind the front lines of battle to a no-man’s-land where the legacy of the War to End All Wars lives on.

    Stephen Cox, professor of literatureat the University of California at San Diego, spoke on "The LiteraryAchievement of The Fountainhead" and David Kelley, executive director of TheObjectivist Center, discussed "The Code of the Creator." This commemorativemonograph contains the text of both lectures and other material about AynRand's classic novel.

    Rebello takes us behind the scenes for every step in the creation of this cinematic masterpiece-from the story's original inspiration to the controversy surrounding the creation of the famous shower scene. Drawing on new in-depth interviews as well as Hitchcock's private files, Alfred Hitchcock and the Making of Psycho is an eye-opening portrait of the artist at work.

    Brando Unzipped is the definitive gossip guide to the late, great actor's life New York Daily News. Lurid, raunchy, perceptive, and certainly worth reading, it's one of the best show-biz biographies of the year. London's Sunday Times. Brando Unzipped received an Honorable Mention from Foreword Magazine in its Book of the Year competition, and it won a Silver Ippy award for Best Biography from the Independent Publisher's Association."

    Terms and phrases such as "the global village" and "the medium is the message" are now part of the lexicon, and McLuhan's theories continue to challenge our sensibilities and our assumptions about how and what we communicate.There has been a notable resurgence of interest in McLuhan's work in the last few years, fueled by the recent and continuing conjunctions between the cable companies and the regional phone companies, the appearance of magazines such as WiRed, and the development of new media models and information ecologies, many of which were spawned from MIT's Media Lab. In effect, media now begs to be redefined. In a new introduction to this edition of Understanding Media, Harper's editor Lewis Lapham reevaluates McLuhan's work in the light of the technological as well as the political and social changes that have occurred in the last part of this century.

    According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, "Film as a Subversive Art" analyzes how aesthetic, sexual and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works.

    These tales gain their power through plots that connect with the audience on both an emotional and intellectual level.Inside, Ronald B. Tobias details these 20 time-tested plots. Each is discussed and analyzed, illustrating how a successful plot integrates all the elements of a story. Tobias then shows you how to use these plots effectively in your own work.Tobias then goes to the next level, showing you how to choose and develop plot in fiction. He shows you how to craft plot for any subject matter, so that you develop your work evenly and effectively. As a result, your fiction will be more cohesive and convincing, making your story unforgettable for readers everywhere.

    Following the success of Isms: Understanding Art and Isms: Understanding Architectural Styles, this guide sorts the great classic films and directors according to the significant movements that have shaped the development of cinema. Beginning with the early silent era, it spans the entire range of movie history up to the present wave of indie films and the growing fascination with international cinema. Each spread is devoted to a distinct movement and explains when it first emerged, the principal directors, themes, and representative films, and is illustrated with film stills, posters, and photos. Important international cinematic breakthroughs are also highlighted, as well as the careers of international auteurs like Kurosawa, Fellini, and Almodóvar. From prewar Expressionism to twenty-first-century Dystopianism, Film Isms… offers an engaging, new way of understanding movie history.

    Rather, it is a wide-ranging narrative about the movies and their signal role in modern life. The celebrated film authority David Thomson takes us around the globe, through time, and across many media to tell the complex, gripping, paradoxical story of the movies. He tracks the ways we were initially enchanted by movies as imitations of life—the stories, the stars, the look—and how we allowed them to show us how to live. At the same time, movies, offering a seductive escape from everyday reality and its responsibilities, have made it possible for us to evade life altogether. The entranced audience has become a model for powerless and anxiety-ridden citizens trying to pursue happiness and dodge terror by sitting quietly in a dark room.Does the big screen take us out into the world or merely mesmerize us? That is Thomson's question in this grand adventure of a book, vital to anyone trying to make sense of the age of screens—the age that, more than ever, we are living in.

    Headed for their grandfather's ranch in South Dakota, they experience terrifying danger, supernatural entities determined to stop them, and Native American mysticism and magic. Discovering intimate ties with the local Sioux Indian tribe, they find they have inherited powers that may ultimately decide the fate of humanity. Facing racism, Indian mistreatment, government corruption, and corporate greed, Billy will confront the epitome of Evil alone. Will his newly discovered powers be enough to save his family and his people?

    His best friend Sothum, a philosophical and financial genius, has just died and left him a choice in his will: ten million dollars or a sealed envelope.Andrew's wife Cheryl doesn't see this as much of a choice. She wants Andrew to take the money, and what little patience she has for his speculating about what could be worth more than ten million dollars is wearing thin very quickly.But as Andrew digs deeper into the secret life that Sothum lived, he finds more questions than answers. Does the envelope contain the fate of a vanished mutual friend? The answer to a terrible cosmic riddle? The confession to a crime? Is Sothum just playing a final private joke? Or has Andrew become a pawn in a game--a game that Sothum died playing against a bigger opponent than Andrew can imagine?

    It is a vast cosmic sea. Where each life exists as rippling circles on its surface, past and future being eternally present. And occasionally, one expanding ring intertwines with that of another, weaving the lives of two people together . . . Intertwine In 2012, Emme Wilde can’t find the right guy. Instead, she obsesses over the portrait of an unknown man in an old locket. Granted, a seriously dreamy guy with delicious, wind-swept hair she just itches to run her fingers through. Emme travels to England, determined to uncover his history and conquer the strong connection she feels. In 1812, James Knight has given up finding the right woman. But then he finds a beautiful mystery woman, dripping wet and half-dead, beneath a tree on his estate. Now if he can uncover her history, perhaps adventure—and romance—will find him at last Divine Georgiana Knight--born in the nineteenth century, but now living in 2013--discovers a centuries-old love letter written in her own handwriting. Should she risk giving up hot showers and return to the past to discover the mysterious stranger who inspired (will inspire?) her passionate letter?In 1813, Sebastian Carew is madly in love with his childhood friend, Georgiana. He is determined to find Georgiana and win her affections. However, she has utterly vanished. Can he divine the truth of her disappearance and convince her to marry him before time runs out? Clandestine In 2014, Marc Wilde--martial artist and actor--finds his life a mess. Someone knows about the time portal in the cellar of Duir Cottage and is threatening to tell the world unless Marc pays up. So yeah . . . life not going so well. In 1814, Kit Ashton has problems of her own. Her brother has disappeared (again), leaving Kit penniless and forcing her to take up employment as a lady's companion (sigh). Add in the sudden appearance of a wind-swept, silver-tongued rogue who makes Kit want to flirt, flirt, flirt . . . it all leaves her one misstep from disaster. Kit is determined to find her brother and return home, all while guarding her heart and (most importantly) keeping her secrets . . . well . . . secret. Refine In 1815, Timothy, Viscount Linwood—handsome, arrogant, privileged—never veers from the refined rules of his world. But then Fate intervenes and draws him to a vivid woman who makes him want things he can never have. Can a pompous lord change enough to find redemption? In 2015, Jasmine Fleury just wants her happily-ever-after. If only she could stop losing people instead. Worse, she finds herself babysitting a haughty nineteenth century lord who can't even shave himself. She has no interest in playing damsel-in-shining-armor to his knight-in-distress. But Fate has other plans . . . Explore four stories of love which transcend Time itself.

    What he did not expect was a response and the result was Conversations with God Book 1. In Book 2, the dialogue expands to deal with the more global topics of geopolitical and metaphysical life on the planet, and the challenges now facing the world. This incredible series contains answers that will change you, your life, and the way you view other beings.

    That’s why I decided to escape my fate as the future Demon Lord and reincarnate into the realm of Ria.My plan? As Luc Vale, the mortal mage, I’ll live out a real life and become an adventurer.But first, I must master this world’s new magic at the Tower Guild Academy. After forming a party with a gorgeous and clumsy woman, I learned that being human is nothing like I imagined.Not only is my new smelly body weaker than I’m used to, I’ve also discovered the… distractions of carnal pleasure. All is going according to plan until a danger emerges that threatens all of Ria. I should be strong enough to vanquish the Tower’s dark secret.As long as no one discovers who I truly am. ~If you like light-hearted romance, quirky humor, and a dash of adventure, this story is for you.Great for anime weebs who enjoy shows like How NOT to Summon a Demon Lord.(Contains unconventional relationships and adult situations.)

    From Sergei Eisenstein, a legendary pioneer in filmmaking and director of Battleship Potemkin, Film Form collects twelve essays written between 1928 and 1945 that demonstrate key points in the development of his film theory and in particular his analysis of the sound-film medium."By turns savagely polemical and whimsically humorous...Eisenstein's last book, like all his writings, is on fire with imagination...Jay Leyda, well-known authority on Eisenstein's work, has done an excellently thorough job of editing and translating."??—??Saturday Review