Emeritus Professor of Politics at Oxford University, Archie Brown examines the origins of the most important political ideology of the 20th century, its development in different nations, its collapse in the Soviet Union following perestroika, and its current incarnations around the globe. Fans of John Lewis Gaddis, Samuel Huntington, and avid students of history will appreciate the sweep and insight of this epic and astonishing work.

    The largest and most populous country on earth and currently the world's second biggest economy, China has recently reclaimed its historic place at the center of global affairs after decades of internal chaos and disastrous foreign relations. But even as China tentatively reengages with the outside world, the contradictions of its development risks pushing it back into an era of insularity and instability—a regression that, as China's recent history shows, would have serious implications for all other nations.In Restless Empire, award-winning historian Odd Arne Westad traces China's complex foreign affairs over the past 250 years, identifying the forces that will determine the country's path in the decades to come. Since the height of the Qing Empire in the eighteenth century, China's interactions—and confrontations—with foreign powers have caused its worldview to fluctuate wildly between extremes of dominance and subjugation, emulation and defiance. From the invasion of Burma in the 1760s to the Boxer Rebellion in the early 20th century to the 2001 standoff over a downed U.S. spy plane, many of these encounters have left Chinese with a lingering sense of humiliation and resentment, and inflamed their notions of justice, hierarchy, and Chinese centrality in world affairs. Recently, China's rising influence on the world stage has shown what the country stands to gain from international cooperation and openness. But as Westad shows, the nation's success will ultimately hinge on its ability to engage with potential international partners while simultaneously safeguarding its own strength and stability.An in-depth study by one of our most respected authorities on international relations and contemporary East Asian history, Restless Empire is essential reading for anyone wishing to understand the recent past and probable future of this dynamic and complex nation.

    This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the -unity of all living things- and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and -constructive- aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.

     It also explores the circumstances surrounding the true-life event of my grandmother's gift of a concubine to my grandfather on his birthday to enhance the chance of an heir to the Family.

    In 1985, he photographed an Afghan girl for the National Geographic. The intensity of the subject's eyes and her compelling gaze made this one of the most widely and consistently celebrated portraits in the history of contemporary photography.This accompanies the other remarkable faces he has encountered whilst travelling throughout the world, collected together in an engaging and strangely moving series of unique street portraits: unposed, unstylized images of people that reveal the true universality of the depths of human emotion.Critically acclaimed and recognized internationally for his classic reportage, over the last twenty years he has worked on numerous assignments, travelling extensively throughout the Middle and Far East.McCurry has won first prize in the World Press Awards, and was named Magazine Photographer of the Year in 1984. He is most famous for his evocative color photography, which has captured stories of human experience that, in the finest documentary tradition, transcend boundaries of language and culture.

    Colourful, fascinating and funny, this is the first time these cult images have been published outside Japan.

    As disagreements and conflicts between China and the West are likely to mount, the need to understand the political legacy of Mao will only become more urgent.Yet during Mao’s lifetime and beyond, the power and appeal of Maoism has always extended beyond China. Across the globe, Maoism was a crucial motor of the Cold War: it shaped the course of the Vietnam War (and the international youth rebellion it triggered) and brought to power the murderous Khmer Rouge in Cambodia; it aided, and sometimes handed victory to, anti-colonial resistance movements in Africa; it inspired terrorism in Germany and Italy, and wars and insurgencies in Peru, India and Nepal, some of which are still with us today – more than forty years after the death of Mao.In this new history, acclaimed historian Julia Lovell re-evaluates Maoism, analysing both China’s engagement with the movement and its legacy on a global canvas. It’s a story that takes us from the tea plantations of north India to the sierras of the Andes, from Paris’s 5th Arrondissement to the fields of Tanzania, from the rice paddies of Cambodia to the terraces of Brixton.Starting from the movement’s birth in northwest China in the 1930s and unfolding right up to its present-day violent rebirth, this is the definitive history of global Maoism.

    These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp's famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca's arrow-pierced Saint Sebastian.101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.

    From radically different backgrounds yet with a common legacy, having grown up in post-handover Hong Kong, these young people have little attachment to the era of British colonial rule or today's China. Instead, they see themselves as Hong Kongers, an identity both reinforced and threatened by the rapid expansion of Beijing's influence. Amid great political and social uncertainty, Generation HK is trying to build a brighter future. Theirs is a truly captivating coming-of-age story that reflects the bitter struggles beneath the gleaming facade of modern Hong Kong.

    Mixing realism and abstraction, Bacon delves deep beneath the surfaces of things, opening up the human body to reveal the chaos that lies within and struggling with all that is inexplicable. Erotic and grotesquely beautiful is the work of this legendary painter whose haunting, distorted figures have inspired entire generations of painters who seek to emulate his highly original style.

    To Muslims, Russians and westerners, he is a murderer of millions, a brutal oppressor. Yet in his homeland of Mongolia he is the revered father of the nation, and the Chinese honor him as the founder of a dynasty. In his so-called Mausoleum in Inner Mongolia, worshippers seek the blessing of his spirit. In a supreme paradox, the world's most ruthless conqueror has become a force for peace and reconciliation.As a teenager, Genghis was a fugitive, hiding from enemies on a remote mountainside. Yet he went on to found the world's greatest land empire and change the course of world history. Brilliant and original as well as ruthless, he ruled an empire twice the size of Rome's until his death in 1227 placed all at risk. To secure his conquests and then extend them, his heirs kept his death a secret, and secrecy has surrounded him ever since. His undiscovered grave, with its imagined treasures, remains the subject of intrigue and speculation.This is more than just a gripping account of Genghis' rise and conquests. John Man uses first-hand experiences in China and Mongolia to reveal the khan's enduring influence. He has traveled the length of the empire. He spotlights the tension between Mongols and Chinese, who both claim Genghis' spirit. He is the first writer to explore the hidden valley where Genghis is believed to have died, and one of the few westerners to climb the mountain where he was likely buried.This stunning narrative paints a vivid picture of the man himself, the places where he lived and fought, and the passions that surround him still. For in legend, ritual and intense controversy, Genghis lives on.

    Guns, which lead to so much death, work exactly as they’re designed to work. And every time we “improve” their design, they get better at killing. Facebook’s privacy settings, which have outed gay teens to their conservative parents, are working exactly as designed. Their “real names” iniative, which makes it easier for stalkers to re-find their victims, is working exactly as designed. Twitter’s toxicity and lack of civil discourse is working exactly as it’s designed to work.The world is working exactly as designed. And it’s not working very well. Which means we need to do a better job of designing it. Design is a craft with an amazing amount of power. The power to choose. The power to influence. As designers, we need to see ourselves as gatekeepers of what we are bringing into the world, and what we choose not to bring into the world. Design is a craft with responsibility. The responsibility to help create a better world for all.Design is also a craft with a lot of blood on its hands. Every cigarette ad is on us. Every gun is on us. Every ballot that a voter cannot understand is on us. Every time social network’s interface allows a stalker to find their victim, that’s on us. The monsters we unleash into the world will carry your name.This book will make you see that design is a political act. What we choose to design is a political act. Who we choose to work for is a political act. Who we choose to work with is a political act. And, most importantly, the people we’ve excluded from these decisions is the biggest (and stupidest) political act we’ve made as a society.If you’re a designer, this book might make you angry. It should make you angry. But it will also give you the tools you need to make better decisions. You will learn how to evaluate the potential benefits and harm of what you’re working on. You’ll learn how to present your concerns. You’ll learn the importance of building and working with diverse teams who can approach problems from multiple points-of-view. You’ll learn how to make a case using data and good storytelling. You’ll learn to say NO in a way that’ll make people listen. But mostly, this book will fill you with the confidence to do the job the way you always wanted to be able to do it. This book will help you understand your responsibilities.

    This revised and updated edition includes a detailed chronology that has been updated through 1993, a new bibliography, and an expanded index that includes Chinese characters.

    Tramping through China by train, bus, boat, motorcycle, mule or hitching on the back of anything that moved. On a budget so scant that he drew sympathetic stares from peasants. Backpacking photographer Tom Carter somehow succeeded in circumnavigating over 35,000 miles (56,000 kilometers) across all 33 provinces in China during a 2-year period, the first foreigner on record ever to do so.What Carter found along the way, and what his photographs ultimately reveal, is that China is not just one place one people, but 33 distinct geographical regions populated by 56 different ethnicities, each with their own languages, customs and lifestyles.Despite increased tourism and surging foreign investment, the cultural distances between China and the West remain as vast as the oceans that separate them. Carter's book, CHINA: Portrait of a People, was published as a means to visually introduce China to the world by providing a glimpse into the daily lives of the ordinary people who don't make international headlines yet whom are invariably the heart and soul of this country.MEDIA REVIEWS"One of China's most extraordinary explorers." --The World of Chinese"Part of the strength of this book is its independent spirit. It's not a travel guide showing China dressed in its Sunday best, or a photojournalistic approach documenting the underbelly of the country, but rather a peek at the sights Carter has seen and a corrective to both the glowing promotional images and negative media shots that we are all familiar with." -- China Daily"Tom Carter is an extraordinary photographer whose powerful work captures the heart and soul of the Chinese people." -- Anchee Min, author of Red Azalea"Tom Carter's photo book is an honest and objective record of the Chinese and our way of life... his camera leads us through 33 wide-sweeping scenes of the real and the surreal." -- Mian Mian, author of Candy"Capturing the diversity of [China's] 56 ethnic groups is a remarkable achievement ... There are a number of shots in this book that could easily grace the pages of National Geographic ... Unless you want to undertake your own two-year trek through some of the mainland's most difficult terrain to take your own shots, this is a study well worth having on your bookshelf." -- South China Morning Post"In these 900 images, Carter shows just how diverse the Chinese really are, with their different facial features, skin hues, lifestyles, cultures and occupations. What ensues is an engaging and enlightening photo essay of 1.3 billion people." -- Asian Geographic Passport"A striking, kaleidoscopic vision of China's lands and people." -- The Beijinger"Through Carter's journey of self-discovery, we end up discovering a little more about ourselves -- and a land so vast, so disparate, that 638 pages of photos barely manage to scratch the surface. Still, CHINA: Portrait of a People is a very good place to start peeling back the layers." -- Time Out Hong Kong"Travel photos taken by a stranger seldom fascinate. But 800 color images captured by Tom Carter as he spent two years on the road, traveling 56,000 kilometers through all of China's 33 provinces, make a dramatic exception ... Carter's weighty book takes an effort to carry home from a store. But anyone interested in China should love owning it." -- Cairns Media Magazine"Getting a full picture of China - a vast country with an enormous population, a place that is experiencing sweeping cultural and economic changes - is, of course, impossible. But Tom Carter comes close. ... It's a remarkable book, compact yet bursting with images that display the diversity of a nation of 56 ethnic groups." -- San Francisco Chronicle"In China: Portrait of a People, Tom Carter shows us that there are actually dozens of Chinas. The American photojournalist spent two years traveling 35,000 miles through every province of China by bus, boat, train, mule, motorcycle, and on foot." -- Christian Science Monitor

    In these chapters we learn about how and why we see color, the nature of rainbows, animals with color vision far superior and far inferior to our own, how our language influences the colors we see, and much more. Between these chapters, authors Joann Eckstut and Ariele Eckstut turn their attention to the individual hues of the visible spectrum?red, orange, yellow, green, blue, and violet?presenting each in fascinating, in-depth detail.Including hundreds of stunning photographs and dozens of informative, often entertaining graphics, every page is a breathtaking demonstration of color and its role in the world around us. Whether  you see red, are a shrinking violet, or talk a blue streak, this is the perfect book for anyone interested in the history, science, culture, and beatuty of color in the natural and man-made world.