Among the women’s most powerful weapons in their assault is laughter, but they also threaten literary and linguistic customs of the patriarchal order with bullets. In this breathtakingly rapid novel first published in 1969, Wittig animates a lesbian society that invites all women to join their fight, their circle, and their community. A path-breaking novel about creating and sustaining freedom, the book derives much of its energy from its vaunting of the female body as a resource for literary invention."A delectable epic of sex warfare . . . an extraordinary leap of the imagination into the politics of oppression and revolt." --Mary McCarthy

    The magic mirror sees all but can do nothing. A cloned savior solves a fanatically-inspired murder. Three Irish siblings thieve treasures with bad poetry and the aid of the Queen of Cats.With these captivating initial glimpses into her storytelling psyche, Jo Walton shines through subtle myths and reinvented realities. Through eclectic stories, subtle vignettes, inspired poetry, and more, Walton soars with humans, machines, and magic—rising from the every day into the universe itself.

    Where nature rubs against small towns, in mountains and woods and bedrooms, here is strangeness seen through a poet’s eye.They say there are always greener pastures. These stories consider the cost of that promise.

    The future of humanity hangs in the balance. But a team of women are preparing to save it. Even if they’ll need to steal a spaceship to do it.Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation.The team is humanity's last hope for survival, and Valerie has gathered the best women for the mission: an ace pilot who is one of the only astronauts ever to have gone to Mars; a brilliant engineer tasked with keeping the ship fully operational; and an experienced doctor to keep the crew alive. And then there's Naomi Lovelace, Valerie's surrogate daughter and the ship's botanist, who has been waiting her whole life for an opportunity to step out of Valerie's shadow and make a difference. The problem is that they’re not the authorized crew, even if Valerie was the one to fully plan the voyage. When their mission is stolen from them, they steal the ship bound for the new planet.But when things start going wrong on board, Naomi begins to suspect that someone is concealing a terrible secret -- and realizes time for life on Earth may be running out faster than they feared . . .Goldilocks is a bold and thought-provoking new thriller for readers of The Martian and The Handmaid's Tale.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    Shaftal's ruling house has been scattered by the invading Sainnites. The Shaftali have mobilized a guerrilla army against these marauders, but every year the cost of resistance grows, leaving Shaftal's fate in the hands of three people: Emil, scholar and reluctant warrior; Zanja, the sole survivor of a slaughtered tribe; and Karis the metalsmith, a half-blood giant whose earth powers can heal, but only when she can muster the strength to hold off her addiction to a deadly drug.Separately, all they can do is watch as Shaftal falls from prosperity into lawlessness and famine. But if they can find a way to work together, they just may change the course of history.

    Eavesdropping and exploring; savaging our bodies, saving our souls. They are monsters, saviours, victims, childhood friends. Some have called them genies: these are the Djinn. And they are everywhere. On street corners, behind the wheel of a taxi, in the chorus, between the pages of books. Every language has a word for them. Every culture knows their traditions. Every religion, every history has them hiding in their dark places. There is no part of the world that does not know them.They are the Djinn. They are among us.With stories from: Nnedi Okorafor, Neil Gaiman, Helene Wecker, Amal El-Mohtar, Catherine King, Claire North,  E.J. Swift, Hermes (trans. Robin Moger), Jamal Mahjoub, James Smythe, J.Y. Yang, Kamila Shamsie, Kirsty Logan, K.J. Parker, Kuzhali Manickavel, Maria Dahvana Headley, Monica Byrne, Saad Hossein, Sami Shah, Sophia Al-Maria and Usman Malik.

    Her childhood in a migrant worker family has left her uncomfortable with lingering in any one place, so she sticks around just long enough to replenish her funds before she moves on, her only constant companion Joanie, a fierce, energetic Raise hummingbird.Sal is a fully autonomous robot, the creation of which was declared illegal ages earlier due to ethical concerns. She is older than the law, however, at best out of place in society and at worst hated. Her old master is long dead, but she continues to run the tea shop her master had owned, lost in memories of the past, slowly breaking down, and aiming to fulfill her master's dream for the shop.When Clara stops by Sal's shop for lunch, she doesn't expect to find a real robot there, let alone one who might need her help. But as they begin to spend time together and learn more about each other, they both start to wrestle with the concept of moving on…

    Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

    I'm not human,even though I try to be. My people, the Imria, think I'm a little unusual because of that. They call me an Earthsider: as if I've crossed a line, chosen a side. Gone native. Before she met her girlfriend Reese, before she knew the role she would play in the fate of two worlds, Amber was a fifteen-year-old Imrian torn between two identities. Imrian by blood, Amber was forced to hide her true self to pass as human during the time she spent on earth. And even when she returns to Kurra, her human experiences, including first love and heartache, still separate her from her fellow Imrians. But when Amber undergoes kibila, a traditional Imrian coming-of-age ceremony during which Amber will choose her name and identity for the next fifteen years, she will be forced to either accept her role in both worlds or forge her own path.Malinda Lo's digital exclusive novella companion to Adaptation and Inheritance takes readers on a journey through Amber's past, giving fans a glimpse into her life on Kurra and a deeper understanding of one of Adaptation's most compelling characters.

    . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

    Delany appropriated the conceits of sword-and-sorcery fantasy to explore his characteristic themes of language, power, gender, and the nature of civilization. Wesleyan University Press has reissued the long-unavailable Nevèrÿon volumes in trade paperback. The eleven stories, novellas, and novels in Return to Nevèrÿon's four volumes chronicle a long-ago land on civilization's brink, perhaps in Asia or Africa, or even on the Mediterranean. Taken slave in childhood, Gorgik gains his freedom, leads a slave revolt, and becomes a minister of state, finally abolishing slavery. Ironically, however, he is sexually aroused by the iron slave collars of servitude. Does this contaminate his mission - or intensify it? Presumably elaborated from an ancient text of unknown geographical origin, the stories are sunk in translators' and commentators' introductions and appendices, forming a richly comic frame.

    In one story, a Jewish college Sarah passively consents to a form-life in pursuit of an MRS degree and is swept into a culture of normalized sexual violence. Another reveals a version of Sarah finding pleasure—and a new set of problems—by playing dead for a wealthy necrophiliac. A Buffy-loving Sarah uses fan fiction to work through romantic obsession. As the collection progresses, Cohen explodes this search for self, insisting that we have more to resist and repair than our own personal narratives. Readers witness as the ever-evolving "Sarah" gets recast: as a bible-era trans woman, an aging lesbian literally growing roots, a being who transcends the earth as we know it. While Cohen presents a world that will clearly someday end, "Sarah" will continue.In each Sarah's refusal to adhere to a single narrative, she potentially builds a better home for us all, a place to live that demands no fixity of self, no plague of consumerism, no bodily compromise, a place called Sarahland.

    When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?Collects BITCH PLANET #1-5.

    She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter.Told in vignettes that flash between the U.S. and the Middle East--from New York to Jordan, Lebanon, and Palestine--Zaina Arafat's debut novel traces her protagonist's progress from blushing teen to sought-after DJ and aspiring writer. In Brooklyn, she moves into an apartment with her first serious girlfriend and tries to content herself with their comfortable relationship. But soon her longings, so closely hidden during her teenage years, explode out into reckless romantic encounters and obsessions with other people. Her desire to thwart her own destructive impulses will eventually lead her to The Ledge, an unconventional treatment center that identifies her affliction as "love addiction." In this strange, enclosed society she will start to consider the unnerving similarities between her own internal traumas and divisions and those of the places that have formed her.Opening up the fantasies and desires of one young woman caught between cultural, religious, and sexual identities, You Exist Too Much is a captivating story charting two of our most intense longings--for love, and a place to call home.