She had come upon it not long after her marriage to Edgar, and it had offered her the only peace she was to know for a long time. It was dangerous to share the only thing that belonged to one. Yet the thought of spending an afternoon with the earl in her most treasured place, sharing a leisurely meal, beckoned her. She glanced shyly over her shoulder to see if he still followed.Lord Ashworth rode only a few yards behind her horse, and he grinned when their eyes met. He had a lazy, sensual smile and, when he looked at her like that, she felt an odd breathless catch in her throat. She wondered how it would feel if he were to place those warm lips to hers instead of the back of her hand. Oh dear! There went that catch again.Within moments they entered a clearing. Catherine dismounted without waiting for the earl’s assistance and swung her arms wide as she turned in a circle about the shaded copse.“What do you think?” she asked.The earl, still astride, cast his gaze slowly around the tiny glen as he studied the scenery. He then turned his attention to Catherine but did not speak. A suggestive grin broke the calm of his expression as he continued to watch her.“More beautiful than I could have imagined,” he murmured.Simple statement that, but it held a wealth of meaning. Catherine dropped her arms while staring back in fascination. Her mouth fell open and her breathing quickened. The air vibrated with unspoken words as they shared a moment of absolute understanding. The specter of desire had been brought into the open and was acknowledged.Experience IN THE GARDEN OF TEMPTATION today. Meet characters you'll visit again in the other books in this series.Now Available on Amazon:IN THE GARDEN OF SEDUCTION, Book 2 of The Garden Series.IN THE GARDEN OF DISGRACE, Book 3 of The Garden Series.IN THE GARDEN OF DECEIT, Book 4 of The Garden Series.Just Released: THIEF OF SOULSDark and sensual, Thief of Souls is one man's battle with evil for the fate of his humanity. It is a modern vampire-esque romance, gothic in tone, with a twist on the "Beauty and the Beast" theme, for the beast's ugliness resides on the inside rather than the outside, and his hope for redemption comes not from being loved by another but from discovering his own ability to love.

    When her dying Grandmother worries about Fiona’s future, Fiona stammers that she’s secretly engaged. Soon she finds herself promising that she will introduce her husband-to-be by Christmas. One dutiful duke… Percival Carmichael, new Duke of Alfriston, is in a hurry. He’s off to propose to London’s most eligible debutante. After nearly dying at Waterloo, he’s vowed to spend the rest of his life living up to the ton’s expectations. One fallen tree… When Fiona tries to warn a passing coach about a tree in the road, the driver mistakes her for a highwaywoman. Evidently he’s not used to seeing women attired in clothes only suitable for archaeology waving knives. After the driver flees, Fiona decides she may as well borrow the handsome passenger…

    Winning the very proper Lady Iona for a wife would go a long way to achieving that end.They found each other.The more Nathan tries to protect Lady Iona from running head-long into disgrace, the more he admires her daring spirit and unpredictable antics. Instead of returning her to the obedient world to which she was raised, he encourages her blossoming passions. Such a move is surely going to lead them both to ruin.But for love he is willing to risk everything.

    They should have a son and if it can be managed, he should be handsome. Cleverness isn’t important. Daughters in limited quantities are fine so long as they are pretty. Bastards are inconvenient and best ignored. It's not a big problem, unless you are one. Unfortunately, Sophy is. Sick of her outcast role, she escapes her father’s house, only to fall from her horse during a spring storm. Injured, soaked, and shivering, she stumbles to a stranger’s door—Tom, a blunt edged merchant from a family of vulgar upstarts. Mistaking Sophy for the genuine article, he takes her in. Sophy can’t resist twisting the truth. Soon she’s caught in her own snare—and it might just be a noose.

    With scandal nipping at her heels, to avoid total social ruin, Elizabeth must present a fiancé by the end of the Season. But when the viscount proves reluctant, Elizabeth is forced to employ a seduction of a different sort...With his seduction he is determined to ruin herViscount Derek Creswell believes Elizabeth set out to trap him into marriage. After all, her sister attempted the very same thing with his brother six years before. Now the delectable Miss Smith expects a betrothal and a ring, while Derek finds her ruination infinitely more appealing...But as Derek sets out to seduce only her body, Elizabeth is intent on claiming his jaded heart.This is a novella and 29,000 words. Included is a three chapter excerpt of the third full-length book in The Elusive Lords series, AN HEIR OF DECEPTION. The total word count for this book is 43,000 + words. Prior books in The Elusive Lords series are:SINFUL SURRENDER (Book #1)A TASTE OF DESIRE (Book #2)

    The innocent he's selected, however, has no plans to settle for anything less than marriage and will go to almost any length to secure him. With no other means for an income, the impoverished Andrew Black, Earl of Townson, makes an agreement that will put a definite end to his eight year poverty streak. But, in order to gain his fortune he must do only one simple thing: ruin an innocent young lady’s reputation enough to make her flee to America.Brooke Banks isn’t interested in marriage, or so she thinks. She came to London to have a good time, and that’s exactly what she’s doing. Widely known for her tendency to flout the rules, she suspects nothing when a handsome stranger appears on her doorstep. Thirteen days, a handful of kisses and one scandalous situation later, Andrew and Brooke will have to choose to stick to their original plans, or decide if a life together is worth the risk. ***This is a full-length novel, approx. 100,000 words.

     Ashamed of his behaviour he hides away in his country seat, determined to become a sensible gentleman, no longer caught up by whichever eligible young lady catches his eye. The only problem? A beautiful tenant named Julia who is living in his gatehouse. William knows that he should have very little to do with his tenants but he simply cannot get her out of his mind. The more time he spends, the more he wants to know her despite their difference in status. A sudden accident leads to a whole new life for Julia, who is loathe to tell him much about herself, despite their intimate connection. When the truth finally comes out and Julia confesses all, William must decide what to do with the lady who has stolen his heart. Authors Note: This is a clean, stand-alone romance with an HEA. If you love clean Regency-era romances you will love The Viscount in Hiding!

    But when her father catches her kissing the handsome Sir Roland (how else is she to determine if he is the one who will make her feel thunder and lightning, hear bells and music?), he declares that her days of headstrong independence are over. She will, he commands, announce her engagement to Sir Roland—immediately. But in an age where marriages are about alliances rather than affection, practicality not passion, Myriah wants more—she wants to fall in love. And she does not love Sir Roland. So she runs away to her grandfather with her faithful manservant, Tabson, at her side.A wrong turn in the fog, however, leads to the discovery of an injured young man, and before she knows it Myriah is caught up in world of intrigue and secrets. And when she meets the young man’s older brother, the mysterious Lord Kit Wimborne, the sparks fly. Their first encounter—in his bed, both of them naked, no less!—is an explosion of wills, and it is what finally set Myriah on fire.She has, it seems, finally found her thunder and lightning…**note: this is an updated version of an earlier novel written as Claudette Williams. The updated versions of Claudy's Claudette Williams titles are more sexually explicit than the original versions.

    So when he promises young Winnefred Blythe the money that his stepmother had cheated her out of over the years, he expects to be greeted as a hero. But the situation is much more complicated than Gideon had expected-and the task of taming the untrusting Winnefred much more alluring.

    On the death of her mother and sister, Isabelle Gibson is left to fend for herself and her brother in a privately-run workhouse. After the matron's son attacks her, Isabelle decides to escape him and a life of drudgery by agreeing to marry a moorland farmer she has never met. But this man, Farrell, is a drunkard and a bully in constant feud with his landlord, Ethan Harrington. When Farrell bungles a robbery and deserts her, Isabelle and Ethan are thrown together as she struggles to save the farm. Both are married and must hide their growing love. But despite the secrecy, Isabelle draws strength from Ethan as faces from the past return to haunt her and a tragedy is set to strike that will change all of their lives forever.​

    As the daughter of a famous archaeologist, she’s been everywhere and seen everything—except London. When the Talbot-Martin team travels there for her father’s investiture, Linley finally gets her wish. But when the time comes to trade her jodhpurs and work boots for silk gowns and kid gloves, she may be in over her head.Even though she can out-ride, out-shoot, and outsmart any girl in London society, Linley is destined to be the failure of the season. No one she meets cares about ancient pottery or lost Buddhist texts, and fundraising efforts for future expeditions keep coming up short. If the Talbot-Martin team doesn’t find money soon, they will be out of a job, and Linley will lose everything she holds dear.Patrick Wolford, Marquess of Kyre (pronounced 'Keer'), is a man who knows his place. Well-connected and respected, he is everything everyone expects him to be, but beneath his façade, he is as neglected and crumbling as the family estate. Now the strain of keeping up appearances is taking its toll. The smart thing would be to marry the heiress nipping at his heels and be done with it, but when he meets Linley Talbot-Martin, who dares to shake up his seemingly proper world, he must choose between the life he’s always known and one he never dared to dream of.

    But when the man she's loved since her girlhood returns from a long spell abroad, she quite suddenly finds herself hoping the fine lord her brother has picked for her won't propose. She decides that if he does, she'll quite improperly turn him down—that is, until the man of her hopes and dreams informs her he has no intention of marrying her.The last time Tristan Nesbitt saw Alexandra, he was a common man with no hope of ever wedding the daughter of a marquess. Seven years later, he's now Lord Hawkridge, which should make him eminently suitable for the woman who long ago captured his heart. But a dreadful scandal has tarnished his name in England—a scandal so horrid that marrying Alexandra would ruin not only her flawless reputation but her whole family. For Alexandra's own good, he must fight his relentless desires and stay far away…

    Now he is bound by duty to get an heir. Unfortunately, to get the heir, he must find a wife. As luck would have it, he gets caught in a scandalous situation not of his doing, and the next thing he knows, he's married...and to a lady whose family is reported to desire money above all else.Miss Claire Lowell wanted to get married. But she never intended to marry a gentleman who felt trapped into it, and she certainly never thought her family would have a hand in the scandal that forced Lord Roderick's hand in marriage. Can love find a way to thrive under such conditions or will her father's eagerness to see her married off to an earl condemn her to a loveless marriage?

    To protect her family, to protect herself, she is determined to find the men before they find her. The last thing she wanted was an entanglement with a duke that threatens her very survival... Hardened long ago, the last thing the Duke of Dunway wanted was an entanglement with a chit of the ton. But in the flash of a pistol, his fate is altered as he finds himself honor-bound to protect Lady Augustine from, of all things, herself.

    Attacked and disabled by a broken leg, he rents a room in the humble home of Joanna Chapman, a silk merchant’s widow. Joanna, having learned not to trust handsome, charming devils like Graeham, lets him think her husband is still alive in order to keep him at a distance. Mindful of his mission—and the promised reward—Graeham tries to resist his feelings for Joanna, but the white-hot desire simmering between them cannot be denied.Inspired by Alfred Hitchcock’s Rear Window