First published in 1937, Genzaburō Yoshino’s How Do You Live? has long been acknowledged in Japan as a crossover classic for young readers. Academy Award–winning animator Hayao Miyazaki (Spirited Away, My Neighbor Totoro, Howl’s Moving Castle) has called it his favorite childhood book and announced plans to emerge from retirement to make it the basis of a final film. How Do You Live? is narrated in two voices. The first belongs to Copper, fifteen, who after the death of his father must confront inevitable and enormous change, including his own betrayal of his best friend. In between episodes of Copper’s emerging story, his uncle writes to him in a journal, sharing knowledge and offering advice on life’s big questions as Copper begins to encounter them. Over the course of the story, Copper, like his namesake Copernicus, looks to the stars, and uses his discoveries about the heavens, earth, and human nature to answer the question of how he will live. This first-ever English-language translation of a Japanese classic about finding one’s place in a world both infinitely large and unimaginably small is perfect for readers of philosophical fiction like The Alchemist and The Little Prince, as well as Miyazaki fans eager to understand one of his most important influences.

    But as night falls and the season begins to change, Neddy sinks from optimistic bliss to utter despair.

    However, when questioned, Romaine informs the police that Vole returned home late that night covered in blood. During the trial, Ms. French's housekeeper, Janet, gives damning evidence against Vole and, as Romaine's cross-examination begins, her motives come under scrutiny in the courtroom. One question remains, will justice prevail?Librarian's note #1: this is the original short story. It was published in the print anthologies "The Witness for The Prosecution and Other Stories," and "The Hound of Death and Other Stories." It first appeared in "Flynn's Weekly" under the title of "Traitor Hands" in 1925. The author adapted it into a play in 1953 with additional material following the original ending, which became the basis for the 1957 film of the same name with Charles Laughton and Marlene Dietrich.

    Reiko Himekawa and her squad take the case. The victim was slaughtered brutally---his wounds are bizarre, and no one can figure out the "what" or the "why" of this crime.At age twenty-nine, Reiko Himekawa of the Tokyo Metropolitan Police's Homicide Division is young to have been made lieutenant, particularly because she lacks any kind of political or family connections. Despite barriers created by age, gender, and lack of connections, she is mentally tough, oblivious to danger, and has an impressive ability to solve crimes.Reiko makes a discovery that leads the police to uncover eleven other bodies, all wrapped in the same sort of plastic. Few of the bodies are identifiable, but the ones that are have no connection to each other. The only possible clue is a long shot lead to a website spoken only in whispers on the Internet, something on the dark web known as "Strawberry Night."But while she is hunting the killer, the killer is hunting her... and she may very well have been marked as the next victim.

    After devoting their energies and income for ten years to replacing a borrowed diamond necklace which they have lost, a woman and her husband learn the irony of their efforts.

    Because of Amendments 211, 212, and 213 to the Constitution, every American is fully equal, meaning that no one is stupider, uglier, weaker, or slower than anyone else. The Handicapper General and a team of agents ensure that the laws of equality are enforced.One April, fourteen-year-old Harrison Bergeron is taken away from his parents, George and Hazel, by the government.

    At the heart of Chang's achievement is her short fiction—tales of love, longing, and the shifting and endlessly treacherous shoals of family life. Written when Chang was still in her twenties, these extraordinary stories combine an unsettled, probing, utterly contemporary sensibility, keenly alert to sexual politics and psychological ambiguity, with an intense lyricism that echoes the classics of Chinese literature. Love in a Fallen City, the first collection in English of this dazzling body of work, introduces American readers to the stark and glamorous vision of a modern master.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    In a shocking clash between the warriors and the merchant class of seventeenth century Japan, there emerged the most unlikely set of heroes--the forty-seven ronin, or ex-samurai, of Ako.

    Kyoko Kuonji is said to be with child for the last twenty months, and her husband Makio disappeared a few months prior to her pregnancy. The odd circumstances have left the family with no one to turn to for help, until a freelance writer asks his exorcist friend to take on the case. The catch-the exorcist does not believe in ghosts. To Akihiko "Kyogokudo" Chuzenji, the supernatural is as much metaphysical and mental as it is unearthly.The Summer of the Ubume was the debut work by the Neil Gaiman of Japanese mystery fiction - Natsuhiko Kyogoku. Weaving together intrigue and Kyogoku's passion for Japanese folklore, particularly the paranormal and preternatural, this Summer gives birth to a new form of Japanese fiction.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place.

    Father and son were at chess, the former, who possessed ideas about the game involving radical changes, putting his king into such sharp and unnecessary perils that it even provoked comment from the white-haired old lady knitting placidly by the fire. "Hark at the wind," said Mr. White, who, having seen a fatal mistake after it was too late, was amiably desirous of preventing his son from seeing it. "I'm listening," said the latter, grimly surveying the board as he stretched out his hand. "Check." "I should hardly think that he'd come to-night," said his father, with his hand poised over the board.