Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

    Some of the natural history lore is antiquated, but keen intelligence and good humor express themselves in a readable and enjoyable manner.

    Like its macho predecessor, Badass: The Birth of a Legend celebrates fearless berserkers of every stripe, male and female, but this time pulls them from the hoary pages of mythology, fantasy fiction, and the silver screen—from Zeus to Beowulf to Dirty Harry Callahan, the most merciless gods, monsters, heroes, villains, and mythical creatures ever envisioned. Forget your whiny Twilight vampires and werewolves, these badasses kick butt!

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    Vicky and Charlie are best friends who used to co-review hardcore porn movies. After a year of fat lechers, bored hookers and clunky dialogue, they said, "Hang on, we could make a better film than this ourselves." What was to stop them? Only their conservative families, stammering English reserve, and total lack of experience. They set off at once. This is the extraordinary and hilarious story of their journey from a sofa in North London, through the heart of the sex industry in California, to their own film set in Amsterdam. What happens when a 'nice girl' falls in love with a rent-boy, and a vicar's son attempts to film a gang-bang? Vicky and Charlie learned to see the world through new eyes, and the sex-workers learned how to play cribbage. And together they produced perhaps the most baffling skinflick in history.

    The little seed in the Styrofoam cup offers a reminder about our own mortality and the delicate nature of life . . . a spider who catches (and loses) a full-grown woman in its web one fine morning teaches us about surviving catastrophe . . . the love story of Jean-Francois Pilatre and his hot-air balloon reminds us to be brave and unafraid to “fly” . . . life lessons hidden in the laundry pile . . . magical qualities found in a box of crayons . . . hide-and-seek vs. sardines—and how these games relate to the nature of God. All I Really Need to Know I Learned in Kindergarten is brimming with the very stuff of life and the significance found in the smallest details.

    It is a collection of essays, observations and rituals, and outlines LaVey's Satanic ideology. It contains the core principles of the Church of Satan and is considered the foundation of the philosophy and dogma that constitute LaVeyan Satanism.

    Like those other outstanding comics Spike Milligan and Peter Cook he had an innate belief in absurdity as a way of life - his humour and sheer joy in madness for its own sake was as likely to find its outlet on the street as on the stage. The other Pythons often said that just listening to Graham tell them about one of his wild evenings out was fodder for a dozen sketches. He was inventive, fearless, willing to take chances and make stands. Openly gay, capable of outrageous alcohol-fuelled behaviour, Graham Chapman lived an untidy life, and in some respects this book mirrors that. Inside is everything from television scripts and sketches to humorous essays on serious topics, comic flights of fancy that serve no purpose except to elicit a laugh, letters to friends and fellow hellraisers like Keith Moon and Ringo Starr, his behind-the-scenes account of the filming of Life of Brian, his views on fellow Pythons, and much more.

    In Why We Suck, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin--basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. "Sure it's just a celebrity type of thing--they only gave it to me because I'm famous," Leary explains. "But it's legal and it means I get to say I'm a doctor--just like Dr. Phil." In Why We Suck, Leary's famously smart style and sardonic wit have found their fullest and fiercest expression yet. Zeroing in on the ridiculous wherever he finds it, Leary unravels his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows No Cure for Cancer and Lock 'n Load, and his platinum-selling song, "Asshole." Proudly Irish American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are penetrating social commentary with no holds barred. Leary's book will find wide appeal among people who want to laugh out loud or find a guide who matches their view of what's wrong in America and the world-at-large; and fans of his one-man shows, his many movies, and Rescue Me, Leary's Golden Globe and Emmy-nominated television show. Why We Suck is the latest salvo from one of America's most original and biting comic satirists.

    But will they write ANY essay you request? Only the WORST of these horrible companies were employed in the composition of Mindsploitation. A GREAT DEAL of money was wasted ACROSS THE GLOBE to commission what may be the dumbest collection of ridiculous assignments in HUMAN HISTORY.What does it say about our society that we can buy a quick custom eulogy for our grandmother, or pay to have a love poem for a mistress prepared by a stranger at the click of a button? How entitled is a culture that keeps these services afloat? Mindsploitation uses such questions as a launching pad for wildly entertaining comedic exchanges. The 50 assignments in this book hilariously explore self-help, spirituality, family, health, diet, pop culture, love, and more.

    O’Rourke has had a prolific career as one of America’s most celebrated humorists. But that career almost didn’t happen. As he tells it, “I began to write for pay in the spring of 1970. To tell the truth I didn’t even mean to be a writer, I meant to be a race car driver, but I didn’t have a race car.”Fortunately for us, he had to settle for writing. From his early pieces for the National Lampoon, through his classic reporting as Rolling Stone’s International Affairs editor in the 80s and 90s, and his brilliant, inimitable political journalism and analysis, P.J. has been entertaining and provoking readers with high octane prose, a gonzo Republican attitude and a rare ability to make you laugh out loud. Chris Buckley once described his work as “S.J. Perlman on acid” and when Penguin first published its Dictionary of Modern Humorous Quotations PJ had more entries than any living writer.For the first time Thrown Under the Omnibus brings together his funniest, most outrageous, most controversial and most loved pieces in the definitive P.J. reader. Handpicked and introduced by the humorist himself, Thrown Under the Omnibus is the essential P.J. O’Rourke anthology.

    The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!"Zest. Gusto. Curiosity. These are the qualities every writer must have, as well as a spirit of adventure. In this exuberant book, the incomparable Ray Bradbury shares the wisdom, experience, and excitement of a lifetime of writing. Here are practical tips on the art of writing from a master of the craft—everything from finding original ideas to developing your own voice and style—as well as the inside story of Bradbury's own remarkable career as a prolific author of novels, stories, poems, films, and plays.Zen in the Art of Writing is more than just a how-to manual for the would-be writer: it is a celebration of the act of writing itself that will delight, impassion, and inspire the writer in you. Bradbury encourages us to follow the unique path of our instincts and enthusiasms to the place where our inner genius dwells, and he shows that success as a writer depends on how well you know one subject: your own life.

    I fear that, without it, I would feel invisible.   BABA YAGA: When you seek others this way, you are invisible nonetheless. Yr shawl is covered in mirrors in which others admire themselves; this is why they greet you so passionately. It is good to be seen, but it is better to see. Find a being to look hard into, & you will see yrself and what is more than you.  In age-old Slavic fairy tales, the witch Baba Yaga is sought out by those with a burning need for guidance. In contemporary life, Baba Yaga—a dangerous, slippery oracle—answered earnest questions on The Hairpin for years. These pages collect her most poignant, surreal, and humorous exchanges along with all-new questions and answers for those seeking her mystical advice.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    He enjoins educators to stop offering up literature as facile entertainment and instead teach students to read in a way that can change their lives for the better. At once controversial and inspiring, this is a groundbreaking book written with the elegance and power to change the way we teach and read. Praise for Why Read?: "Edmundson is dead on target."-Washington Post Book World "Edmundson's an engaging teacher, earnest, knowledgeable, witty."-Boston Globe "Why Read? makes passionate arguments for literature's soul-making potential."-Raleigh News and Observer "An engaging blend of social criticism, self-improvement wisdom, and appeal to fellow humanities professors...Edmundson writes with a rare combination of force and humility."-Willamette Weekly Mark Edmundson is NEH/Daniels Family Distinguished Teaching Professor at the University of Virginia. A prizewinning scholar, he is the author of Literature Against Philosophy, Plato to Derrida, and the widely praised memoir, Teacher: The One Who Made the Difference. He has written for the New Republic, the New York Times Magazine, the Nation, and Harper's, where he is a contributing editor. Featured on Brian Lamb's final Booknotes Also available: HC 1-58234-425-6 ISBN 13: 978-158234-425- $21.95