The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    Hiroaki Samura's massive manga series spawned two anime adaptations, a spinoff novel, an art book, and a live-action film! Samura's storytelling tour-de-force also won Japan's Media Arts Award, several British Eagle Awards, and an Eisner Award, among other international accolades. Intense and audacious, Blade takes period samurai action and deftly combines it with a modernist street idiom to create a style and mood like no other work of graphic fiction.Collects Blade of the Immortal volumes 1 to 3 in the original 7x10 serialized format, in a faux-leather hardcover treatment, and with a bookmark ribbon.

    

    If they are lucky, they can recruit Fenris—the Blue Wraith—whose vendetta against his former master has put him on a similar path.

    Originally published by Palliard Press.

    

    Special guest appearance by Evil Ernie.

    And in the Crogan's Adventure, you'll get an epilogue to the story of one of the brothers from Crogan's Loyalty.

    Peter Bagge’s Other Stuff includes a few lesser-known Bagge characters, including the wacky modern party girl “Lovey” and the aging bobo “Shut-Ins” — not to mention the self-explanatory “Rock ’N’ Roll Dad” starring Murry Wilson and the Beach Boys. But many of the strips are one-off gags or short stories, often with a contemporary satirical slant, including on-site reportage like “So Much Comedy, So Little Time” (from a comedy festival) and more. Also: Dick Cheney, The Matrix, and Alien! Other Stuff also includes a series of Bagge=written stories drawn by other cartoonists, including “Life in these United States” with Daniel Clowes, “Shamrock Squid” with Adrian Tomine, and the one-two parody punch of “Caffy” (with art by R. Crumb) and “Dildobert” (with art by Prison Pit’s Johnny Ryan)... plus a highlight of the book, the hilarious, literate and intricate exposé of “Kool-Aid Man” written by Alan Moore and drawn by Bagge. (Other collaborators include the Hernandez Brothers and Danny Hellman.) Bagge is one of the funniest cartoonists of the century (20th or 21st), and this collection shows him at his most free-wheeling and craziest... 50 times over.

    What if you can restart your life with a different setting just like a game? DONG TAE always get bullied by his classmates, but TAE BIN, sits right next to him, is handsome and popular at school; and now, TAE BIN suggests DONG TAE to play a little game.

    This is the story of two brothers at war, wrapped in a special package of extreme language and hardcore violence. Join award-winning writer Garth Ennis (Preacher, The Punisher), Jimmy Palmiotti (Jonah Hex, Painkiller Jane), and artist Mihailo Vukelic on an adrenaline ride that rips the roof off Brooklyn's criminal underworld!

    There're plenty of gangs in Los Angeles: north of downtown it's the

    After the release of three startling, award-winning movies that have played around the world and been added to the permanent collection of the Museum of Modern Art, S. Craig Zahler wanted to return to his first artistic passion―illustration.With tools that he had developed as a director, screenwriter, cinematographer, novelist, and songwriter, he committed himself to writing, drawing, inking, and lettering his graphic novel debut, a full-length work of noir horror entitled, Forbidden Surgeries of the Hideous Dr. Divinus.Here’s the setup…Homeless people are disappearing in New Bastion, and occasionally, a dismantled corpse turns up in a dumpster. These crimes are left alone, until the day a comatose woman named Lillian Driscoll is kidnapped from the hospital. Her brothers―a grumpy detective named Leo and a slick mobster named Tommy―seek answers that lead them to darkness, arcane medicine, and pain.Fans of Bone Tomahawk (recently named best film of the decade by Conan O’Brien) will enjoy Zahler’s return to the supernatural, and the idiosyncratic, tough guy dialogue found in his crime pictures Dragged Across Concrete and Brawl in Cell Block 99 (both of which premiered at the Venice Film Festival) is also present in this starkly rendered, black-and-white graphic novel, a stylistic confluence of pre-code horror, vintage comic strip, and modern indie art styles.

    Who would have thought a simple quest for food would be so difficult? This completely wordless story is perfect for children ages 5 and older. Grown-ups'll love it, too.

    Part quasi-autobiography, part dream diary, part strange descriptions of "Jimland Novelties," this book is a "brilliant pastiche of crazed emotions, wonderfully textured with lush, attentive artwork [and] oddly haunting," says Hugh Bonar in a Comics Journal review. There is nothing like Jim Woodring. Period.