The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

    Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

    Born in Dublin, he moved to London when he turned twenty. Having rejected formal schooling, he educated himself by independent study in the reading room of the British Museum; he also began his career there by writing novels for which he could not find a publisher. His first success was as a music and literary critic, but he was drawn to drama and authored more than sixty plays during his career. Typically his work is leavened by a delightful vein of comedy, but nearly all of it bears earnest messages Shaw hoped his audiences would embrace. He remains the only person to have been awarded both a Nobel Prize (1925) for his contribution to literature and an Oscar (1938) for Pygmalion. Among his most famous works are: Candida (1894), Arms and the Man (1894) and Man and Superman (1902-03).

    On this occasion, their ringleader is inspired to rebellion after reading some books on philosophy and science.Anatole France's 1914 satire of war, government, and religion offers an ever-resonant protest against violence and tyranny.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    The story of the Cornish knight and the Irish princess who meet by deception, fall in love by magic, and pursue that love in defiance of heavenly and earthly law has inspired artists from Matthew Arnold to Richard Wagner. But nowhere has it been retold with greater eloquence and dignity than in Joseph Bédier’s edition, which weaves several medieval sources into a seamless whole, elegantly translated by Hilaire Belloc and Paul Rosenfeld.

    The city was captured by a rebellious lord, Palicrovol, who overthrew the cruel king, Nasilee, hated by his people.Palicrovol, too, was cruel, as befitted a king. He took the true mantle of kinghood by forcing Asineth, now Queen by her father's death, to marry him, raping her to consummate the marriage. [But he was not cruel enough to rule.] He let her live after her humiliation; live to bear a daughter; live to return from exile and retake the throne of Hart's Hope.But she, in turn, sent Palicrovol into exile to breed a son who would, in the name of the God, take back the kingdom from its cruel Queen.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    It is an archetypal American story of escape from domesticity tracing a young man's rite of passage through a series of terrible brushes with death during a fateful sea voyage. Included are eight related tales which further illuminate Pym by their treatment of persistent themes--fantastic voyages, gigantic whirlpools, and premature burials--as well as its relationship to Poe's art and life.ContentsThe narrative of Arthur Gordon Pym of Nantucket -- (1838)MS found in a bottle -- (1833)Loss of breath -- (1832)Mystification -- (1837)How to write a Blackwood article -- (Nov 1838)A descent into the maelström -- (Apr 1841)The pit and the pendulum -- (1843The balloon hoax -- (Apr 13, 1844)The premature burial. (Jul 31, 1844)

    But although they think of many ingenious ways to do so, their well meant efforts are either more fun than profitable, or lead to trouble...

    Join Flashman in his adventures as he survives fearful ordeals and outlandish perils across the four corners of the world.Can a man be all bad? When Harry Flashman’s adventures as the reluctant secret agent in Afghanistan lead him to join the exclusive company of Lord Cardigan’s Hussars and play a part in the disastrous Retreat from Kabul, it culminates in the rascal’s finest – and most dishonest – turn.

    But this is a changed world, and medieval Europe is dominated by the threat from the Byzantine Empire. Sforza, the Vampire Duke, marshals his forces for his long-planned attack on Florence, and Byzantium is on the march. A mercenary, the exiled heir to the Byzantine throne, a young woman physician forced to flee Florence, and a Welsh wizard, the nephew of Owain Gly Dwr, seem to have no common goals but together they wage an intrigue-filled campaign against the might of Byzantium, striving to secure the English throne for Richard, Duke of Gloucester, and make him Richard III.

    Across Europe, the high tide of revolution has crested, leaving recrimination and betrayal in its wake. From the high councils of Prussia to the corridors of Parliament, the powers-that-be breathe sighs of relief. But the powers-that-be are hardly unified among themselves. Far from it...On the south coast of England, London man-about-town James Cobham comes to himself in a country inn, with no idea how he got there. Corresponding with his cousin, he discovers himself to have been presumed drowned in a boating accident. Together they decide that he should stay put for the moment, while they investigate what may have transpired. For James Cobham is a wanted man--wanted by conspiring factions of the government and the Chartists alike, and also the target of a magical conspiracy inside his own family.And so the adventure begins...leading the reader through every corner of mid-nineteenth-century Britain, from the parlors of the elite to the dens of the underclass. Not since Wilkie Collins or Conan Doyle has there been such a profusion of guns, swordfights, family intrigues, women disguised as men, occult societies, philosophical discussions, and, of course, passionate romance.Nor could any writing team but Steven Brust and Emma Bull make it quite so much fun...

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.