Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.

    Although she has a very light complexion, she is proud of her blackness, even as she takes a beating from the very sistahs she tries so hard to emulate. Her only friend, Scooter Morrison, is an upwardly mobile brother who also happens to be young, gifted, and gay. Then a chance encounter with two fine Puerto Rican men changes Juanita’s and Scooter’s lives in ways they could never have imagined. There is Conan, a hardworking man who wrestles with both his love for Juanita and his guilt over his brother’s death; and Jorge, an unscrupulous bad-boy thug who has no problem using what he’s got to get what he wants, until he comes dangerously close to getting scorched by his own flames.Fast-paced, suspenseful, and unpredictable, Chocolate Sangria explores the hearts of two lovers who get caught in the great cultural divide—and the devastating consequences of keeping secrets, telling lies, and betraying those you love.

    That? She saves for music, whether she's playing guitar or DJing...and everyone dances to her tune. But when the dreams Nina works so hard for start to fall into place, the past she thinks she's left behind returns. As she opens herself - to everything - Nina learns that being punk alone is not enough. She needs to love and be loved, to let go - without losing herself. Angst, sex, love, rock - 'Nuff said.

    . . she says. A smart, successful woman of substance, she is willing to be a friend to Gavin Mathis, who plays pro football for the Detroit Lions and is the finest specimen of the African-American male she's ever laid eyes on. Gavin's been tight with her brother Wesley for so long he's almost family.So Anna's happy when she can help Gavin out of a personal jam -- and the fact that he's setting fires inside her has nothing to do with it.Gavin feels the heat too, but he can't trust himself to love Anna. Her folks, who've always been good to him, would be enraged. Besides, if he marries, he's afraid he'll become an irresponsible deadbeat like his dad, who just dumped Gavin's little brother on the ballplayer's doorstep. But sparks are definitely flying and this sexy lady's got his heart pumping like mad -- and it's telling him to go for it . . . and to hell with the consequences.

    He never expected to be dragged into a terrifying series of events that culminates in a single moment of horror, one that would forever change his life in a way no teenager should have to endure. Now Eric must face an uncertain future while combating the ghosts of the past that threaten to rip away any happiness in his life.

    Set in upstate New York, the novel follows these characters as they achieve their aims in lives redolent with loss and hope, humor and sadness, union and alienation. Russell picks up the thread of his critically acclaimed novel The Salt Point 20 years later and tracks the lives of these friends, some of whom not only lost touch with each other but have also lost their way. Moving, at times shocking, and always memorable, Immaculate Blue points to where the personal and the political come together and shape our lives in unexpected ways. With this newest novel, Paul Russell reminds us of why he is one of the most important voices on the literary scene.

    It is a story about childhood and growing up, loss of innocence, eccentricity, familial ties and friendships, love and life. Stripped down to its bare bones, it’s about the unbreakable bond between a brother and sister.

    Here in one volume are his immensely popular novel, The Picture of Dorian Gray; his last literary work, “The Ballad of Reading Gaol,” a product of his own prison experience; and four complete plays: Lady Windermere’s Fan, his first dramatic success, An Ideal Husband, which pokes fun at conventional morality, The Importance of Being Earnest, his finest comedy, and Salomé, a portrait of uncontrollable love originally written in French and faithfully translated by Richard Ellmann.Every selection appears in its entirety–a marvelous collection of outstanding works by the incomparable Oscar Wilde, who’s been aptly called “a lord of language” by Max Beerbohm.

    New home. New job. New town. She's moved in with her politically-active best friend from university who has promised to find Millie a date before Christmas.  When news that the local head of the council, Nightmare Nightingale, has decided that there will be no Christmas tree in the town centre that year, Millie is quick to pick up a placard and join the protests. After all, what is Christmas without a tree? But Millie soon discovers that Professor Kay Nightingale isn't quite the nightmare she is painted to be.  What will happen when Millie gets closer to Kay? How will she explain the confusing relationship to her friends? And will there be a Christmas tree in the end?

    Phased out. Home had never appealed. All his life he had dreamed about a plush flat somewhere in the West End of London. So now he would make the leap from poverty street into the affluent society. In one gigantic jump. Fresh out of stir after kicking a police sergeant’s head in, former skinhead Joe Hawkins is heading for the big time – a job in a firm of stockbrokers, a swanky flat and (hopefully) plenty of money. A whole new style is called for – so Joe becomes a Suedehead. The hair is a few millimetres longer, the uniform a velvet-collared crombie coat, bowler hat and neatly-furled umbrella – with razor sharp tip. For while Joe might be playing the establishment pet, he remains the unrepentently vicious, cunning hooligan from Skinhead, intent on pulling women, stealing and putting the boot in. It’s not long before he finds some other Suedes willing to commit mayhem under cover of respectability... but can Joe and respectability ever really get along? Suedehead is the second of Richard Allen’s era-defining cult novels featuring anti-hero Joe Hawkins. First published in 1971, this new edition features an introduction by Andrew Stevens.

    Along with her friends the lanky Anais, the cheerful Marie and the prim Joubert twins Claudine wreaks havoc on her small school. Always clever, witty and charming Claudine is more than a match for her formidable headmistress as they fight for the attention of the pretty assistant Aimee. The horrors of examinations and good-humoured bullying are the backdrops in this immensely funny and delightful novel with which Colette established the captivating character of Claudine. Through the games, the fun and the intricacies of school life Claudine emerges as a true original; lyrical and intelligent she is one of the twentieth century's most beguiling emancipated women.

    Escape—in the form of stowing away on a ship—only deepens his exposure to the squalor and brutality that men are capable of, and when he arrives in Alexandria he learns there are some things that one can't run away from. Narrated in unflinching language that is both visceral and acute in its observational power, Boy is a shocking book that stays in the mind long after it is read. Unfairly neglected during his lifetime, only recently has this original, uncompromising novelist started to be reappraised as among the finest novelists writing in English in the 20th century.

    George McAllister knows better than to hook up with an untrained submissive. He doesn't have the patience to guide a novice through his first kinky experiences. His lovers know what they are doing and do what they are told. When he sees Eric dancing on top of a table in a kinky club, he assumes the beautiful young man is an experienced submissive. Then he sees the turquoise and leather on his neck and recognises it as a collar. Someone else already owns Eric. George has no choice but to walk away. Eric Jordan doesn't know much about kink and he has no idea why George is suddenly less than enthusiastic. But he knows what he wants and if he has to chase after George to get it, so be it. If George wants to believe the pretty bit of rock on his necklace means something kinky, that's fine. But Eric doesn't belong to anyone but himself and he won't give up possession of himself for one night in George's bed. An untrained submissive might not be what George wants, but he could be just what George needs.

    It’s the late eighties in Long Island, New York, and eighteen-year-old Harlan Kessler plays in a band, parties with friends, and struggles with a family that offers anything but a Kodak moment. The one ray of hope in Harlan’s life is Sarah DeRosa. With her by his side, Harlan just might make the right choices between love and aggression, intimacy and absence, finding himself and losing his mind. . . .

    Dani is befriended--against her own better judgment--by a young therapist named Grace Beaumont, who helps Dani make it through the ordeal of bringing the attacker to justice.