These include films: The Irony of Fate, Moscow Does Not Believe in Tears, White Sun of the Desert, Sherlock Holmes and Dr Watson; a novel: The Twelve Chairs; animated cartoons: Hedgehog in the Mist and The Prostokvashino Three; the writer Mikhail Bulgakov; the singer-songwriter Vladimir Vysotsky; stand-up comedians Mikhail Zhvanestky and Mikhail Zadornov; and a character from a fairy tale, Yemelya the Simpleton. The subjects of the chapters were selected for their influence on Russian language and thinking, and also because they reflect Russian attitudes and perceptions. The author brings them to life through her own experiences of, and responses to, these modern icons. This book, though invaluable for students of Russian, is for everyone interested in Russian language and culture, and explains why certain references and attitudes continue to permeate everyday life. Olga Fedina grew up in Moscow in the turbulent late-Soviet and immediately post-Soviet years, graduating from the Department of Journalism of Moscow State University. She subsequently lived for a decade in London and is currently based in Valencia, Spain. She sometimes misses her homeland, and this book expresses some of the unique aspects of Russia and the Russians that she always carries with her.

    As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer’s block, and hours of Internet backgammon. Bored to Death was originally published in McSweeney’s Issue 24 and is the centerpiece of Ames’s collection of essays and fiction, The Double Life Is Twice as Good. Bored to Death Artwork © 2009 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc.

    He spent his early childhood in Astrakhan where his father worked as a shipping agent, but when the boy was only five years old, his father died, and he was sent to live with his maternal grandparents. This was not a happy time for the young Gorky as conditions were poor and often violent. At the age of eight, the boy's grandfather forced him to quit school and apprenticed him to several tradesmen including a shoemaker and an icon painter. Fortunately, Gorky also worked as a dishwasher on a Volga steamer where a friendly cook taught him to read, and literature soon became his passion. At the age of twelve, Gorky ran away from home and barely survived, half starving, moving from one small job to the next. He was often beaten by his employers and seldom had enough to eat. The bitterness of these early experiences led him to choose the name Maxim Gorky (which means "the bitter one") as his pseudonym.

    This satirical novel tells the story of the surgical transformation of a dog into a man, and is an obvious criticism of Soviet society, especially the new rich that arose after the Bolshevik revolution.

    His first attempt was to approach two American students in Moscow. He handed them a bulky envelope and pleaded with them to deliver it to the American embassy. Inside was an offer to work as a 'soldier-warrior' for the free world. MI6 and the CIA ran Penkovsky jointly, in an operation that ran through the showdown over Berlin and the Cuban Missile Crisis. He provided crucial intelligence, including photographs of rocket manuals that helped Kennedy end the Cuba crisis and avert a war. Codenamed HERO, Penkovsky is widely seen as the most important spy of the Cold War, and the CIA-MI6 operation, run as the world stood on the brink of nuclear destruction, has never been bettered. But how exactly did the Russians detect Penkovsky, and why did they let him continue his contact with his handlers for months afterwards? Could it be that the whole Cuban Missile Crisis was part of a Soviet deception operation - and has another betrayal hidden in plain sight all these years? Thrilling, evocative and hugely controversial, Codename: Hero blows apart the myths surrounding one of the Cold War's greatest spy operations.

    According to Wikipedia: "Ivan Sergeyevich Turgenev 1818 â€" 1883) was a Russian novelist and playwright. His novel Fathers and Sons is regarded as one of the major works of 19th-century fiction."

    It gives clear descriptions of linear systems and uses mathematics not only to prove axiomatic theory, but also to enhance physical and intuitive understanding.

    His life, too, is the stuff of legend, from his survival of the siege of Leningrad in early childhood to his expulsion from the Soviet Union and his achievements as a Nobel Prize winner and America’s poet laureate.In this penetrating biography, Brodsky’s life and work are illuminated by his great friend, the late poet and literary scholar Lev Loseff. Drawing on a wide range of source materials, some previously unpublished, and extensive interviews with writers and critics, Loseff carefully reconstructs Brodsky’s personal history while offering deft and sensitive commentary on the philosophical, religious, and mythological sources that influenced the poet’s work. Published to great acclaim in Russia and now available in English for the first time, this is literary biography of the first order, and sets the groundwork for any books on Brodsky that might follow.

    In The Revolution of Peter the Great, James Cracraft offers a brilliant new interpretation of this pivotal era.Linking together and transcending Peter's many reforms of state and society, Cracraft argues, was nothing less than a cultural revolution. New ways of dress, elite social behavior, navigation, architecture, and image-making emerged along with expansive vocabularies for labeling new objects and activities. Russians learned how to build and sail warships; train, supply, and command a modern army; operate a new-style bureaucracy; conduct diplomacy on a par with the other European states; apply modern science; and conceptualize the new governing system. Throughout, Peter remains the central figure, and Cracraft discusses the shaping events of the tsar's youth, his inner circle, the resistance his reforms engendered, and the founding of the city that would embody his vision--St. Petersburg, which celebrated its tercentenary in 2003.By century's end, Russia was poised to play a critical role in the Napoleonic wars and boasted an elite culture about to burst into its golden age. In this eloquent book, Cracraft illuminates an astonishing transformation that had enormous consequences for both Russia and Europe, indeed the world.

     Like the Arkady Renko novels of Martin Cruz Smith, Robert Littell's masterful Mother Russia transports readers back in time and behind the Iron Curtain to experience the extremes of Soviet society. Robespierre Pravdin is a black marketeer who prowls Moscow's streets and alleys hustling wristwatches. Wishing only to survive in a city suffocated by paranoia and schizophrenia, Robespierre manages to make a tidy profit and stay under the state's radar-until, one day, he meets the woman called "Mother Russia" and becomes ensnared in the Byzantine and profoundly dangerous game of politics. This is another darkly engrossing pageturner from the bestselling author of The Sisters and The Defection of A. J. Lewinter.

    Includes many poems used in Arseny's son's films (Andrei Tarkovsky). With a bibliography of both Arseny and Andrei Tarkovsky, and illustrations from Tarkovsky's movies.FROM THE INTRODUCTION:Arseny Aleksandrovich Tarkovsky was was born in June 1907 in Elizavetgrad, later named Kirovograd. He studied at the Academy of Literature in Moscow from 1925 to 1929, and also worked in the editorial office of the journal Gudok. He was well respected as a translator, especially of the Oriental classics, but was little known as a poet for most of his life, being unable to get any of his own work published during the Stalinist era. His poems did not begin to appear in book form until he was over fifty. His son, the film director Andrei Tarkovsky, made extensive use of his father's in some of his films, and certain of his diary entries indicate the esteem in which the poet was held in the Soviet Union towards the end of his life. An entry written after Andrei had given a talk at the Moscow Physical Institute in 1980, for instance, reproduces the following note from a member of the audience: 'An enormous number of people in this hall admire Arseny Aleksandrovich Tarkovsky as a great Russian poet. Please convey our respects to him.' One of the few recorded public appearances of Arseny Tarkovsky was at the funeral of Anna Akhmatova; he was one of three writers deputed to accompany her coffin from Domodedovo to Leningrad, and he read both at her funeral in Komarovo and at the first evening held in her memory in Moscow. He died in 1989 and is now beginning to be recognised as one of the many significant Russian poets of the twentieth century.From Ignatyevo Forest'The last leaves' embers in total immolationRise into the sky; this whole forestSeethes with irritation, just as we didThat last year we lived together.

    He has come under fire in war zones and been arrested by Chechen thugs. He was wooed by the KGB, who then decided he would make a lousy spy and expelled him from the country.In Moscow Calling Roxburgh presents his Russia - not the Russia of news reports, but a quirky, crazy, exasperating, beautiful, tumultuous world that in forty years has changed completely, and yet not at all. From the dark, fearful days of communism and his adventures as a correspondent as the Soviet Union collapsed into chaos, to his frustrating work as a media consultant in Putin's Kremlin, this is a unique, fascinating and often hilarious insight into a country that today, more than ever, is of global political significance.

     At the time of his incarceration, Kitchin, a Finnish citizen, was working in Russia as a representative for an American firm. He was arrested by the Soviet secret police (known as the OGPU at the time), charged with violating an obscure regulation, held in prison, and then sent to a labor camp located in northern Russia where he describes the brutalities he endured and witnessed. He had the good fortune after a time to be assigned clerical work in the office of the penal camp administration. This undoubtedly saved his life and it also gave him a unique opportunity to observe the inner workings of the OGPU organization. As a citizen of Finland, his case was a matter of concern to the Finnish government, whose efforts finally obtained for him permission to leave Soviet Russia. His physical condition after four horrible years was dire. A year and a half were spent in convalescing, and another year in preparing his notes and writing this memoir of his experiences. Prisoner of the OGBU is one of the only first-hand authentic accounts of the penal camps of the Far North, and it is still relevant today in understanding and studying that brutal period of history. ‘This for the market of Escape from the Soviets, and others of the sort, an account of the piled-up horrors of a prison camp of the Soviet Secret Police. Kitchin was a representative of Finnish interests, and got caught on a technicality and sent for four horrible years to the far north. First hand data of Soviet methods and inefficiencies, of the regime and a revealing picture of behind the scenes, of incredible brutalities. Well done and thrillingly absorbing reading.’ – Kirkus Reviews

    It is one of the great mysteries of our times. They would be found with missing eyes, even a missing tongue, crushed bones, and stripped of their clothes in minus 50 degree temperatures . Theories range from their being being murdered by the CIA to space aliens, to "Abominable Snowmen". This book explores this famous incident using a technique known as "Higher criticism" to explain their terrifying deaths. It provides hitherto unexplored answers and is now the leading source on the incident, debunking all previous explanations while pointing to eleven points of overwhelming evidence that tell us what really happened on this tragic night of horror.

    Edited by leading scholars Francis T. Cullen and Robert Agnew, it presents a wide range of readings, including original theory pieces. A brief yet detailed introduction frames each Part (and each reading), providing students with a "road map" as they explore the ongoing intellectual developments, diverse views, and continuing debates in the field of criminological theory.Building on the success of the third edition, the thoroughly updated and revised fourth edition includes:* Eight new readings (each with its own introduction)* Two new Parts (each with its own introduction): "Theories of White-Collar Crime" and "Putting Theory to Work: Guiding Crime Control Policy"* A new Instructor's Manual on CD, featuring a Test Bank with multiple-choice and essay questions, learning objectives, key words, discussion topics and exercises, and PowerPoint lecture slidesComprehensive enough for graduate students yet accessible enough for undergraduate students, Criminological Theory: Past to Present--Essential Readings, Fourth Edition, remains a solid introduction to the foundations of criminology--and to the competing theories that will shape thinking about crime in the years ahead.