Like Joseph, Jamie Cohen is betrayed by his compadres but unexpectedly finds himself at the right hand of power. He helps a huge venture capitalist build pyramids - except these are investment pyramids based on technology idols. An additional narrative conceit is this: 200 years later, anthropologists find the virtual manuscript of Exit Strategy and begin annotating the text. Hundreds of readers have already contributed footnotes for the book – they are charming, wacky, compelling and Rushkoff has selected one hundred of his favorites for inclusion.

    It is the genre that stands in opposition to literary modernism." So says David G. Hartwell in his introduction to The Science Fiction Century, an anthology spanning a hundred years of science fiction, from its birth in the 1890s to the future it predicted.David G. Hartwell is a World Fantasy Award-winning editor and anthologist who has twice before redefined a genre--first the horror field with The Dark Descent, then the subgenre of hard science fiction with The Ascent of Wonder, coedited with Kathryn Cramer. Now, Hartwell has compiled the mother of all definitive anthologies, guaranteed to change not only the way the science fiction field views itself but also the way the rest of literature views the field.Contents 17 • Introduction (The Science Fiction Century) • (1997) • essay by David G. Hartwell 21 • Beam Us Home • (1969) • shortstory by James Tiptree, Jr. 31 • Ministering Angels • (1955) • shortstory by C. S. Lewis 39 • The Music Master of Babylon • (1954) • novelette by Edgar Pangborn 57 • A Story of the Days to Come • (1899) • novella by H. G. Wells 112 • Hot Planet • (1963) • shortstory by Hal Clement 127 • A Work of Art • (1956) • novelette by James Blish 139 • The Machine Stops • (1909) • novelette by E. M. Forster 161 • Brightness Falls from the Air • (1951) • shortstory by Margaret St. Clair 166 • 2066: Election Day • (1956) • shortstory by Michael Shaara 177 • The Rose • (1953) • novella by Charles L. Harness [as by Charles Harness ] 232 • The Hounds of Tindalos • (1929) • shortstory by Frank Belknap Long 242 • The Angel of Violence • (1978) • shortstory by Adam Wisniewski-Snerg 252 • Nobody Bothers Gus • [Gus] • (1955) • shortstory by Algis Budrys 261 • The Time Machine • (1954) • shortstory by Dino Buzzati 265 • Mother • (1953) • novelette by Philip José Farmer 285 • As Easy as A.B.C. • (1912) • novelette by Rudyard Kipling 304 • Ginungagap • (1980) • novelette by Michael Swanwick 327 • Minister Without Portfolio • (1952) • shortstory by Mildred Clingerman 333 • Time in Advance • (1956) • novelette by William Tenn 352 • Good Night, Sophie • (1973) • novelette by Lino Aldani (aka Buonanotte Sofia 1963 ) 369 • Veritas • (1987) • novelette by James Morrow 382 • Enchanted Village • (1950) • shortstory by A. E. van Vogt 393 • The King and the Dollmaker • (1970) • novella by Wolfgang Jeschke (aka Der König und der Puppenmacher 1961 ) 435 • Fire Watch • [Time Travel] • (1982) • novelette by Connie Willis 462 • Goat Song • (1972) • novelette by Poul Anderson 486 • The Scarlet Plague • (1912) • novella by Jack London 518 • Drunkboat • [The Instrumentality of Mankind] • (1963) • novelette by Cordwainer Smith 539 • Another World • (1962) • novelette by J. H. Rosny aîné (aka Un Autre Monde 1895 ) 558 • If the Stars Are Gods • [Bradley Reynolds] • (1974) • novelette by Gordon Eklund and Gregory Benford 585 • I Still Call Australia Home • (1990) • shortstory by George Turner 598 • Liquid Sunshine • (1982) • novelette by Alexander Kuprin (aka Zhidkoe solntse 1913 ) 632 • Great Work of Time • (1989) • novella by John Crowley 683 • Sundance • (1969) • shortstory by Robert Silverberg 694 • Greenslaves • (1965) • novelette by Frank Herbert 716 • Rumfuddle • (1973) • novella by Jack Vance 754 • The Dimple in Draco • (1967) • shortstory by R. S. Richardson [as by Philip Latham ] 765 • Consider Her Ways • (1956) • novella by John Wyndham 805 • Something Ending • (1973) • shortstory by Eddy C. Bertin 812 • He Who Shapes • (1965) • novella by Roger Zelazny 869 • Swarm • [Shaper/Mechanist] • (1982) • novelette by Bruce Sterling 886 • Beggars in Spain • [Sleepless] • (1991) • novella by Nancy Kress 939 • Johnny Mnemonic • (1981) • shortstory by William Gibson 952 • "Repent, Harlequin!" Said the Ticktockman • (1965) • shortstory by Harlan Ellison 961 • Blood's a Rover • (1952) • novella by Chad Oliver 993 • Sail the Tide of Mourning • [Bentfin Boomers] • (1975) • shortstory by Richard A. LupoffThe story The Angel of Violence by Adam_Wiśniewski-Snerg was translated from Polish to English by Thomasz Mirkowicz for this anthology.The story Good Night, Sophie by Lino Aldani was translated from Italian to English by L. K. Conrad.The story Liquid Sunshine by Alexander Kuprin was translated from Russian to English by Leland Fetzer.

    Featuring work by today’s preeminent writers, these essays explore significant Jewish athletes, coaches, broadcasters, trainers, and even team owners (in the finite universe of Jewish Jocks, they count!).Contributors include some of today’s most celebrated writers covering a vast assortment of topics, including David Remnick on the biggest mouth in sports, Howard Cosell; Jonathan Safran Foer on the prodigious and pugnacious Bobby Fischer; Man Booker Prize–winner Howard Jacobson writing elegantly on Marty Reisman, America’s greatest ping-pong player and the sport’s ultimate showman. Deborah Lipstadt examines the continuing legacy of the Munich Massacre, the fortieth anniversary of which coincided with the 2012 London Olympics. Jane Leavy reveals why Sandy Koufax agreed to attend her daughter’s bat mitzvah. And we learn how Don Lerman single-handedly thrust competitive eating into the public eye with three pounds of butter and 120 jalapeño peppers. These essays are supplemented by a cover design and illustrations throughout by Mark Ulriksen. From settlement houses to stadiums and everywhere in between, JEWISH JOCKS features men and women who do not always fit the standard athletic mold. Rather, they utilized talents long prized by a people of the book (and a people of commerce) to game these games to their advantage, in turn forcing the rest of the world to either copy their methods—or be left in their dust.

    Confident America has been conquered, Satan prepares to initiate the final stage of his master plan, but it requires a willing partner—will she say yes?Convinced his demon general Lord Nefarious has successfully conquered America, Satan himself now decides it’s time for him to step out of the shadows and complete his master plan. But for it to succeed, he must find a willing partner… On the run, frightened, and alone, Rae is cornered one fateful night in a rundown motel room by the devil himself. He has a once-in-eternity offer for her—the chance to change the world forever. But to convince her to freely accept it, Satan needs to connect with Rae’s past, present, and future to prove to her he can be trusted after all. A showdown for the ages is officially on, and humanity hangs in the balance.

    For the first time, fans of Cohen’s hit podcast, Mea Culpa, can now read the very best of his essays and political analysis from the show all in once place. This book serves as a snapshot of an incredibly dark 50 days in the run up to the most divisive election in modern history. With his signature wit and New Yawk sensibility, get inside the head of Donald J. Trump from the man who knew him best.

    Myles bring together a host of award-winning female writers, media professionals and scientists to examine each season of new and classicDoctor Who from their unique perspectives.Diana Gabaldon discusses how Jamie McCrimmon inspired her best-selling Outlander series, and Barbara Hambly (Benjamin January Mysteries) examines the delicate balance of rebooting a TV show. Seanan McGuire (Toby Daye series) reveals the power and pain of waiting in Series 5, and Una McCormack (The King's Dragon) argues that Sylvester McCoy's final year of Doctor Who is the show's best season ever.Other contributors include Juliet E. McKenna (Einarrin series), Tansy Rayner Roberts (Power and Majesty), Sarah Lotz (The Mall), Martha Wells (The Cloud Roads), Joan Frances Turner (Dust), Rachel Swirsky ("Fields of Gold") and Aliette de Bodard (Obsidian and Blood series).

    The introduction is by Doctor Who and Torchwood star John Barrowman, and his sister and frequent collaborator, Carole E Barrowman (Anything Goes, Torchwood: Exodus Code). The book’s cover art is by Colleen Coover (Small Favors).Essay contributors to this collection include Tanya Huff (Blood Ties), Melissa Scott (Trouble and Her Friends), John Richards (Outland), Paul Magrs (Hornets’ Nest), Gary Russell (Doctor Who script editor), Rachel Swirsky (Through the Drowsy Dark), Hal Duncan (Ink: The Book of All Hours), Amal El-Mohtar (The Honey Month), Brit Mandelo (Beyond Binary), Nigel Fairs (In Conversation with an Acid Bath Murderer), David Llewellyn (Night of the Humans), Susan J. Bigelow (Extrahumans), Jennifer Pelland (Machine), Mary Anne Mohanraj (Bodies in Motion), and Jed Hartman (Strange Horizons).

    Within these pages you will find chilling evidence of some of the very best crime novels and thrillers published from now until Christmas.Be it fascinating forensics or heart-stopping suspense, crime overseas or race-against the clock thriller, in this sampler there is a tantalising extract to tempt every reader.So make sure the lights are on and your front door is locked, and enjoy your own private investigation into the hottest crime books of the moment . .

    In this hilarious essay, originally published in the collection A Supposedly Fun Thing I'll Never Do Again, he ventures to the Illinois State Fair, where he examines butter sculptures, munches on corndogs, and swaps stories with local exhibitors. As he wanders through this endlessly fascinating world, Wallace's one-of-a-kind blend of humor and insight is on full display. "Getting Away from Already Being Pretty Much Away from It All" is an uproarious and ultimately unforgettable foray into a classic part of American life and culture.

    unless it is vampires. It's the 4th of July and the nation is celebrating the United States' independence. Except someone dressed like George Washington has figured out a way to turn the revelers into mindless drones. Looks like a job for Maggie and Killian. A part of the Maggie MacKay: Holiday Special short story series. This stands independently from the main Magical Tracker series and can be read at any time and in any order. WARNING: This series contains cussing, brawling, and unladylike behavior. Proceed at your own risk.

    This thrilling compendium includes:Jeffrey Toobin's eye-opening exposé in The New Yorker about a famous prosecutor who may have put the wrong man on death rowSkip Hollandsworth's amazing but true tale of an old cowboy bank robber who turned out to be a "classic good-hearted Texas woman"Jimmy Breslin's stellar piece about the end of the Mob as we know it

    He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    We’ve been told nothing bad happens in small towns. You can leave your doors unlocked, and your windows wide open. We picture peaceful hamlets with a strong sense of community, and everyone knows each other. But what if this wholesome idyllic image doesn’t always square with reality? Small towns might look and feel safe, but statistics show this isn’t really true.Tiny town, big crime. Whether in Truman Capote’s detailed murder of the Clutter family or Ted Bundy’s small-town charm, criminals have always roamed rural America and towns worldwide. Featuring murder stories, criminal case studies, and more, The Best New True Crime Stories: Small Towns contains all-new accounts from writers of true crime, crime journalism, and crime fiction. And these entries are not based on a true story―they are true stories. Edited by acclaimed author and anthologist Mitzi Szereto, the stories in this volume span the globe. Discover how unsolved murders, kidnapping, shooting sprees, violent robbery, and other bad things can and do happen in small towns all over the world.If you enjoyed Mitzi's last book in the series, The Best New True Crime Stories: Serial Killers, and true crime books like In Cold Blood, Murder in the Bayou, and The Innocent Man, then you’ll love The Best New True Crime Stories: Small Towns.

    Marked by the Manson murders, rampant inflation, and recession, the decade seemed to usher in a gritty and unsightly reality. The city of glitz and glamour overnight became the city of smog and traffic, a cultural and environmental wasteland.Los Angeles in the 1970s was a complex and complicated city with local cultural touchstones that rarely made it near the silver screen. In Los Angeles in the 1970s, LA natives, transplants, and escapees talk about their personal lives intersecting with the city during a decade of struggle. From The Doors’ John Densmore seeing the titular L.A. Woman on a billboard on Sunset, to Deanne Stillman’s twisting path from Ohioan to New Yorker to finally finding her true home as an Angeleno, to Chip Jacobs’ thrilling retelling of the “snake in the mailbox” attempted murder, to Anthony Davis recounting his time as “Notre Dame Killer” and USC football hero, these are stories of the real Los Angeles—families trying to survive the closing of factories, teens cruising Van Nuys Boulevard, the Chicano Moratorium that killed three protestors, the making of a porn legend.Los Angeles in the 1970s is a love letter to the sprawling and complicatedfabric of a Los Angeles often forgotten and mostly overlooked. Welcome to the Gold Mine.

    The Seven Deadly Virtues sits down next to readers at the bar, buys them a drink, and an hour or three later, ushers them into the revival tent without them even realizing it.   The book’s contributors include Sonny Bunch, Christopher Buckley, David “Iowahawk” Burge, Christopher Caldwell, Andrew Ferguson, Jonah Goldberg, Michael Graham, Mollie Hemingway, Rita Koganzon, Matt Labash, James Lileks, Rob Long, Larry Miller, P. J. O’Rourke, Joe Queenan, Christine Rosen, and Andrew Stiles. Jonathan V. Last, senior writer at the Weekly Standard, editor of the collection, is also a contributor. All eighteen essays in this book are appearing for the first time anywhere.   In the book’s opening essay, P. J. O’Rourke observes: “Virtue has by no means disappeared. It’s as much in public view as ever. But it’s been strung up by the heels. Virtue is upside down. Virtue is uncomfortable. Virtue looks ridiculous. All the change and the house keys are falling out of Virtue’s pants pockets.”   Here are the virtues everyone (including the book’s contributors) was taught in Sunday school but have totally forgotten about until this very moment.  In this sanctimony-free zone:   • Joe Queenan observes: “In essence, thrift is a virtue that resembles being very good at Mahjong. You’ve heard about people who can do it, but you’ve never actually met any of them.” • P. J. O’Rourke notes: “Fortitude is quaint. We praise the greatest generation for having it, but they had aluminum siding, church on Sunday, and jobs that required them to wear neckties or nylons (but never at the same time). We don’t want those either.” • Christine Rosen writes: “A fellowship grounded in sociality means enjoying the company of those with whom you actually share physical space rather than those with whom you regularly and enthusiastically exchange cat videos.” • Rob Long offers his version of modern day justice: if you sleep late on the weekend, you are forced to wait thirty minutes in line at Costco. • Jonah Goldberg offers: “There was a time when this desire-to-do-good-in-all-things was considered the only kind of integrity: ‘Angels are better than mortals. They’re always certain about what is right because, by definition, they’re doing God’s will.’ Gabriel knew when it was okay to remove a mattress tag and Sandalphon always tipped the correct amount.” • Sonny Bunch dissects forbearance, observing that the fictional Two Minutes Hate of George Orwell’s 1984 is now actually a reality directed at living, breathing people. Thanks, in part, to the Internet, “Its targets are designated by a spontaneously created mob—one that, due to its hive-mind nature—is virtually impossible to call off.”   By the time readers have completed The Seven Deadly Virtues, they won’t even realize that they’ve just been catechized into an entirely different—and better—moral universe.