She's smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston's defense bar, and her internship with the Boston DA's office is her ticket to a successful future.Problem is--she’s wrong.And in this cat and mouse game--the battle for justice becomes a battle for survival.The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B.A. Paris from award-winning author and reporter Hank Phillippi Ryan.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The charge is murder. Before all of this, she was happily married, a successful scientist, a mother of two. Now she's a suspect, squirming under fluorescent lights and the penetrating gaze of the alleged accomplice who's sitting across from her, watching: a man who's also her lover. As Yvonne faces hostile questioning, she must piece together the story of her affair with this unnamed figure who has charmed and haunted her. This is a tale of sexual intrigue, ruthless urges, and danger, which has blindsided her from a seemingly innocuous angle. Here in the courtroom, everything hinges on one night in a dark alley called Apple Tree Yard.

    This volume honors the city’s transformation—albeit in a chilling manner—with a highly talented crew of contributors who know the city inside and out.From editor Tayari Jones:People who don’t know Atlanta don’t understand the codes and contradictions of the New South. Yes, Margaret Mitchell imagined the plantation Tara within the city limits, but it’s also the home of OutKast. Atlanta has captured the imagination of trash TV with Todd Chrisley’s magnolia-cream accent but also the decidedly urban antics of Love & Hip Hop. The ashes of the Civil War still hang in the air, but immigration is turning the South into the Global South.With Atlanta Noir, my hope was to find the writers who could show the city in all of its dizzy complexity. These fourteen writers represent the city’s many neighborhoods and demographics—from the Southern punk scene of Little Five Points to the Junior League world of Peachtree City, where things are not always as they seem. There is more going on at the local Waffle House than just scattering, smothering, and chunking. This is a major international city but it’s still the Bible Belt. A megapreacher’s past catches up with him, and gentrification cannot tame the outlaw spirit of the city too busy to hate. Our airport boasts that it is the busiest in the world; locals declare that even on the way to heaven, you have to change planes at Hartsfield-Jackson. Let us think of Atlanta Noir as an after-hours welcome to the city where we serve our sweet tea with a shot of bourbon.

    A day some people might call any other Wednesday, but Beth prefers to see it as her new beginning--one with a new look, new name and new city. Beth has given her plan significant thought, because one small slip and her violent husband will find her.Sabine Hardison is missing...A couple hundred miles away, Jeffrey returns home from a work trip to find his wife, Sabine, is missing. Wherever she is, she's taken almost nothing with her. Her abandoned car is the only evidence the police have, and all signs point to foul play.As the police search for leads, the case becomes more and more convoluted. Sabine's carefully laid plans for her future indicate trouble at home, and a husband who would be better off with her gone. The detective on the case will stop at nothing to find out what happened and bring this missing woman home. Where is Sabine? And who is Beth? The only thing that's certain is that someone is lying and the truth won't stay buried for long.

    Feeling helpless and alone, their sorrow is compounded by anger and frustration. The local and state police haven’t uncovered any leads. Josh and Luis, the friends who were with Tommy last, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out at a landmark the local teens have renamed Devil’s Rock— rumored to be cursed. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their own windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connected them all and changes everything. As the search grows more desperate, and the implications of what happened becomes more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

    With the help of her best friend, she fled New York City for a small resort town, snagged a job as the advice columnist for the local paper, and is cautiously letting a new man into her life. But when Hugh and his perfect new family move into a summer house nearby, Nora backslides. Coping with jealousy, humiliation, and resentment again is as hard as she feared. It’s harder still when Hugh and his wife are shot to death in their home.If only Nora could account for the night of the murders. Unfortunately, her memories have gone as dark as her fantasies of revenge. But Nora’s not the only one with a reason to kill—and as prime suspect in the crime, she’d better be able to prove it.

    In Broken, he creates a world of high-level thieves and low-life crooks, obsessed cops struggling with life on and off the job, private detectives, dope dealers, bounty hunters and fugitives, the lost souls driving without headlights through the dark night on the American criminal highway.With his trademark blend of insight, humanity, humor, action and the highest level of literary craftsmanship, Winslow delivers a collection of tales that will become classics of crime fiction.

    Who murdered the artist Umezawa, raped and killed his daughter, and then chopped up the bodies of six others to create Azoth, the supreme woman? With maps, charts, and other illustrations, this story of magic and illusion, pieced together like a great stage tragedy, challenges the reader to unravel the mystery before the final curtain. The Tokyo Zodiac Murders joins a new wave of Japanese murder mysteries being translated into English.Soji Shimada, author of over 100 mystery novels, is a designer, musician, and astrology writer.From the publisher: for more mystery from Japan, check out The Inugami Clan by Seishi Yokomizo.

    In these haunting stories, two teenagers linked by an obsession with murder and torture explore the recesses of humanity's dark side.

    As Hagedorn points out in her insightful introduction, Manila is a city burdened with a violent and painful past, with a long heritage of foreign occupation. The specters of WWII (during which the city suffered from U.S. saturation bombing), and the oppressive 20-year reign of dictator Ferdinand Marcos live on in recent memory. The Filipino take on noir includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants."--Publishers Weekly (starred review)"This Southeast sampler is unique, possessing an overall gritty tone. Each slice of supernatural splendor pulls the reader in with their nontraditional heroes…Ultimately, readers get a strong taste of the real Manila and all her dark secrets, wanting more of while being slightly afraid of what she might do next. Manila is the perfect place for noir scenes to occur, and it is easy to get sucked into its deadly nightshade of doom."--Criminal Class PressBrand-new stories by: Lourd De Veyra, Gina Apostol, Budjette Tan and Kajo Baldisimo, F.H. Batacan, Jose Dalisay Jr., Eric Gamalinda, Jessica Hagedorn, Angelo Lacuesta, R. Zamora Linmark, Rosario Cruz-Lucero, Sabina Murray, Jonas Vitman, Marianne Villanueva, and Lysley Tenorio.Manila provides the ideal, torrid setting for an Akashic Noir series volume. It's where the rich rub shoulders with the poor, where five-star hotels coexist with informal settlements, where religious zeal coexists with superstition, and where politics is often synonymous with celebrity and corruption.From the Introduction by Jessica Hagedorn:Manila is not for the faint of heart. Built on water and reclaimed land, it’s an intense, congested, teeming megalopolis, the vital core of an urban network of sixteen cities and one municipality collectively known as Metro Manila. Population: over ten million and growing by the minute. Climate: tropical. Which means hot, humid, prone to torrential monsoon rains of biblical proportions.I think of Manila as the ultimate femme fatale. Complicated and mysterious, with a tainted, painful past. She’s been invaded, plundered, raped, and pillaged, colonized for four hundred years by Spain and fifty years by the US, bombed and pretty much decimated by Japanese and American forces during an epic, month-long battle in 1945.Yet somehow, and with no thanks to the corrupt politicians, the crime syndicates, and the indifferent rich who rule the roost, Manila bounces back. The people’s ability to endure, adapt, and forgive never ceases to amaze, whether it’s about rebuilding from the latest round of catastrophic flooding, or rebuilding from the ashes of a horrific world war, or the ashes of the brutal, twenty-year dictatorship of Ferdinand Marcos . . .Many years have passed since the end of the Marcos dictatorship. People are free to write and say what they want, yet nothing is different. The poor are still poor, the rich are still rich, and overseas workers toil in faraway places like Saudi Arabia, Israel, Germany, and Finland. Glaring inequities are a source of dark humor to many Filipinos, but really—just another day in the life . . .Writers from the Americas and Europe are known for a certain style of noir fiction, but the rest of the world approaches the crime story from a culturally unique perspective. In Manila Noir we find that the genre is flexible enough to incorporate flamboyant emotion and the supernatural, along with the usual elements noir fans have come to expect: moody atmospherics, terse dialogue, sudden violence, mordant humor, a fatalist vision.

    In restaurants and hotel rooms, the couple begin telling folk tales to each other, perhaps as a way to fill the undefined space between them. Theirs is a comic and enigmatic relationship in which emotions are often muted and sometimes masked by verbal play and philosophical questions, and further complicated by the woman’s frequent unexplained disappearances.You Are Eating an Orange. You Are Naked. is an intimate novel of memory and longing that challenges Western tropes and Orientalism. Embracing the playful surrealism of Haruki Murakami and the atmospheric narratives of filmmaker Wong Kar-wai, Sheung-King’s debut is at once lyrical and punctuated, and wholly unique, and marks the arrival of a bold new voice in Asian-Canadian literature.Praise for You Are Eating an Orange. You Are Naked.:Longlisted for CBC's Canada Reads 2021“One of the best book debuts of 2020” — The Globe and Mail“Sheung-King has written a wonderfully unexpected and maverick love story but also a novel of ideas that hopscotches between Toronto, Macau, Hong Kong, Tokyo, and Prague. It is enchanting, funny, and a joy to read.”—Kyo Maclear, author of Birds Art Life“A tale of two rich and rootless people that oozes the horror and confusion of love, while staying somehow still desperately romantic, and so gloriously sad. This novel is also about something else: it gives the cold shoulder to the dominant gaze and its demands to control the Asian body, carving out a thrilling space beyond whiteness. I didn’t want it to end.” —Thea Lim, author of An Ocean of Minutes, a finalist for the Scotiabank Giller Prize“In a cruel paradox for writers who are just trying to recount their lives, the tropes of diasporic lit have made it nearly impossible to write about belonging without also placing whiteness at the center of attention—the tropes exist because stories that do this are regularly rewarded with publication. But You Are Eating an Orange. You Are Naked. sidesteps this trap all together: It is bored by Western approval.” — Thea Lim, The Nation.“He practically sets the page on fire." —Brett Josef Grubisic, Toronto Star

    Two suspects quickly emerge: rich kid Shin Jeongjun, whose car Hae-on was last seen in, and delivery boy Han Manu, who witnesses Hae-on in the passenger seat of Jeongjun's car just a few hours before her death. But when Jeongjun's alibi turns out to be solid, and no evidence can be pinned on Manu, the case goes cold.Seventeen years pass without any resolution for those who knew and loved Hae-on, and the grief and uncertainty take a cruel toll on her younger sister, Da-on, in particular. Unable to move on with her life, Da-on tries in her own twisted way to recover some of what she's lost, ultimately setting out to find the truth of what happened.Told at different points in time from the perspectives of Da-on and two of Hae-on's classmates, Lemon loosely follows the structure of a detective novel. But finding the perpetrator is not the main objective here. Instead, the work explores grief and trauma, raising important questions about guilt, retribution, and the meaning of death and life.

    Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife—who was shy and withdrawn, and only left their house twice a week to go to haiku meetings—ended up dead in a small shop in a shady Tokyo neighborhood?When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife’s death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life...

    A local redneck was tried, sentenced, and set to fry.Then Ward James, hotshot investigative reporter for the Miami Times, returns to his rural hometown with a death row femme fatale who promises him the story of the decade.  She's armed with explosive evidence, aiming to free--and meet--her convicted "fiancÚ."With Ward's disillusioned younger brother Jack as their driver, they barrel down Florida's back roads and seamy places in search of The Story, racing flat out into a shocking head-on collision between character and fate as truth takes a back seat to headline news...

    It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.