She knows that little girl is she. But how could it be true?Janie can't believe that her loving parents kidnapped her, until she begins to piece together clues that don't make sense. Why are there no pictures of Janie before she was four? Her parents have always said they didn't have a camera. Now that explanation sounds feeble. Something is terribly wrong, and Janie is afraid to find out what happened more than twelve years ago.In this gripping page-turner, the reader will unravel—as Janie does—the twisted events that changed the lives of two families forever.

    Six words. What's yours?

    Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche.Jane explores the nature of this haunting incident via a collage of poetry, prose, and documentary sources, including newspapers, related "true crime" books, and fragments from Jane’s own diaries written. Each piece in Jane has its own form that serves as an important fissure, disrupting the tabloid, "page-turner" quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Part elegy, part memoir, detective story, part meditation on violence, and part conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, expands the notion of what poetry can do—what kind of stories it can tell, and how it can tell them.

    To save their home from an unspeakable darkness, Reiyalindis, Vaelon, and their new allies form an unlikely band of adventurers who must put their prejudices aside to battle the evil confronting them. With shocking discoveries, bursts of humor, and danger around every corner, Reiyalindis is a thrilling fantasy, full of suspense, that will keep you guessing to the very last page.

    Anything anyone tells her to do, Ella must obey. Another girl might have been cowed by this affliction, but not feisty Ella: "Instead of making me docile, Lucinda's curse made a rebel of me. Or perhaps I was that way naturally." When her beloved mother dies, leaving her in the care of a mostly absent and avaricious father, and later, a loathsome stepmother and two treacherous stepsisters, Ella's life and well-being seem to be in grave peril. But her intelligence and saucy nature keep her in good stead as she sets out on a quest for freedom and self-discovery as she tries to track down Lucinda to undo the curse, fending off ogres, befriending elves, and falling in love with a prince along the way. Yes, there is a pumpkin coach, a glass slipper, and a happily ever after, but this is the most remarkable, delightful, and profound version of Cinderella you'll ever read.Gail Carson Levine's examination of traditional female roles in fairy tales takes some satisfying twists and deviations from the original. Ella is bound by obedience against her will, and takes matters in her own hands with ambition and verve. Her relationship with the prince is balanced and based on humor and mutual respect; in fact, it is she who ultimately rescues him. Ella Enchanted has won many well-deserved awards, including a Newbery Honor.

    But the blinding headlights keep getting closer. Tires squeal. Glass shatters. Lucy screams. Everything goes black. Lucy wakes, expecting to walk away from the accident. But she can't walk!

    Meet Miss Misinformation, Swami Gourami, and Gladiola Gloppe (and her Soup Shoppe), and delight in a backwards poem, a poem that ever ends, and scores of others that will be changed, read, and loved by readers of every age. Whether you begin at the beginning or just open the book at random, you won't stop smiling.“Prelutsky’s a natural rhymester. He has a keen sense of what tickles kids.”—Kirkus Reviews

    Darrell Rivers begins her happy life at Malory Towers two terms later than the other girls, but she soon makes firm friends with Sally, the steady one, and the adoring Mary Lou.

    In China in 1911, all the women of good families follow this ancient tradition. But Ailin loves to run away from her governess and play games with her male cousins. Knowing she will never run again once her feet are bound, Ailin rebels and refuses to follow this torturous tradition. As a result, however, the family of her intended husband breaks their marriage agreement. And as she enters adolescence, Ailin finds that her family is no longer willing to support her. Chinese society leaves few options for a single woman of good family, but with a bold conviction and an indomitable spirit, Ailin is determined to forge her own destiny. Her story is a tribute to all those women whose courage created new options for the generations who came after them.

    Emma O'Donovan is eighteen years old, beautiful, happy, confident. One night, there's a party. Everyone is there. All eyes are on Emma. The next morning, she wakes on the front porch of her house. She can't remember what happened, she doesn't know how she got there. She doesn't know why she's in pain. But everyone else does. Photographs taken at the party show, in explicit detail, what happened to Emma that night. But sometimes people don't want to believe what is right in front of them, especially when the truth concerns the town's heroes...

    Angel Eastland knows she's different. It's not just her violet eyes that set her apart. She's smarter than her classmates and more athletically gifted. Her only real competition is Michael Vallant, who also has violet eyes -- eyes that tell her they're connected, in a way she can't figure out. Michael understands Angel. He knows her dreams, her nightmares, and her most secret fears. Together they begin to realize that nothing around them is what it seems. Someone is watching them, night and day. They have just one desperate chance to escape, one chance to find their true destiny, but their enemies are powerful -- and will do anything to stop them.

    Although Kathleen Norris’s best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet.  Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

    Two-color text.

    Only girls write it and every time he tries to, his brain feels empty. But his teacher, Ms. Stretchberry, won't stop giving her class poetry assignments -- and Jack can't avoid them. But then something amazing happens. The more he writes, the more he learns he does have something to say.

    On the page facing each letter, an illustration by a celebrated illustrator or graphic artist presents that artist's visual response.Among the diverse contributions are letters from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, and Jacqueline Woodson, as well as a ninety-eight-year-old Holocaust survivor, a pioneering oceanographer, and Italy’s first woman in space. Some of the illustrators, cartoonists, and graphic designers involved are Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman.  This project is woven entirely of goodwill, generosity of spirit, and a shared love of books. Everyone involved has donated their time, and all profits will go to the New York Public Library systems.Preface by David Remnick, editor, The New Yorker; Edited and introduced by Maria Popova, who has been writing since 2006 about what she reads on Brain Pickings (brainpickings.org), which is now included in the Library of Congress archive of culturally valuable materials; Edited by Claudia Bedrick, publisher, editorial and art director of Enchanted Lion Books.