The master of Gothic suspense, H.P. Lovecraft, wrote about a mystical and dreaded grimoire, known as the Necronomicon––an ancient text written by an Arab that, if it were to fall into the wrong hands, could have disastrous consequences. But no one thought the Necronomicon had any basis in the world outside of Lovecraft's fiction. Until...Simon was a young man drawn to the mysterious world of the occult through his association with several Eastern Orthodox religions and his friendship with the owner of an occult bookstore in Brooklyn. In 1972 he stumbled upon a stolen text in a friend's apartment, unaware that what he held in his hands was the real Necronomicon––something long thought to be a creation of Lovecraft's brilliant mind and deft pen. After an arduous translation, done in the utmost secrecy (since the tome was in fact stolen), Simon and his close circle of friends unveiled the now–infamous grimoire to a clamoring public.In Dead Names, Simon tells the amazing true story that surrounds the Necronomicon. From the main players' humble beginnings in the pageantry–filled and secret world of Eastern Orthodox religion, to the accidental discovery of the Necronomicon, to the Son of Sam murders, the JFK assassination , the brilliant William S. Burroughs, and the eventual suspicious deaths of almost everyone involved with the grimoire, this book is an enthralling account of a book steeped in legend, lies, and murder.

    In this volume I have followed one line only of anthropological enquiry, the survival of an indigenous European cult and the interaction between it and the exotic religion which finally overwhelmed it. I have traced the worship of the Horned God onwards through the centuries from the Paleolithic prototypes, and I have shown that the survival of the cult was due to the survival of the races who adored that god, for this belief could not have held its own against the invasions of other peoples and religions unless a stratum of the population were strong enough to keep it alive...Dr Margaret Alice Murray

    In this translation, the author discusses books of the black art, old gods, daemons of hell, runes and magical signs, theory and practice of magic.

    Rendered into English in the late 1800s, it speaks of demons, their composition, their mannerisms, and relates numerous tales of copulation with the same. Perhaps one of the strangest works of Demonology, this work claims that it is possible for demons to father literal offspring with humans through the use of a corpse as a vehicle, and although it is a technically Catholic work, Sinistrari even makes the claim that incubi are, in some ways, perhaps superior even to man.

    Helplessness in the face of disease and human disaster helped to perpetuate this belief in magic and the supernatural. As Keith Thomas shows, England during these years resembled in many ways today's underdeveloped areas. The English population was exceedingly liable to pain, sickness, and premature death; many were illiterate; epidemics such as the bubonic plague plowed through English towns, at times cutting the number of London's inhabitants by a sixth; fire was a constant threat; the food supply was precarious; and for most diseases there was no effective medical remedy. In this fascinating and detailed book, Keith Thomas shows how magic, like the medieval Church, offered an explanation for misfortune and a means of redress in times of adversity. The supernatural thus had its own practical utility in daily life. Some forms of magic were challenged by the Protestant Reformation, but only with the increased search for scientific explanation of the universe did the English people begin to abandon their recourse to the supernatural. Science and technology have made us less vulnerable to some of the hazards which confronted the people of the past. Yet Religion and the Decline of Magic concludes that if magic is defined as the employment of ineffective techniques to allay anxiety when effective ones are not available, then we must recognize that no society will ever be free from it.

    These provide the basis for a detailed critical study of the principal individual thinkers of the time. Besides serving as an essential text for undergraduate and graduate courses in Greek philosophy and in the history of science, this book will appeal to a wide range of readers with interests in philosophy, theology, the history of ideas and of the ancient world, and indeed to anyone who wants an authoritative account of the Presocratics.

    It is universally recognized as the standard English version of Aristotle. This revised edition contains the substance of the original translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of Fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English speaking readers.

    Inwood and Gerson maintain the standard of consistency and accuracy that distinguished their translations in the first edition, while regrouping some material into larger, more thematically connected passages. This edition is further enhanced by a new, more spacious page design.

    As a study of magic in 'primitive' societies and its survival today in our thoughts and social actions, it represents what Claude Levi-Strauss called, in an introduction to that edition, the astonishing modernity of the mind of one of the century's greatest thinkers. The book offers a fascinating snapshot of magic throughout various cultures as well as deep sociological and religious insights still very much relevant today. At a period when art, magic and science appear to be crossing paths once again, A General Theory of Magic presents itself as a classic for our times.

    The author assumes no previous knowledge, only a willingness to explore what magick offers, yet its apparent to anyone with a background in the subject that Alan Chapman is drawing on a wide range of experience, from classical Crowleyean Magick, to eastern metaphysics, and back again to Discordianism and Chaos Magick. Chapmans writing-style is humorous, direct, seductively logical, and his enthusiasm for the benefits of magick is both tangible and infectious. The novice magician will indeed find themselves equipped to commence all sorts of magickal operations: trance work, enchantment, divination, and even some of the higher forms of spiritual development. To experienced magicians, Chapman offers a subtler challenge: he revitalises magick by cutting it free from the extreme relativism Chaos Magick bequeathed, provocatively redefining it as: the art, science and culture of experiencing truth.

    Starting from first principles, Huson instructs the novice step by step in the arts of circle casting, blessing and banning, the uses of amulets and talismans, philters, divination, necromancy, waxen images, knots, fascination, conjuration, magical familiars, spells to arouse passion or lust, attain vengeance, and of course, counter-spells to exorcize and annul the malice of others. "A genuine "vade mecum.""-"The Catholic Herald."

    For centuries his name ranked among the most illustrious of the ancient world.Considered by some a contemporary of Moses and a forerunner of Christ, this almost mythical figure arose in fourth century BC Alexandria, from a fusion of the Egyptian god Thoth and the Greek god Hermes. Master of magic, writing, science, and philosophy, Hermes was thought to have walked with gods and be the source of the divine wisdom granted to man at the dawn of time.Gary Lachman has written many books exploring ancient traditions for the modern mind. In The Quest for Hermes Trismegistus, he brings to life the mysterious character of this great spiritual guide, exposing the many theories and stories surrounding him, and revitalizing his teachings for the modern world.Through centuries of wars, conquests and religious persecutions, the fragile pages of the teachings of Hermes Trismegistus have still survived. This is a book for all thinkers and enquirers who want to recover that lost knowledge and awaken a shift in human consciousness.

    By the middle of the twentieth century, the battle appeared to be won; scientific rationalism and skepticism were triumphant. Yet in the last few decades a strong and potent counter-current has emerged. One manifestation of this has been the so-called occult revival.In The Elixir and the Stone, Baigent and Leigh argue that this occult revival — and indeed the entire revolution in attitudes which has taken place recently — owes a profound debt to Hermeticism, a body of esoteric teaching which flourished in Alexandria two thousand years ago and which then went underground. The authors trace the history of this intriguing and all-encompassing philosophy — which has much in common with contemporary holistic thought — charting it’s origin in the Egyptian mysteries, and demonstrating how it continued to exercise enormous influence through the magicians and magi of the Middle Ages and the Renaissance.Many remarkable characters feature in the narrative, including the Franciscan friar Roger Bacon and the Elizabethan magus John Dee; prototype of Shakespeare’s Prospero in The Tempest, but the central figure that emerges is that of Faust himself — one of the defining myths of Western civilization.The Elixir and the Stone is a remarkably rich and ambitious book that adds up to a little short of an alternative history of the intellectual world. Perhaps for the first time it puts into their true context those shadowy alchemists and magicians who have haunted the imaginations of people for centuries. Moreover it offers a way of looking at the world that is in one sense ‘alternative’, but in another, deeply historical.

    • Numerous new and rare color photographs complement the completely revised and updated text. • Explores the uses of hallucinogenic plants in shamanic rituals throughout the world. • Cross-referenced by plant, illness, preparation, season of collection, and chemical constituents. Three scientific titans join forces to completely revise the classic text on the ritual uses of psychoactive plants. They provide a fascinating testimony of these "plants of the gods," tracing their uses throughout the world and their significance in shaping culture and history. In the traditions of every culture, plants have been highly valued for their nourishing, healing, and transformative properties. The most powerful of those plants, which are known to transport the human mind into other dimensions of consciousness, have always been regarded as sacred. The authors detail the uses of hallucinogens in sacred shamanic rites while providing lucid explanations of the biochemistry of these plants and the cultural prayers, songs, and dances associated with them. The text is lavishly illustrated with 400 rare photographs of plants, people, ceremonies, and art related to the ritual use of the world's sacred psychoactive flora.

    During the sixteen centuries following her murder, by a mob of Christians, Hypatia has been remembered in books, poems, plays, paintings, and films as a victim of religious intolerance whose death symbolized the end of the Classical world. But Hypatia was a person before she was a symbol. Her great skill in mathematics and philosophy redefined the intellectual life of her home city of Alexandria. Her talent as a teacher enabled her to assemble a circle of dedicated male students. Her devotion to public service made her a force for peace and good government in a city that struggled to maintain trust and cooperation between pagans and Christians.Despite these successes, Hypatia fought countless small battles to live the public and intellectual life that she wanted. This book rediscovers the life Hypatia led, the unique challenges she faced as a woman who succeeded spectacularly in a man's world, and the tragic story of the events that led to her tragic murder.