It describes the gradual emergence of the Navy from the neutrality patrol and Western Hemisphere defense, through the "short-of-war" phases to full-fledged war with Germany and Italy. Much of it is devoted to the history of transatlantic, coastal, Russian, Caribbean and Brazilian convoys, and to the war on the U-boats. There are chapters on the fearful ordeal of the North Russian run, on the experiences of lonely merchantmen with Naval Armed Guards, on operations off the coast of Brazil, and on auxiliary efforts such as the Coastal Picket Patrol by sailing yachts (the "Hooligans"), the Mystery Ships, and the Civil Air Patrol.

    Heine's protagonist is Atta Troll, the revolutionary dancing bear, who embodies all that Heine finds worthy of ridicule. The other poems in the collection are likewise chosen to highlight Heine's gift for lampooning social, political and artistic pomposity, while fighting for his own vision of a just world.

    After that he could describe his cars for three [LP] sides and get away with it." Christgau on Carly Simon: "If a horse could sing in a monotone, the horse would sound like Carly Simon, only a horse wouldn't rhyme 'yacht,' 'apricot,' and 'gavotte.'" Christgau on Van Morrison: "This is a man who gets stoned on a drink of water and urges us to turn our radios all the way into the mystic. Visionary hooks his specialty." Christgau on Lou Reed: "Reed Sounds like he's imitating his worst enemy, himself." (Lou Reed on Robert Christgau: "What a moron! Studying rock and roll. I can't believe it!") An indispensable book, Christgau's Rock Albums the '70s is the definitive guide to nearly 3,000 albums of the decade that brought us progressive rock, country rock, glam rock, funk, disco, punk, heavy metal, and new wave.

    This collection includes some of his best-loved, most beautiful work.'Now's the day, now's the hour' Robert Burns

    A revised and expanded edition of the classic volume of Yeats' work, including the play The Death of Cuchulain.

    Here the author unearths the story of R.S. Thomas's life, and that of his household - one both comic, absurd and touching.

    The definitive guide for the `90s.

    

    Multicultural and interdisciplinary, this collection of essays and speeches makes an irrefutable case for the centrality of poetry in American life.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Each of the book's seven sections is devoted to a particular art form--film, photography, painting, the novel, architecture, music, and theory--and includes both text and found photographs as it explores the idea of what it means to be a book in an era when reading is disappearing into a diverse array of cultural products, media formats, and aesthetic practices. Seven Controlled Vocabularies will be available in a variety of print and electronic book delivery systems and formats.

    Of her most recent book, Raptus, Carolyn Forché has written that she is “a genuine poet, a born poet, and I am in awe of her achievement.” The poems in Klink’s new collection offer a closely keyed meditation on being alone—on a self fighting its way out of isolation, toward connection with other people and a vanishing world.

    In many ways, Tarantino is the paradigmatic 1990s success story: from high school dropout, toiling anonymously in a California video store, taking acting lessons, to world acclaim, with Pulp Fiction as the Grand Prix winner at Cannes.With his first film, Reservoir Dogs, the then 29-year-old became an inspiration for filmmakers even younger than himself on how to produce stylish, subterranean cinema. (Not that his extra-violent imitators, labeled "Tarantino school," could match the wit of his scripts, his talent with actors, and the vivacity, energy, and originality of his shooting style.)Tarantino, turning famous, remains the same manic talker who is obsessed with American pop culture and is endlessly enthusiastic about his favorite movies and moviemakers. Informal, gregarious, accessible, he has been a journalist's dream, for his wonderfully expressive, almost stream-of-consciousness chatter.This collection is the first book of Tarantino interviews to be published. The selections are his most uninhibited, far reaching, and revealing. They demonstrate conclusively that the source of his world-renowned pop-culture dialogue is his own brash, vivid, virtuosic conversation."I realized I didn't want to be an actor," he says. "I wanted to be a director. My favorite actors were character actors and I realized they still had to read for parts. I didn't want to be fifty years old and still reading for parts. I wanted some control over my destiny, and it seemed to me that directors did."Gerald Peary is a film critic and columnist for the Boston Phoenix, a professor of journalism and communications at Suffolk University, and a lecturer at Boston University. He is also Acting Curator of the Harvard University Film Archive.

    The granddaughter of a respected sage in 19th century Cairo, mysticism and wisdom run through her blood just as the water of the Nile flows through her veins."--P. [4] of cover.

    The authoritative texts are based on the Cambridge Tennyson; additional selections have been taken from Sir Charles Tennyson's editions of Tennyson's Unpublished Early Poems (1931) and The Devil and the Lady (1930), as well as the Eversley edition, with notes by the poet's son. The texts of the poems are copiously annotated and the lines of poetry conveniently numbered for easy reference. A special section, Juvenilia and Early Responses, offers easy access to work by the young Tennyson, not readily available elsewhere, together with responses from his contemporaries. Criticism includes significant statements on Tennyson as well as interpretations of the major poems. A special feature is Georg Roppen's essay on Tennyson and the theory of evolution. Other critical voices are those of A. C. Bradley, Harold Nicolson, Douglas Bush, Arthur J. Carr, T. S. Eliot, Paull F. Baum, John Killham, F. E. L. Priestley, Francis Golffing, and Robert W. Hill, Jr. A Chronology, Selected Bibliography, and Index are also included.