Then came the bodies. The victims strangled, then buried along the shores of the Mississippi have finally been unearthed, years after they disappeared. He remembers every satisfying kill . . . each woman s terror and agony. But there s only one he truly wanted. And fate has brought her within reach again . . . HE KNOWS YOUJaci Patterson was sixteen when she found the first golden locket on her porch. Inside were a few strands of hair wrapped around a scrap of bloodstained ribbon. Though the gifts kept arriving, no one believed her hunch that a serial killer was at work. Now Jaci has returned home . . . and the nightmare is starting once more. AND HE LL NEVER LET YOU GOBack then, Rylan Cooper was an arrogant deputy sheriff convinced that Jaci was just an attention seeking teen. It was a fatal mistake. There s a murderer in their midst, someone determined to settle old scores and keep playing a twisted game. And it won t end until Jaci is his forever . . . Alexandra Ivy gives readers a nice balance of romance and suspense in her fast-paced, well-plotted novel. Kat Martin, New York Times bestselling author"

    New and revised edition. Anna Kronberg lives in Victorian London’s worst rookery, offering medical treatment to prostitutes, vagrants, and criminals. To her, plugging holes and mopping up blood is normal. Stitching the slashed face of a young prostitute is not. Witnesses refuse to talk. The police can’t be bothered with yet another injured whore. But whispers are spreading about a man who pays well for a few harmless knife marks. No one dares reveal the man’s identity. Only Garret O’Hare - a thief Anna barely knows - reluctantly agrees to help her investigate the assault. But when the injured girl disappears, a veil of silence descends upon the slum. And Anna learns that she is no longer the hunter, but the hunted. Warning: medical procedures, poverty, and prostitution are depicted without apology. For fans of Caleb Carr, Louise Penny, and Anne Perry.

    . . First-year detective Kathleen Doyle and Chief Inspector Michael Sinclair, Lord Acton, are a most unlikely pair. An Irish redhead of humble beginnings and modest means, Doyle is the antithesis of Acton, the British lord who has established himself as a brilliant but enigmatic figure with a knack for solving London's most high profile homicides. But Acton senses something exceptional beneath Doyle's awkward naivete and taps her to help him with his investigations. And her spot-on intuition is just what he needs to solve a chilling string of murders. . .When a horse trainer is found dead at a racetrack, Doyle and Acton begin interviewing witnesses and the victim's associates, but the killer continues to strike and they're left with more questions than answers. Their investigation is further muddled by their colleagues at CID Headquarters, whose career-driven jealousies and workplace blunders could jeopardize the case--and their nosing into the nature of Doyle and Acton's after hours relationship could lay bare the most classified information of all. . .Perhaps the trainer was the target of a jilted lover on a killing spree. Or maybe the victims were collateral damage in a political coup gone awry. As the murders pile up, Doyle and Acton uncover something far more sadistic than they could have imagined, and now that they know too much, they'll find themselves squarely in the crosshairs of a cold-blooded killer. . .

    In the eye of the storm is local detective Mason Callahan, whose life is crumbling to pieces—he’s related to the victim, and his longtime confidential informant has just been murdered.Both he and Agent McLane hole up in the victim’s family home. Every second counts in a kidnapping case, and the stakes keep rising the longer the girl is missing. As Ava and Mason struggle to hold the family together in their darkest hour, the two investigators find themselves drawn to each other.2015 Overall Daphne du Maurier Award Winner

    A plan that should have brought the lovers together and had them married within a month. It was a simple matter of masquerading as the duke’s gardener, compromising the lady, and then having the duke rush them off to Gretna Green.Alas, he underestimates the duke’s intelligence and the tangled situation on the estate—never had he imagined that compromising a lady could be so difficult.His endeavours lead to a comedy of errors, charades, and knotty love affairs. Yet he forges ahead in spite of pesky house guests, a flea bitten mattress, his lovesick best friend, and a blackmailer.Just when things seem to be going well, someone is murdered (very inconvenient), and he happens to be one of the suspects (extremely inconvenient).His simple plan for winning the wager suddenly becomes … a tad complicated.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    . . . Just scream.The murder of eighteen-year-old Angie Vance was exceptionally vile–her mouth was sealed with glue, an obscenity was scrawled across her skin, and she was suffocated in a garbage bag. The killing seems personal, so police detective Carina Kincaid focuses her efforts on the victim’s much older ex-boyfriend, Steve Thomas. But without physical evidence, Carina can’t make a collar or a case. She also can’t stop Sheriff Nick Thomas, the prime suspect’s brother, from conducting his own unwelcome investigation. Though Nick is still scarred and unsteady from a recent confrontation with a serial killer, he’s determined to prove his brother’s innocence. But his confidence is shaken when he learns of Steve’s dark side, and when a friend of the murdered girl meets a similarly gruesome fate. With no time to lose, Carina and Nick work together to trap a psychopath, before another unlucky woman faces an unspeakable end.

    . .When she wakes up, she's very cold. Colder than she's ever been in her life. She can't move or speak. And then she sees him. The one who took her. And before she dies, she wishes she could scream. . .Is About To Become. . .Former movie star Jenna Hughes left Hollywood for an isolated farm in Oregon to get away from fame. But someone has followed her--an obsessed fan whose letters are personal and deeply disturbing. And while Jenna's already shaken up by what she's seen on paper, she'd be terrified if she knew what Sheriff Shane Carter is investigating. It's a shocking case that started with the discovery of a dead woman in the woods. Now two more women are missing, one of whom bears a striking resemblance to Jenna. . .Her Worst Nightmare. . .

    Navigating expertly between the mind of a deranged serial killer and the FBI special agents racing to end his lethal spree, Kane delivers a complex, unforgettable story based on extensive research with the FBI and its Crisis Negotiation and Behavioral Analysis Units. Twisted is Kane's most accomplished novel yet.Who will be next?Former FBI Special Agent Sloane Burbank survived a life-threatening injury sustained in the line of duty, only to face leaving a job she loves in order to recuperate. As an independent consultant, she now uses her specialized skills to train law enforcement and private organizations in crisis resolution. But when one of her closest childhood friends mysteriously disappears, and the woman's devastated parents beg for her help, Sloane takes the case—even though her ex-lover Derek Parker is the FBI agent in charge.Special Agent Derek Parker, now assigned to the Asian Criminal Enterprise Task Force in the FBI's New York Field Office, has no time to spare for a year-old case he sees as a dead end—especially since it would mean working with a woman he never expected to see again. He's pursuing the leader of a Chinese gang and trying to solve a series of grisly murders in Chinatown, so he initially offers Sloane the case files and minimal cooperation.But as more women disappear and others turn up brutally murdered, Derek's priorities shift, and he and Sloane come to the sickening realization that these random crimes are linked to the same crazed killer. No one can anticipate when he will strike again, but when Sloane becomes the target of the killer's twisted obsession, it's clear that his ultimate fantasy is even more psychotic than either of them ever imagined.

    In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted--by murder.Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.But soon the eyes of suspicion turn toward Ben—for, black as the slave who fathered him, this free man of color is still the perfect scapegoat....

    . .Some crimes are too unspeakable to solve . . . In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She's certain she's come to terms with her past--until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past--and expose a dark secret that could destroy her.

    The newly minted policemen are met with deep hostility by their white peers and their authority is limited: They can’t arrest white suspects; they can’t drive a squad car; they can’t even use the police headquarters and must instead operate out of the basement of a gym.When a black woman who was last seen in a car driven by a white man turns up fatally beaten, no one seems to care except for Boggs and Smith, two black cops from vastly different backgrounds. Pressured from all sides, they will risk their jobs, the trust the community has put in them, and even their own safety to investigate her death. Their efforts bring them up against an old-school cop, Dunlow, who has long run the neighborhood like his own, and Dunlow’s young partner, Rakestraw, a young progressive who may or may not be willing to make allies across color lines.

    Not a word, actually. A name… Everyone in the small American town of Denton is searching for Isabelle Coleman, a missing seventeen-year-old girl. All they’ve found so far is her phone and another girl they didn’t even know was missing. Mute and completely unresponsive to the world around her, it’s clear this mysterious girl has been damaged beyond repair. All Detective Josie Quinn can get from her is a name: Ramona. Currently suspended from the force for misconduct, Josie takes matters into her own hands as the name leads her to evidence linking the two girls. She knows the race is on to find Isabelle alive, and she fears there may be others… The trail leads Josie to another victim, a girl who escaped but whose case was labelled a hoax by authorities. To catch this monster, Josie must confront her own nightmares and follow her instinct to the darkest of places. But can she make it out alive? Fans of Angela Marsons, Helen Fields and Robert Dugoni will be utterly gripped and sleeping with the lights on once they discover the first in this unputdownable new crime thriller series.