The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

    It was Thursday and unseasonably hot for April. He had his suitcoat off, his tie removed and shirt collar opened, his sleeve cuffs folded back. There was sunlight on his left arm and on part of his lap. He could feel the heat of it through his dark trousers as he drove along the two-lane highway. For the past twenty minutes, he had not seen another vehicle going in either direction.Then he saw the truck...

    He has won four World Fantasy Awards, ten British Fantasy Awards, three Bram Stoker Awards, and the Horror Writers' Association's Lifetime Achievement Award. Three decades into his career, Campbell paused to review his body of short fiction and selected the stories that were, to his mind, the very best of his works. Alone With the Horrors collects nearly forty tales from the first thirty years of Campbell's writing. Included here are "In the Bag," which won the British Fantasy Award, and two World Fantasy Award-winning stories, "The Chimney" and the classic "Mackintosh Willy." Campbell crowns the book with a length preface which traces his early publication history, discusses his youthful correspondence with August Derleth, illuminates the influence of H.P. Lovecraft on his early work, and gives an account of the creation of each story and the author's personal assessment of the works' flaws and virtues.In its first publication, a decade ago, Alone With the Horrors won both the Bram Stoker Award and the World Fantasy Award. For this new edition, Campbell has added one of his very first published stories, a Lovecraftian classic, "The Tower from Yuggoth." From this early, Cthulhian tale, to later works that showcase Campbell's growing mastery of mood and character, Alone With the Horrors provides readers with a close look at a powerful writer's development of his craft.

    Then he receives a call from his estranged sister in East Germany, informing him of their father’s untimely death. His father’s last wish? To be buried in Lübeck. To carry out his father’s request, Dieter will have to drive the corpse back across the border, with risks he discovers only when he arrives in the East. A haunting story from the world’s most famous spy writer, John le Carré.Dare I Weep, Dare I Mourn? was originally published in The Saturday Evening Post, January 28, 1967.Cover design by Adil Dara.

    "I think it is my most beautiful play since Streetcar," Tennessee Williams said, "and I've never stopped working on it....It is a cri de coeur, but then all creative work,all life, in a sense is a cri de coeur."In the course of its evolution, several earlier versions of The Two-Character Play have been produced. The first of them was presented in 1967 in London and Chicago and brought out in 1969 by New Directions in a signed limited edition. The next, staged in 1973 in New York under the title Out Cry, was published by New Directions in 1973 The third version (New York, 1975), again titled The Two-Character Play, is the one Tennessee Williams wished to include in New Directions' The Theatre of Tennessee Williams series. It is this version which is presented in this ND paperback.

    In their intensity of perception, their neon-lit evocation of a strange world brought uncomfortably close to our own, the stories in Jesus' Son offer a disturbing yet eerily beautiful portrayal of American loneliness and hope.Contains:Car Crash While HitchhikingTwo MenOut on BailDundunWorkEmergencyDirty WeddingThe Other ManHappy HourSteady Hands at Seattle GeneralBeverly Home'

    In these stories, Julian Barnes takes as his universal theme the British in France - the fascination with the country, the reasons for being there, and the sometimes ambiguous reception.

    Short story from the story collection FREE AND OTHER STORIES.

    At first he and his wife cannot decide what they should do with him. They are unable to put the man back into the sea although they realize he is an enemy and that for fear of the authorities they should do just that. Against the advice of his wife, and at great risk to his honor, career, position and life, Dr. Hoki hides the wounded American, operates on him, and saves his life. The surgery is successful, and the couple settle into a period of hope and fear as they await the patient’s recovery. As the days and nights pass, Dr. Hoki finds his traditional attitude transformed by the encounter with the American.

    Linked, equal but opposite, these blades are destined to be wielded by two of the greatest heroes of the Age of Darkness. And as the spears themselves, Appolonian and Dionysian, are equal and opposite, so too are those to whom they were gifted. This is their story too. The warrior-scholar, a savant and a servant. The warrior-king, a savage and a soldier. Their fates entwined in ways they do not understand, they carry the blades as both gift and curse, fulfilment of destiny unseen by any save the Master of Mankind. Read It Because This is truly a Horus Heresy story unlike any other. Chris Wraight crafts an elegiac look at two heroes of the Heresy, through the blades that bond them and forge a destiny that may well extend far beyond the stories that have yet been told…

    Despite the warnings, Aenarion rides out upon his dragon Indraugnir to seek the prize in order to save his homeland of Ulthuan. The journey is fraught with danger, and Aenarion must confront daemons, spirits and the elemental forces of nature itself if he is to succeed. But in drawing the blade from the Black Anvil, he will unleash the ancient and malevolent force that will tear the elven race apart.The events in this story form the underpinnings of the entire Warhammer mythos. What Aenarion does here changes the face of the world in ways that won't be resolved until the End Times themselves...This story is also available in the anthology Age of Legend.

    The names of characters recur throughout the stories, and the stories reference each other (for example, "everything continues as in 'A'"), challenging narrative conventions. In addition, the story explores themes of domesticity, welfare, and success.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    Scott's source, which he acknowledged in the 'Magnum Opus' edition of Chronicles of the Canongate (1831), was George Constable (1719 - 1803), a friend of his father and the model for Jonathan Oldbuck in The Antiquary. It has not been established to date whether Constable's anecdote refers to a historically verifiable case.

    That’s my guilty secret.”