But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    As the granddaughter of celebrities and the daughter of an interracial couple in an all-black town, she has become adept at isolating herself from curious neighbors. But then her cousin, Trout, comes to visit. Trout is exactly like Staggerlee wishes she could be: outspoken, sure of herself, beautiful. Finally, Staggerlee has a friend, someone she can share her deepest, most private thoughts with. Someone who will teach her how to be the strong girl she longs to be. But is Trout really the girl Staggerlee thinks she is?

    Winner of the United Nations Human Rights Award for Nonfiction, HOLDING THE MAN has been adapted into a play opening in America in September 2007. The playwright who adapted the book for stage refers to this a a memoir of striking and unapologetic honesty.

    It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?

    Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, through developments including the legal recognition inherent in the overturning of anti-sodomy laws and the proliferation of more mainstream representation. These incorporations have shifted many queers from their construction as figures of death (via the AIDS epidemic) to subjects tied to ideas of life and productivity (gay marriage and reproductive kinship). Puar contends, however, that this tenuous inclusion of some queer subjects depends on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by homonormative ideologies that replicate narrow racial, class, gender, and national ideals. These “homonationalisms” are deployed to distinguish upright “properly hetero,” and now “properly homo,” U.S. patriots from perversely sexualized and racialized terrorist look-a-likes—especially Sikhs, Muslims, and Arabs—who are cordoned off for detention and deportation. Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.

    And I feel it - that life can be beautiful. That there are possibilities.Keep your head down and don't borrow trouble is the motto Joni lives by, and so far it's seen her family through some tough times. It's not as if she has the power to change anything important anyway. Like Dad's bad back, or the threat of losing their house.So when Annabel breezes into her life, Joni's sure they're destined to clash. Pretty, poised, privileged - the daughter of the richest family in town must have it easy.But sometimes you find a matching spirit where you least expect it. Sometimes love can defy difference. And sometimes life asks you to be bigger and braver …

    Yet bi+ people can often experience isolation and invisibility--even from each other.Getting Bi addresses this by collecting 220 personal essays from 185 bi+ authors from 42 countries (from Australia to Zimbabwe).This book is a safe haven where bi people are celebrated and understood. Bi+ readers will feel comforted, heartened, nourished, and validated. You will find yourself nodding in agreement as you read. You will laugh at relatable experiences. You will receive validation about lived experiences you thought were unique to you. This book is a lifeline to those struggling. You will feel hope and a sense of relief. You will realize that, no matter how isolated as you are, you are not alone.You will hear many stories (which the mainstream leaves out) on the joys of being bisexual.Authors discuss their potential to be attracted--romantically and/or sexually--to people with genders similar to and different from their own. They describe liking, having feelings for, and falling in love with others. Many relate their identity to knowing who they desire, are interested in, and have crushes on. Therefore, many knew who they were bi long before they started dating. Others may never date more than one gender, but accept being bi as crucial to who they are.Each author questioned and subsequently arrived at a greater understanding of their sexuality. So these stories are helpful for anyone undergoing an identity exploration.Authors also bare their souls while processing feelings of anger, angst, doubt, fear, frustration, guilt, sadness, shame, and just being uncomfortable. This book explores many common struggles of bi+ people: - Authors describe dealing with external (or internalized) oppression of all types: biases, biphobia, bi-erasure, heterosexism, homophobia, stereotypes, myths, and general negativity. - Authors describe repeatedly being told they are 'confused' or 'going through a phase.' - Authors describe their struggles with labels. Many get creative and create new terms for themselves or use none at all (demonstrating the broad possibilities of self-identification). - Authors describe the fatigue of having to come out, not once, but over and over again. - Authors describe monosexual partners (and potential partners) who are insecure, feel inadequate, and fearful about dating bi people. - Authors describe seeking refuge in the larger LGBTQ+ community only to realize it may not the safe haven they hoped for. After joining organizations, they have found the 'B' in the LGBT to be in name only (despite all that bi+ people have contributed to the movement).Instead of - or in addition to - trying to fit into potentially less-inclusive LGBTQ+ groups, these authors show that you can seek out and become a member of your own bi+ community which proudly waves its own bi flag. For those who do not yet have bisexual friends, this book offers a peek inside your own community. Reading about others is a great first step to being a part of a supportive and accepting bisexual culture. It will likely inspire you to network, find allies, and build a strong supportive social circle. You will learn about bi+ community leaders, activists, and conferences advocating for the interests of bisexual people. You will learn about bi people who, over the decades, have been organizing movements to fight for social justice, equality, and the rights of each one of us. Drawing from so many different people who have many decades of reflection, you can't help but leave with a deeper understanding and eye-opening epiphanies. It will make you feel empowered and inspired to exercise your freedom of expression. It will give you more courage because of what others, like you, have done. As one reviewer wrote, "This book will make you laugh, cry, get angry, and hopefully open your eyes to the wide range of bisexual experiences."

    A land where she imagines standing at the bottom of the ancient lake that preceded the prairie: crop rows become the patterned sand ripples of the lake floor; trees are the large alien plants reaching for the light; and the sky is the water’s vast surface, reflecting the sun. Like most rural kids, she followed the out-migration pattern to a better life. The prairie is a hard place to stay—particularly if you are gay, and your home state is the last to know. For Hoffert, returning home has not been easy. When the farmers ask if she’s found a “fella,” rather than explain that—actually—she dates women, she stops breathing and changes the subject. Meanwhile, as time passes, her hometown continues to lose more buildings to decay, growing to resemble the mouth of an old woman missing teeth. This loss prompts Hoffert to take a break from the city and spend a harvest season at her family’s farm. While home, working alongside her dad in the shop and listening to her mom warn, “Honey, you do not want to be a farmer,” Hoffert meets the people of the prairie. Her stories about returning home and exploring abandoned towns are woven into a coming-of-age tale about falling in love, making peace with faith, and belonging to a place where neighbors are as close as blood but are often unable to share their deepest truths.  In this evocative memoir, Hoffert offers a deeply personal and poignant meditation on land and community, taking readers on a journey of self-acceptance and reconciliation.

    These 49 short stories, poems, interviews and essays—fiction and nonfiction—make up a powerful collection of original and new writing by 41 women. does your mama know? is ready to take its place in the halls of literary African-American lesbian voices.

    Fiction is matched in excitement by graphic novel excerpts and personal essays. Certain to become a literary touchstone for a new generation of writers and readers, Baby Remember My Name speaks to the broad range of queer girl experiences in work that is brave, irreverent, funny, sensitive, and hot.

    While her friends and sister have plunged headfirst into the world of dating and romances, Abby has stayed focused on her plus-size style blog and her dreams of taking the fashion industry by storm. When she lands a prized internship at her favorite local boutique, she’s thrilled to take her first step into her dream career. She doesn't expect to fall for her fellow intern, Jordi Pérez. Abby knows it's a big no-no to fall for a colleague. She also knows that Jordi documents her whole life in photographs, while Abby would prefer to stay behind the scenes. Then again, nothing is going as expected this summer. She's competing against the girl she's kissing to win a paid job at the boutique. She's somehow managed to befriend Jax, a lacrosse-playing bro type who needs help in a project that involves eating burgers across L.A.'s eastside. Suddenly, she doesn't feel like a sidekick. Is it possible Abby's finally in her own story? But when Jordi's photography puts Abby in the spotlight, it feels like a betrayal, rather than a starring role. Can Abby find a way to reconcile her positive yet private sense of self with the image that other people have of her? Is this just Abby’s summer of fashion? Or will it truly be The Summer of Jordi Pérez (and the Best Burger in Los Ángeles)?

    Comprised of tell-all interviews and personal essays, historical analysis, cartoons, and some quite fetching photos, this book is for those who swear by roles as well as those who just don't get what all the brouhaha is about Down and dirty, kind and generous, Dagger is a celebration of lesbian sexuality and bravery.What is butch? Rebellion against women's lot, against gender-role imperatives that pit boyness against girlness and then assigns you-know-who the short straw. Butch is a giant fuck YOU! to compulsory femininity, just as lesbianism says the same to compulsory heterosexuality.What is butch? Sexual power of a kind that no women is supposed to have, active power. Prowess. The calm eye of a whirlwind of pleasure, getting from giving."Female maleness," "female masculinity": these simplistic ways of reading butch energy do not entirely miss the mark, but they do mislead. Maleness isn't male on a female, honey - it's something else again, a horse of another color, something our gender-impoverished language doesn't offer us words to describe.Roxxie: Can straight men learn anything from butches? JoAnn: Sure. Straight men could learn a lot about how to take care of women both sexually and emotionally.At that time they were having all those Wonderbread commercials, where they said you could build muscles twelve ways. So I started eating tons of Wonderbread, and my parents were saying, "What's this sudden craze for Wonderbread?" I thought if I ate enough Wonderbread I'd bulk up and turn into a guy."Review from Whole Earth Review, Winter, 1994 by Louise Rafkin

    Being committed to your studies, service, and community doesn’t mean that you can’t break the rules now and again, right?But watch your back because lurking on the anonymous Chitter Chatter Blog is The Watcher—who can’t wait to reveal all the latest hookups, hot lists, and secrets around campus. The latest objects of The Watcher’s affection? Straight-off-the-train (but not exactly straight) insta-besties Evelyn and Seth.It doesn’t take long for Evelyn to realize she is inexplicably drawn to her gorgeous and standoffish roommate Noelle. Meanwhile Seth has eyes, and some serious heart palpitations, for budding thespian and school flirt Jasper. Just as things start to heat up, The Watcher strikes. Will the secrets revealed turn their happily ever afters into happily never afters?

    It's the highest honor they could hope for...and the most demeaning. This year, there's a ninth. And instead of paper, she's made of fire.In this richly developed fantasy, Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards for an unknown fate still haunts her. Now, the guards are back and this time it's Lei they're after -- the girl with the golden eyes whose rumored beauty has piqued the king's interest.Over weeks of training in the opulent but oppressive palace, Lei and eight other girls learns the skills and charm that befit a king's consort. There, she does the unthinkable -- she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens her world's entire way of life. Lei, still the wide-eyed country girl at heart, must decide how far she's willing to go for justice and revenge.