Simply one of the most admired and imitated poets of her generation, Lisa Jarnot's third volume of poetry does what only Jarnot can do. Decidedly lyrical, always reliant on repetition and rhythm, what emergies in this book is a catalog of loves and laments: "Just the eldergrass and him, the fog, unpoliced and safe inside the train, the thoughts of rain, Apollo, and the sun..." As Stan Brackage has said of Jarnot, " H]er words are never severed from the means that engendered them; and the consequent meanings are never detached from the meditative drama of each whole poem."

    Book and CDs work beautifully together, kindling deeper appreciation for the transmuting power of poetry, a practice of discipline, skill, and magic." - BOOKLIST ..".The prose comes to life when read aloud, especially when you hear James Joyce read it himself." NPR's ALL THINGS CONSIDERED host Jacki Lyden "This tome is a reminder how the human spirit is capable of finding an outlet in oppressive times, how poetry can help explain why we do what we do as a thinking people...Certainly, in our struggle to make sense out of what we do not understand, Poetry Speaks Expanded helps on so many levels." Carol Hoenig, THE HUFFINGTON POST ..".[A] bountiful experience: there is the thrill of discovery and re-discovery as with any good anthology, with an added emphasis on the poets' personalities and growth" John Hammond, SAN ANTONIO EXPRESS-NEWS "[An] accessible, beautifully executed collection guaranteed to offer poetry fans a memorable reading and listening experience" WORDCANDY.NET ..".[A]s I savored these beautiful poems, it reminded me of French poet Charles Baudelaire who wrote, 'Any man can go without food for two days - but not without poetry.'" - Norm Goldman, BOOKPLEASURES.COM "Light[s] up a reader's eyes." - Frank Wilson, PHILADELPHIA INQUIRER Hear And Read All Of These Poets (And More)244 Poems Included In The Book107 Poems Read By The Poets Themselves On 3 Audio CDs Robert Graves, E. E. Cummings, Walt Whitman, Ezra Pound, William Butler Yeats, Gertrude Stein, Carl Sandburg, James Joyce, William Carlos Williams, Ted Hughes, Robinson Jeffers, Philip Larkin, Wallace Stevens, Louise Bogan, Melvin B. Tolson, Laura (Riding) Jackson, Ogden Nash, W. H. Auden, Louis MacNeice, Allen Ginsberg Theodore Roethke, Elizabeth Bishop, Robert Hayden, Robert Frost, Muriel Rukeyser, Gwendolyn Brooks, Randall Jarrell, Jack Kerouac, John Berryman, Dylan Thomas, Robert Lowell, Robert Browning, Robert Duncan, May Swenson, John Crowe Ransom Poetry Speaks Expanded is a fusion of the poet's words with the poet's voice, including text and recordings of nearly 50 of the greatest poets who ever lived, ranging from Walt Whitman, Robert Frost, James Joyce and T. S. Eliot to Langston Hughes, Jack Kerouac, Sylvia Plath, Ted Hughes and Gwendolyn Brooks. "This book has the potential to draw more readers to poetry than any collection in years."-PUBLISHERS WEEKLY, STARRED REVIEW "Readers and listeners are guaranteed to hear poems in a new way after spending time with this book and CD set."-LIBRARY JOURNAL, STARRED REVIEW "Superb, accessible....A unique and essential purchase"-SCHOOL LIBRARY JOURNAL Poetry--For the first time ever, James Joyce reads "Anna Livia Plurabelle" from Finnegans Wake alongside the original text from the book--T. S. Eliot reading "The Love Song of J. Alfred Prufrock"--Sylvia Plath's anger and raw emotion as she reads "Daddy" and "Lady Lazarus"--Jack Kerouac reading from "MacDougal Street Blues," accompanied by Steve Allen on piano--May Swenson rehearsing "The Watch" prior to a reading--H. D. reading a part of "Helen in Egypt" from a rare recording made shortly before her death--Ted Hughes reading "February 17" during a BBC interview--A never-before-published recording of Alfred, Lord Tennyson reading "The Charge of the Light Brigade"--W. B. Yeats explaining his reading style and why he chooses to read that way--Robert Frost reading "The Road Not Taken" and "Stopping by Woods on a Snowy Evening" Essays Written By Today's Most Influential Poets, Including: W. S. Merwin on Robert Graves, Seamus Heaney on W. B. Yeats, Paul Muldoon on James Joyce, Robert Pinsky on William Carlos Williams, Sonia Sanchez on Gwendolyn Brooks, Galway Kinnell on Walt Whitman, Rita Dove on Melvin B. Tolson, Jorie Graham on Elizabeth Bishop and Al Young on Langston Hughes "The most ambitious, innovative poetry project to be published in years."-QUALITY PAPERBACK BOOK CLUB A Book Sense Top-10 Selection

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

    The result is a celebration of the pleasures of poetry. In his charming and candid introduction Collins explains how he chose seventy-five poems from among the thousands he considered. With insightful comments from the poets illuminating their work, and series editor David Lehman's thought-provoking foreword, The Best American Poetry 2006 is a brilliant addition to a series that links the most noteworthy verse and prose poems of our time to a readership as discerning as it is devoted to the art of poetry.

    With up-and-coming poets alongside more established names, and original poems alongside the new works they've inspired, Answering Back promises to be a truly unique and insightful anthology.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    This definitive collection includes short verse published between 1913 and 1922 by Ezra Pound, D. H. Lawrence, H. D. (Hilda Doolittle), James Joyce, Wallace Stevens, William Carlos Williams, and many others.

    Ranging from the sixteenth century to the present day, The New Faber Book of Love Poems contains a fantastic mix of classics and popular favorites, as well as blues lyrics, American folk poetry, Elizabethan lyrics and Broadway songs. There are poems by men about women, women about men, men about men and women about women - in short, something for everyone, and a must-have for everyone's bookshelf.

    Vincent Millay to Edward Lear's whimsical "The Owl and the Pussycat" and James Whitcomb Riley’s homespun "When the Frost Is on the Punkin." Famous poets such as Wordsworth, Tennyson, Whitman, and Frost are well-represented, as are less well-known poets such as John McCrae ("In Flanders Fields") and Ernest Thayer ("Casey at the Bat"). Includes 10 selections from the Common Core State Standards Initiative: "The Owl and the Pussycat," "Casey at the Bat," "Jabberwocky," "O Captain! My Captain!," "Paul Revere's Ride," "Ozymandias," "The Raven," "Because I Could Not Stop for Death," "Mending Wall," and "Ode on a Grecian Urn."

    But his resilient voice and consistent perspective is neither blaming nor didactic, and ultimately enlightening. From the shadowed corners into which we dare not look clearly, Hicok makes us witness and hero of The Legend of Light.

    "Merwin writes, " J.D. McClatchy has said in THE NEW YORKER, "with one of the most distinctive and original voices in American poetry."

    On everything from carbon taxes to Cuba, Canadian policy is suddenly obsolete. Will Trudeau and his advisors realign themselves with our largest trading partner and ally? Or will Trudeau do what his father did — play the role of anti-American gadfly, to the delight of the Third World but the detriment of Canadians? Ezra Levant, the best-selling author of Ethical Oil and other trouble-making books, is here to say what no-one in the liberal media will: Trudeau vs. Trump is shaping up to be Bambi vs. Godzilla.

    The use of enjambment here is impeccable, giving the entire collection a cadence akin to that of a march through the author's own personal underworld."— Owen Green, The Book Nook Review"One of the most authentic autobiographies told in verse."— Steve Quade, Indies Today"This is a very powerful and inspiring book that will touch the hearts of a lot of readers."— Ria Kataria, The Online Book Club"This is an in-depth essay unravelling through complex human emotions. Their beauty lies in their unadulterated voice."— Amina Thajudeen, The Ultimate Reviewer"The true power of poetry is sharing the struggles of life and this book drives that home."— Rob Alex, Book Promotion Club