This infinity of lists is no coincidence: a culture prefers enclosed, stable forms when it is sure of its own identity, while when faced with a jumbled series of ill-defined phenomena, it starts making lists. The poetics of lists runs throughout the history of art and literature. We do not only see it at work in ancient bestiaries, the celestial hosts of angels or the naturalist collections of the 16th century. We also find it more obliquely from Homer to Joyce, from the treasures of Gothic cathedrals to the fantastic landscapes of Bosch and cabinets of curiosities, until we get to Andy Warhol and Arman in the 20th century. In this 5-colour illustrated edition, Umberto Eco reflects on how the idea of catalogues has changed over the centuries and how, from one period to another, it has expressed the spirit of the times. His essay is accompanied by a literary anthology and a wide selection of works of art illustrating and analysing the texts presented. This new illustrated essay is a companion volume to On Beauty and On Ugliness.

    A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition-Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

    First published as a serial, a novel on love, family and sexuality in Bengal society.

    He doesn’t attribute any genius to his skills as a writer and convinces his readers that the stories flowed even as he minded his daughters or tossed a salad. Equally, Manto treats his tryst with Bollywood with disdain and unmasks the cardboard lives of tinsel town when a horse is painted to double up for a zebra or multiple fans rotate to create a deluge. Two of Manto’s favourite and recurring themes — Women and Partition—find special mention.For the first time ever, this unique collection of non-fiction writing from the subcontinent’s greatest writer, translated by well known author and journalist, Aakar Patel showcases Saadat Hasan Manto’s brilliance while dealing with life’s most mundane things — graveyards, bummingcigarettes, a film crew with motley characters from mythology — and a sharp dissection of what ails the subcontinent even after 6 decades —Hindi or Urdu, vile politicians and the hopelessness of living under the shadow of fear.

    A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics.A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.

    Frye persuasively presents the Bible as a unique text distinct from all other epics and sacred writings. “No one has set forth so clearly, so subtly, or with such cogent energy as Frye the literary aspect of our biblical heritage” (New York Times Book Review). Indices.

    Starting with the Vikings’ kennings and Beowulf and ending with Stevenson and Oscar Wilde, the book traverses a landscape of ‘precursors,’ cross-cultural borrowings, and genres of expression, all connected by Borges into a vast interpretive web. This is the most surprising and useful of Borges’s works to have appeared posthumously.”Borges takes us on a startling, idiosyncratic, fresh, and highly opinionated tour of English literature, weaving together countless cultural traditions of the last three thousand years. Borges’s lectures — delivered extempore by a man of extraordinary erudition — bring the canon to remarkably vivid life. Now translated into English for the first time, these lectures are accompanied by extensive and informative notes by the Borges scholars Martín Arias and Martín Hadis.

    In her long-awaited study of Kargil, Nasim Zehra combines hitherto unknown information garnered from key players in the Pakistani military establishment involved in the planning of the incursion with a historically grounded and analytically nuanced analysis of the Indo-Pakistan conflict over Kashmir. She convincingly shows how the Kargil conflict accentuated Pakistan's relations with not only India and the United States of America but also brought to the fore age-old tensions between the civil and military arms of the state, resulting in the 1999 military coup. A gripping account of the Kargil war as it unfolded surreptitiously and then flagrantly, this study puts to rest myths about the relative strengths of the military decision-making process in Pakistan compared to its civilian counterpart, underscoring the imperative need to streamline both with a view to facilitating more cooperative relations between them, especially in the realm of strategic security. Well researched and persuasively argued, the book is mandatory reading for students of international relations and South Asia. (Professor Ayesha Jalal, Historian) Nasim Zehra s book is a remarkably honest, bold, diligent and well-researched account of the Kargil episode, a doomed initiative, conceived in shadows, without a thought-through institutional evaluation and based on a misreading of the international situation. The author combines a wealth of information and a good deal of fresh detail with scholarly insights and deep analysis. She has produced a comprehensive landmark case study- a must read- of great value to policy makers and scholars in Pakistan and to the wider readership interested in the history and political affairs of the country and the region. (Riaz M Khan, Senior Diplomat, former Foreign Secretary) The Kargil episode has remained an enigma both in Pakistan as well as India. Shrouded in secrecy, the deafening silence on this conflict has given rise to many conspiracies, rumours and ill-informed opinions on both sides of the divide, in India and Pakistan. In this book, the author has collated facts painstakingly and juxtaposed them into the regional environment. She establishes the context of this conflict in the light of the US-Afghan issues at the time, the international concerns in view of the potential of a Nuclear Conflict, the contradictions of the Lahore Declaration and the history of the Line of Control. An extremely well analysed study that will remain a reference point for any further study. (Lt General (retd) Tariq Khan, Pakistan Army Armoured Corps).

    “It is guilty and should admit itself so.” The word, the flesh, and the devil are explored by this extraordinary intellect in the work of eight outstanding authors: Emily Bronte, Baudelaire, Blake, Michelet, Kafka, Proust, Genet and De Sade.Born in France in 1897, Georges Bataille was a radical philosopher, novelist, and critic whose writings continue to exert a vital influence on today's literature and thought.

    Known for her charm, wit and beauty, Umrao Jaan was also a talented poet, dancer and a singer. Rich in historical detail, the audiobook transports us in old Lucknow, where decadence was nothing more than a part of day-to-day life.

    It is language made special so that it will be remembered and valued. It does not always work—over the centuries countless thousands of poems have been forgotten. This little history is about some that have not. John Carey tells the stories behind the world’s greatest poems, from the oldest surviving one written nearly four thousand years ago to those being written today. Carey looks at poets whose works shape our views of the world, such as Dante, Chaucer, Shakespeare, Whitman, and Yeats. He also looks at more recent poets, like Derek Walcott, Marianne Moore, and Maya Angelou, who have started to question what makes a poem "great" in the first place. This little history shines a light on the richness and variation of the world’s poems—and the elusive quality that makes them all the more enticing.

    The author, whose own parents came to England from the Punjab in the 1950s, conjures a jazzed hybrid language to tell stories of aspiration, assimilation, alienation and love, from a stowaway's first footprint on Dover beach to the disenchantment of subsequent generations.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    But when she is set up by her long-time friend, she doesn’t shy away from the possibilities. Ahad, a charming, independent, self-made man, captures her imagination, drawing her away from her disapproving sister, Juveria.Faced with sizzling chemistry and a meeting of the minds, Ahad and Rumi find themselves deep in a relationship that moves forward with growing intensity. But as her desire for the self-assured Ahad grows, Rumi struggles with a decision that will impact the rest of her life.Confronted by her scandalized sister, a forbidding uncle and a society that frowns on pre-marital intimacy, Rumi has to decide whether to shed her middle-class sensibilities, turning her back on her family, or return to her secluded existence as an unmarried woman in Pakistan.We follow Rumi from rainy London to a sweltering Karachi, as she tries to take control of her own destiny.

    Written immediately after the partition of the Indian subcontinent, the play is a profound meditation on the politics of violence and aggressive selfhood. The moral burden of the play is that every act of violence inevitably debases society as a whole. Alok Bhalla's translation captures the essential tension between the nightmare of self-enchantment, which the story of the Kauravas represents, and the ever-present possibility of finding a way out of the cycle of revenge into a redemptive ethicality.