But when she returns, Viola is gone. A breaking point in an already fractured marriage, Viola’s abduction causes Ellis to disappear as well—into grief, guilt, and addiction. Convinced she can only do more harm to her family, Ellis leaves her husband and young sons, burying her desperate ache for her children deeper with every step into the mountain wildernesses she treks alone.In a remote area of Washington, a young girl named Raven keeps secrets inside, too. She must never speak to outsiders about how her mother makes miracles spring from the earth, or about her father, whose mysterious presence sometimes frightens her. Raven spends her days learning how to use her rare gifts—and more important, how to hide them. With each lesson comes a warning of what dangers lie in the world beyond her isolated haven. But despite her mother’s cautions, Raven finds herself longing for something more.As Ellis and Raven each confront their powerful longings, their journeys will converge in unexpected and hopeful ways, pulled together by the forces of nature, love, and family.

    A deeply evocative narrative about the profound connections between mothers and daughters, The Valley of Amazement returns readers to the compelling territory of Amy Tan's The Joy Luck Club. With her characteristic insight and humor, she conjures a story of inherited trauma, desire and deception, and the power and stubbornness of love.

    A young army vet, Michelle returns to the quaint Blackberry Island Inn to claim her inheritance and recover from the perils of war. Instead, she finds the owner’s suite occupied by the last person she wants to see.Carly Williams and Michelle were once inseparable, until a shocking betrayal destroyed their friendship. And now Carly is implicated in the financial disaster lurking behind the inn’s cheerful veneer.Single mother Carly has weathered rumors, lies and secrets for a lifetime, and is finally starting to move forward with love and life. But if the Blackberry Island Inn goes under, Carly and her daughter will go with it.To save their livelihoods, Carly and Michelle will undertake a turbulent truce. It’ll take more than a successful season to move beyond their devastating past, but with a little luck and a beautiful summer, they may just rediscover the friendship of a lifetime.

    The creator of the literary sensations Divine Secrets of the Ya-Ya Sisterhood, Little Altars Everywhere, and Ya-Yas in Bloom delivers an unforgettable new stand-alone novel about the pull of first love, the power of home, and everyday magic. No matter if you already adore the Ya-Yas or haven’t yet entered the miraculous world of Rebecca Wells, you are going to love—and never forget—Calla Lily Ponder.

    Mia and Lorrie Ann are lifelong friends: hard-hearted Mia and untouchably beautiful, kind Lorrie Ann. While Mia struggles with a mother who drinks, a pregnancy at fifteen, and younger brothers she loves but can't quite be good to, Lorrie Ann is luminous, surrounded by her close-knit family, immune to the mistakes that mar her best friend's life. Until a sudden loss catapults Lorrie Ann into tragedy: things fall apart, and then fall apart further-and there is nothing Mia can do to help. And as good, kind, brave Lorrie Ann stops being so good, Mia begins to question just who this woman is and what that question means about them both. A staggeringly arresting, honest novel of love, motherhood, loyalty, and the myth of the perfect friendship that moves us to ask ourselves just how well we know those we love, what we owe our children, and who we are without our friends.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    Somewhere beneath her sense of fun, her bravado, and her independent exterior, Emily knows that her breakup with Andrew has less to do with him and more to do with...her. You‘re your own worst enemy's her best friend Jess tells her. It‘s like you get pleasure out of breaking your own heart. As the holiday season looms and Emily contemplates whether she made a huge mistake, the rest of her world begins to unravel: she is assigned to a multimillion-dollar lawsuit where she must defend the very values she detests by a boss who can‘t keep his hands to himself; her Grandpa Jack, a charming, feisty octogenarian and the person she cares most about in the world, is losing it, while her emotionally distant father has left her to cope with this alone; and underneath it all, fading memories of her deceased mother continue to remind her that love does’t last forever.How this brave, original young heroine finally decides to take control of her life and face the fears that have long haunted her is the great achievement of Julie Buxbaum’s marvelous first novel. Written with the authority, grace, and wisdom of an author far beyond her years, The Opposite of Love heralds the debut of a remarkable talent in contemporary fiction.

    His cronies have all traded in the mothers of their children—who they promised to love and cherish 'til death did them part—for tanned and toned young Barbie brides.If losing the social life and close friends she adored wasn't painful enough, a series of setbacks has shaken Les up and she's had enough of playing the good wife. Now, she's going to take some time for herself—in the familiar comforts and stunning beauty of Charleston, her beloved hometown. In her brother's historic home, she will reclaim the carefree girl who spent lazy summers sharing steamy kisses with her first love on Sullivans Island. Along Charleston's cobblestone streets, under the Lowcountry's dazzling blue sky, Les will indulge herself with icy cocktails, warm laughter and bittersweet memories. Daring to listen to her inner voice, she will realize what she wants . . . and find the life of which she's always dreamed.

    When she gets sick and dies, he has no idea how to be on his own. His redheaded grief counselor, Wendy, says he needs to find his flock and leave the nest. But how does a man whose whole life has been grounded in his mom, Saturday mass, and the library learn how to fly? Bartholomew thinks he's found a clue when he discovers a "Free Tibet" letter from Richard Gere hidden in his mother's underwear drawer. In her final days, mom called him Richard - there must be a cosmic connection. Believing that the actor is meant to help him, Bartholomew awkwardly starts his new life, writing Richard Gere a series of highly intimate letters. Jung and the Dalai Lama, philosophy and faith, alien abduction and cat telepathy, the Catholic Church and the mystery of women are all explored in his soul-baring epistles. But mostly the letters reveal one man's heartbreakingly earnest attempt to assemble a family of his own. A struggling priest, a "Girlbrarian," her feline-loving, foul-mouthed brother, and the spirit of Richard Gere join the quest to help Bartholomew. In a rented Ford Focus, they travel to Canada to see the cat Parliament and find his biological father... and discover so much more.

    They’d grown up on a remote stretch of Quarry Street, where there were two houses, two sets of siblings, and eventually, a tangled mess of betrayal, longing, and loss. Tragedy catapulted Allie and Ilya together, but divorce—even as neighbors—has been relatively uncomplicated.Then Ilya’s brother, Nikolai, comes home for their grandmother’s last days. He’s the guy who teased and fought with Allie, infuriated her, then fled town without a good-bye. Now Niko makes her feel something else entirely—a rush of connection and pure desire that she’s been trying to quench since one secret kiss years ago. Niko’s not sticking around. She’s not going to leave. And after all that’s happened between their families, this can’t be anything more than brief pleasure and a bad idea.But the lies we tell ourselves can’t compete with the truths our hearts refuse to let go…

    Celia, a lapsed Catholic, arrives with her grandmother’s rosary beads in hand and a bottle of vodka in her suitcase; beautiful Bree pines for the fiancé she left behind in Savannah; Sally, pristinely dressed in Lilly Pulitzer, is reeling from the loss of her mother; and April, a radical, redheaded feminist wearing a “Riot: Don’t Diet” T-shirt, wants a room transfer immediately.Together they experience the ecstatic highs and painful lows of early adulthood: Celia’s trust in men is demolished in one terrible evening, Bree falls in love with someone she could never bring home to her traditional family, Sally seeks solace in her English professor, and April realizes that, for the first time in her life, she has friends she can actually confide in.When they reunite for Sally’s wedding four years after graduation, their friendships have changed, but they remain fiercely devoted to one another. Schooled in the ideals of feminism, they have to figure out how it applies to their real lives in matters of love, work, family, and sex. For Celia, Bree, and Sally, this means grappling with one-night stands, maiden names, and parental disapproval—along with occasional loneliness and heartbreak. But for April, whose activism has become her life’s work, it means something far more dangerous.Written with radiant style and a wicked sense of humor, Commencement not only captures the intensity of college friendships and first loves, but also explores with great candor the complicated and contradictory landscape facing young women today.

    It’s all he can do to keep his compassionate but ailing mother and his stepfather—a fanatical grassroots minister with a bruising rhetoric—from ruin. But they have no idea they’ve become the obsession of the girl in the woods.Abandoned and nearly feral, Eve has been watching them, seduced by the notion of family—something she’s known only in the most brutal sense. Soon she can’t resist the temptation to get close. Where Henry’s mother sees a poor girl in need, his father sees only wickedness. When Henry forges an unexpected bond with Eve, he believes he might be able to save her. He doesn’t know how wrong he is.Eve is about to take charge of her own destiny—and that of Henry’s family. As both their worlds spin violently out of control, Henry must make an impossible choice: protect the broken young woman who’s claimed a piece of his soul, or put everyone he loves at risk in order to do the right thing.

    Her mother has died; her father has left for Singapore. He is a few years older, just back to India from New York.When they meet in a café one afternoon, she—lonely, hungry for experience, yearning to break free of tradition—casts aside her fears and throws herself headlong into a love affair, one that takes her where she has never been before. Told in a voice at once gritty and lyrical, mournful and frank, A Bad Character marks the arrival of an astonishingly gifted new writer. It is an unforgettable hymn to a dangerous, exhilarating city, and a portrait of desire and its consequences as timeless as it is universal.

    She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence. Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family. With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives.

    Toibin's portrayal of the intricacy and drama of ordinary lives brings to mind of the work of Alice Munro.      Set in Wexford, Ireland, and in breathtaking Ballyconnigar by the sea, Colm Toibin's tour de force eighth novel introduces the formidable, memorable Nora Webster. Widowed at 40, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world she was born into. Wounded and self-centred from grief and the need to provide for her family, she struggles to be attentive to her children's needs and their own difficult loss. In masterfully detailing the intimate lives of one small family, Toibin has given us a vivid portrait of a time and an intricately woven tapestry of lives in a small town where everyone knows everyone's business, and where well-meaning gestures often have unforeseen consequences. Toibin has created one of contemporary fiction's most memorable female characters, one who has the strength and depth of Ibsen's Hedda Gabler. In Nora Webster, Colm Toibin is writing at the height of his powers.