The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    Sweeping us back to the enigmatic and elusive land of his best-selling Shogun, he weaves an extraordinary tale of Japan, now newly open to gai-jin - foreigners - and teeming with contradictions as the ancient and the modern meet in a clash of cultures, of nations, of generations. It is 1862, and in Japan's Foreign Settlement of Yokohama, reverberations from an explosive act of violence will forever alter - and connect - the lives of the major characters. Malcolm Struan, at twenty, is heir to the title of tai-pan of the most powerful and bitterly contested English trading company in the Orient, the Noble House. Malcolm's fate, and that of his family's legacy, become inextricably intertwined with that of a beautiful young French woman, Angelique Richaud. Desired by many, loved purely and passionately by Malcolm, Angelique will hold the future of the Noble House in her hands. Intricately interwoven into the story of the struggle for control of the Noble House is a powerful parallel story of the Land of the Gods, Japan, a country ripped apart by greed, idealism, and terrorism as groups of young xenophobic revolutionaries, ronin, attempt to seize the Shogunate and expel the hated gai-jin from Japan. One man, Lord Toranaga Yoshi, a direct descendant of the first Toranaga Shogun, attempts not only to protect the Shogunate, but to usher it, and Japan, into the modern age. Amid the brutality and heroism, the betrayals and the stunning romance, a multilayered, complex story unfolds. Here the dark and erotic world of the pleasure houses - the Ladies of the Willow World, spies, and terrorists - meets the world of pageantry and power - monarchs and diplomats. And here East meets West in an inevitable collision of two equally powerful cultures as James Clavell creates a vibrant and authentic

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    Griffin), Dick Couch's explosive novel poses the chilling and timely question: How safe are America's waterways from terrorist threat?Riding quietly at her moorings on Puget Sound, the U.S. Navy's deadly weapon -- the Trident submarine -- waits for her return to the sea. But an Arab terrorist known as the Shadow has targeted the USS "Michigan," with nearly three hundred nuclear warheads nestled in its missile silos. He intends to take the deadliest weapon of the Cold War and turn it into the deadliest dirty bomb conceivable -- by hijacking the "Spokane," flagship of the nation's largest ferry fleet. The nation, caught by surprise, sends a select team of Navy SEALs to stop the Shadow. They are aided by a savvy FBI agent and the ferry's captain, Ross Peck. Unless the U.S. wields its political might to support his terrorist brothers in the Middle East, the Shadow will unleash a radiological holocaust, and a nightmare beyond imagining. . . .

    Geared to what today's students need to know, SparkNotes provides chapter-by-chapter analysis; explanations of key themes, motifs, and symbols; and a review quiz and essay topics. Lively and accessible, these guides are perfect for late-night studying and writing papers.

    Or, maybe, we sent a text message to the wrong number, every one of us has sent a text or two we didn’t mean. Phones these days should come with a warning, 'Don't drink and text.' Many of us have been there, a few drinks down, high on life but the bar has closed, and you want to continue the party, consequently ending up with a pile of drunk texts and a feeling of shame.Suddenly your ex, or that girl in the office you have been mildly flirting with and exchanging funny texts with, seems like just the person who would love to join you for one last drink. Tongue out, one eye open, the other squinting with concentration while you jab awkwardly at the screen with your index finger, you marvel at the poetry of a funny drunk text you are capable of when the inhibitions of basic social decency are gone.If you are lucky, there is no reply to your text message fail, and you fall asleep, to awake the next day with nothing but a hangover and a tinge of embarrassment when you realize what you wrote.Either way, these texts messages always end up hilarious and embarrassing, depending on which side you’re on, our text conversion becomes funny beyond any limits, luckily our smartphones have option to capture them as a snapshot. And that is exactly what all of the following people did in order for the rest of us to enjoy what are easily some of the funniest text messages you’ll ever lay your eyes on. So do not hesitate to grab your copy NOW! Go on. Read ’em and laugh. Enjoy

    Desani to Vikram Seth, Indian writing in English has come a long way over the last hundred years. And Nilanjana Roy – voracious eater of books and sharpest of critics – has taken stock of it all. One of India’s most widely read journalists, Roy has been writing reviews, columns, essays and features for over two decades. 'The Girl Who Ate Books' revisits the best of these occasional pieces and weaves them together with a set of new personal essays. From early memories of living in a house made of books to encounters with men and women who hoarded books to the author’s first taste of the printed word, this is a memoir of reading, loving and living with books like no other. Bringing together writers across generations – from the obscure Sake Dean Mahomet to the mischievous Khushwant Singh to the fiery Arundhati Roy – 'The Girl Who Ate Books' gives us a ringside view of the theatre of Indian writing in English over several decades, and especially the last two. Written in the author’s understated but unfailingly elegant style, this is an essential collection for those who live to read and read to live.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    To Kill a MockingbirdThe Shoes of the FishermanSeven Days in MayTo Catch an Angel

    Twenty-two years later, he did. April 1945 – Berlin. The world had been at war for more than five-and-a-half years – approximately seventy million people were dead across the globe. The epicentre of the twelve-year-old Third Reich was now surrounded, enveloped by bitter Soviet forces hardened by Nazi barbarity in the east over the last four years. As the buildings were blasted into rubble, pounded by Russian guns and bombs, before their troops and tanks, Hitler was hunkered down in his last headquarters – the dark and damp bunker under the Reich Chancellery. As the Third Reich began to crumble as fast as the city’s buildings, what was the state of mind of the tyrant? Only his closest and fanatical allies saw the collapse, none more so than Hitler’s servants, Otto Gunsche and Heinz Linge – two individuals which witnessed the final act of their regime. An act tinged over the last ten days in late April with selfish betrayal, increasingly forlorn hope, pleas, desperation and eventually suicide. As the Soviets closed in with impending vigour, in the concrete tomb below ground and under the thunderous booms of the petrifying battle for Berlin, the mind of the dictator disintegrated into drugs, delusion and a determination to die. Not by the enemy bullet but one of his own. This is the story of the people who held a unique place in world history – the ones who were there when the nightmare of Nazism and the horrors which accompanied it was finally banished as a dark chapter in the story of the human race.

    Even more exciting, each of these stories will spin off into a series of its own. Maggie Shayne’s CHRISTMAS BLUESA true believer returns the music to a lonesome drifter’s soul.Miranda’s Shayne’s FINDING CHRISTMASA small-town coffee shop owner melts a humbug hero’s wounded heart.River Shayne’s A HERO FOR HANNAHCan a woman in grave danger learn to trust one more time?Jessica Lewis’s THE SOLDIER’S CHRISTMAS BABYA lonely serviceman comes home for a holiday he’ll never forget.Grab a cup of eggnog, curl up near the tree, and fall in love with the holidays all over again!

    Accessible and enlightening, Damrosch offers readers the tools to navigate works as varied as Homer, Sophocles, Kalidasa, Du Fu, Dante, Murasaki, Moliere, Kafka, Soyinka, and Walcott. Offers a unique set of "modes of entry" for readers encountering foreign literature Provides readers with the tools to think creatively and systematically about key issues such as reading across time and cultures, reading translated works, and emerging global perspectives Covers a wide variety of genres, from lyric and epic poetry to drama and prose fiction and discusses how these forms have been used in different eras and cultures

    From Amman to Beirut and Damascus, Deborah Amos follows the impact of one of the great migrations of modern times.The history of the Middle East tells us that one of the greatest problems of the last forty years has been that of a displaced population, angered by their inability to safely return home and resume ownership of their property--as they see it. Now, the pattern has been repeated. A new population of exiles, as large as the Palestinians, has been created.This particular displacement stirs up the historic conflict between Sunni and Shia. More significant even than the creation of colonial nation states a century ago, the alienation of the Sunni middle class has the capacity to cause resounding resentments across the region for generations to come.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.