His words are still frequently quoted in devotions today and his key themes retain a striking contemporary relevance--what is the place of the Church in the world? What is the relation between nature and grace? In Augustine of Hippo, the late Henry Chadwick--a renowned authority on Augustine--describes with clarity and warmth the intellectual development of this key Father of the Church. In his characteristically rigorous yet sympathetic style, Chadwick traces Augustine's intellectual journey from schoolboy and student to Bishop and champion of Christendom in a period of intense political upheaval, providing valuable insight into the progression of Augustine's ideas. With a foreword reflecting on Chadwick's distinctive approach to Augustine by Peter Brown, and a further reading list on Augustine compiled by Gillian Clark, this volume is both an essential assessment of Augustine and a final tribute to one of the great church historians of the twentieth century.

    Dietrich Bonhoeffer was a young German pastor who was executed by the Nazis in 1945 for his part in the “officers’ plot” to assassinate Adolf Hitler.       This expanded version of Letters and Papers from Prison shifts the emphasis of earlier editions of Bonhoeffer’s theological reflections to the private sphere of his life. His letters appear in greater detail and show his daily concerns. Letters from Bonhoeffer’s parents, siblings, and other relatives have also been added, in addition to previously inaccessible letters and legal papers referring to his trial.      Acute and subtle, warm and perceptive, yet also profoundly moving, the documents collectively tell a very human story of loss, of courage, and of hope. Bonhoeffer’s story seems as vitally relevant, as politically prophetic, and as theologically significant today, as it did yesterday.

    S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery.Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation." Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaitre knowledge of the spiritual character which the tale was created to embody.Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance."

    (Source: http://en.wikipedia.org/wiki/The_Lion...)Part I: England Your EnglandPart II: Shopkeepers at WarPart III: The English Revolution

    Lewis, J.R.R. Tolkien, and Charles Williams met regularly to discuss philosophy and read aloud from their works. Carpenter's account brings to life those warm and enchanting evenings where their imaginations ran wild.

    The history of Tolerance (or the lack thereof) in the history of man as described by one of the best popular historians of all time

    This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless . . . . In our brief mortal lives, we are grinders of these lenses."This brooding, provocative, and almost unbearably lovely book displays one of the great writers of our time at his freest and most direct, addressing the themes that run beneath the surface of all his work, from Ways of Seeing to his Into Their Labours trilogy.In an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality and the steady backward tug of time. He re-creates the mysterious forces at work in a Rembrandt painting, transcribes the sensorial experience of viewing lilacs at dusk, and explores the meaning of home to early man and to the hundreds of thousands of displaced people in our cities today.A work of unclassifiable innovation and consummate beauty, And Our Faces, My Heart, Brief as Photos reminds us of Nabokov and Auden, Brecht and Lawrence, in its seamless fusion of the political and the personal.

    Tolkien's On Fairy-stories is his most-studied and most-quoted essay, an exemplary personal statement of his own views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in writing The Lord of the Rings .Contained within is an introduction to Tolkien's original 1939 lecture and the history of the writing of On Fairy-stories, with previously unseen material. Here, at last, Flieger and Anderson reveal the extraordinary genesis of this seminal work and discuss how the conclusions that Tolkien reached during the composition of the essay would shape his writing for the rest of his life.

    Letter to A Christian Nation is his reply. Using rational argument, Harris offers a measured refutation of the beliefs that form the core of fundamentalist Christianity. In the course of his argument, he addresses current topics ranging from intelligent design and stem-cell research to the connections between religion and violence. In Letter to a Christian Nation, Sam Harris boldly challenges the influence that faith has on public life in our nation.

    Over the past half century, children everywhere have escaped into this world and delighted in its wonders and enchantments. Yet what we do know of the man who created Narnia? This biography sheds new light on the making of the original Narnian, C. S. Lewis himself.Lewis was one of the intellectual giants of the twentieth century and arguably the most influential religious writer of his day. An Oxford don and scholar of medieval literature, he loved to debate philosophy at his local pub, and his wartime broadcasts on the basics of Christian belief made him a celebrity in his native Britain. Yet one of the most intriguing aspects of Clive Staples Lewis remains a mystery. How did this middle-aged Irish bachelor turn to the writing of stories for children -- stories that would become among the most popular and beloved ever written?Alan Jacobs masterfully tells the story of the original Narnian. From Lewis's childhood days in Ireland playing with his brother, Warnie, to his horrific experiences in the trenches during World War I, to his friendship with J. R. R. Tolkien (and other members of the "Inklings"), and his remarkable late-life marriage to Joy Davidman, Jacobs traces the events and people that shaped Lewis's philosophy, theology, and fiction. The result is much more than a conventional biography of Lewis: Jacobs tells the story of a profound and extraordinary imagination. For those who grew up with Narnia, or for those just discovering it, The Narnian tells a remarkable tale of a man who knew great loss and great delight, but who knew above all that the world holds far more richness and meaning than the average eye can see.

    He is regarded as a leading pioneer of existentialism and one of the greatest philosophers of the 19th Century.In Fear and Trembling, Kierkegaard wanted to understand the anxiety that must have been present in Abraham when God commanded him to offer his son as a human sacrifice. Abraham had a choice to complete the task or to forget it. He resigned himself to the loss of his son, acting according to his faith. In other words, one must be willing to give up all his or her earthly possessions in infinite resignation and must also be willing to give up whatever it is that he or she loves more than God. Abraham had passed the test -- his love for God proved greater than anything else in him. And because a good and just Creator would not want a father to kill his son, God intervened at the last moment to prevent the sacrifice.

    For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing—a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why.Modernism, Josipovici suggests, is only superficially a reaction to industrialization or a revolution in diction and form; essentially, it is art coming to consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism’s key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected—including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions about not only national taste, but contemporary culture itself.Gabriel Josipovici has spent a lifetime writing, and writing about other writers. What Ever Happened to Modernism? is a strident call to arms, and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.

    The culmination of a lifetime's thought, it espouses a commitment to Jesus's message of turning the other cheek. In a bold and original manner, Tolstoy shows his readers clearly why they must reject violence of any sort—even that sanctioned by the state or the church—and urges them to look within themselves to find the answers to questions of morality.In 1894, one of the first English translations of this book found its way into the hands of a young Gandhi. Inspired by its message of nonresistance to evil, the Mahatma declared it a source of "independent thinking, profound morality, and truthfulness." Much of this work's emotional and moral appeal lies in its emphasis on fair treatment of the poor and working class. Its view of Christianity, not as a mystic religion but as a workable philosophy originating from the words of a remarkable teacher, extends its appeal to secular and religious readers alike.

    S. Lewis' views on a number of key topics. She supplies biographical background and analysis to bring the reader intimately in touch with one of Christendom's greatest thinkers. Though there have been many books on Lewis since "Mere Christian" first appeared in 1973, this book continues to be the chief one-volume survey of his thought. The new fourth edition adds an annotated listing of his published works and an appendix surveying Lewis' thoughts on the Christmas holidays.

    The correspondent, a young medical student diagnosed with cancer himself and facing his own mortality, asked these difficultQuestions. The two began a long-distance correspondence, culminating in Price's thoughtful response, originally delivered as the Jack and Lewis Rudin Lecture at Auburn Theological Seminary, and now expanded onto the printed page as Letter to a Man in the Fire. Harvesting a variety of sources -- diverse religious traditions, classical and modern texts, and a lifetime of personal experiences, interactions, and spiritual encounters -- Price meditates on God's participation in our fate. With candor and sympathy, he offers the reader such a rich variety of tools to explore these questions as to place this work in the company of other great tetsaments of faith from St. Augustine to C. S. Lewis. Letter to a Man in the Fire moves as much as it educates. It is a rare combination of deep erudition, vivid prose, and profound humanity.