Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.In these twelve stories, Murata mixes an unusual cocktail of humor and horror to portray both the loners and outcasts as well as turning the norms and traditions of society on their head to better question them. Whether the stories take place in modern-day Japan, the future, or an alternate reality is left to the reader’s interpretation, as the characters often seem strange in their normality in a frighteningly abnormal world. In “A First-Rate Material”, Nana and Naoki are happily engaged, but Naoki can’t stand the conventional use of deceased people’s bodies for clothing, accessories, and furniture, and a disagreement around this threatens to derail their perfect wedding day. “Lovers on the Breeze” is told from the perspective of a curtain in a child’s bedroom that jealously watches the young girl Naoko as she has her first kiss with a boy from her class and does its best to stop her. “Eating the City” explores the strange norms around food and foraging, while “Hatchling” closes the collection with an extraordinary depiction of the fractured personality of someone who tries too hard to fit in.In these strange and wonderful stories of family and friendship, sex and intimacy, belonging and individuality, Murata asks above all what it means to be a human in our world and offers answers that surprise and linger.

    In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.

    Valente. A collection of some of Catherynne Valente's most admired stories, including the Hugo Award-nominated novella "Silently and Very Fast" and the Locus Award finalist "13 Ways of Looking at Space/Time," with a brand-new long story to anchor the collection.Contents:The Melancholy of Mechagirl (2011) poemInk, Water, Milk (2013)Fifteen Panels Depicting the Sadness of the Baku and the Jotai (2010)Ghosts of Gunkanjima (2005)Thirteen Ways of Looking at Space/Time (2010)One Breath, One Stroke (2012)Story No. 6 (2013)Fade to White (2012)The Emperor of Tsukayama Park (2005) poemKillswitch (2007)Memoirs of a Girl Who Failed to Be Born from a Peach (2005) poemThe Girl with Two Skins (2008) poemSilently and Very Fast (2011)

    The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

    It’s the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It’s the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad.” Offering the best examples of literary sure things gone bad, this collection ensures that nowhere else can readers find a darker, more thorough distillation of American noir fiction.James Ellroy and Otto Penzler, series editor of the annual The Best American Mystery Stories, mined one hundred years of writing—1910–2010—to find this treasure trove of thirty-nine stories. From noir’s twenties-era infancy come gems like James M. Cain’s “Pastorale,” and its post-war heyday boasts giants like Mickey Spillane and Evan Hunter. Packing an undeniable punch, diverse contemporary incarnations include Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, and William Gay, with many page-turners appearing in the last decade.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    An outstanding collection chronicling the growth of the american short story from humorous legend to powerful contempory fiction.

    Now, with a more introspective focus, this new collection emphasizes the personal as "a way of seeing the world, of expressing an interior life. It is intimate without being maudlin, it is private without being secret." From Harriet Doerr's recollection of a halcyon time to Josephine Jacobsen's reverie on memory, In Brief offers vivid glimpses into the ways experience can be shaped in language that is fresh and inventive. The seventy-two authors here include the known — John McPhee, Cythia Ozick, James Salter — as well as remarkable new writers. Essays (all under 2000 words) range from Frank McCourt's search for his father in the pubs of Limerick to William Maxwell's thoughts about growing old; from Charles Baxter's early experience of reading to Brady Udall's confession as a liar. Patricia Hampl recalls meals at her grandmother's house, while Jane Brox contemplates the meaning of bread. In each piece, imagination becomes a way to explore reality. The real world we are fortunate enough to live in is revealed as endlessly rich and deep.

    From the lovesick tiger who narrates the unforgettable opener, “The Infamous Bengal Ming” (he mauls his zookeeper out of affection), to the ex-CompUSA employee who masquerades as a doctor; from a railroad manager in a turn-of-the-century Indian village, to an elephant writing her autobiography; from a woman whose Thanksgiving preparations put her husband to eternal rest, to the newlywed executioner of the title, these characters inhabit a marvelous region between desire and death, playfulness and violence. At once glittering and savage, daring and elegant, here are wholly unforgettable tales where reality loops in Borgesian twists and shines with cinematic exuberance, by an author who promises to dazzle the universe of American fiction.

    But a century after her death, it is widely regarded as Kate Chopin's great achievement. Through careful, subtle changes of style, Chopin shows the transformation of Edna Pontellier, a young wife and mother who - with tragic consequences - refuses to be caged by married and domestic life and claims for herself moral and erotic freedom. In her introduction, Sandra M. Gilbert considers the issues explored in the novel and the stories collected here (including "Emancipation," "At the 'Cadian Ball," and "Désirée's Baby") from their growth out of the feminist literary tradition of the nineteenth century, to their place among other concerns of fin de siècle writers in America and Europe, to their impact on contemporary feminist writing.--back cover

    In presenting a more inclusive canon of American literature, The Heath Anthology continues to balance the traditional, leading names in American literature with lesser-known writers and to build upon the anthology's other strengths: its apparatus and its ancillaries. Available in five volumes for greater flexibility, the Fifth Edition offers thematic clusters to stimulate classroom discussions and to show the treatment of important topics across the genres. The indispensable web site includes revised timelines, a multimedia gallery to support thematic clusters, and a searchable Instructor's Guide.

    Eighty-one masterpieces by the world's best writers a surprising, irresistible collection of short stories from around the world."

    In a California of the ’60s and ’70s, characters examine the contents of deceased relatives’ freezers, tape-record high-school locker-room chatter, or collect a community’s gossip while cleaning the teeth of its inhabitants. Mr. Darcy is the captain of the football team, Mansfield Park materializes in a suburb of L.A., bake sales replace balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. The stories of traversing class, race, and gender leap into our modern world with wit and humor.