Prose. "CUNT-UPS is an explosion of textual sexuality that resists principles of formal ordering, is polyvalent in its voice and range, and as perverse in its sentence construction as its content. Its 'setting' is the mediated exchange itself, the fractured articulation of 'a female body who has sex writing about sex.' While the title might imply a gendered site of production, it also suggests a sexual/textual violence that is more than a mere 'disorganization of the senses' but a dismemberment of the gendered body as well. The text becomes a (feminist) desiring machine, its writing a prosthetic device mediating the traces of physicality, imagination, abjection, and pleasure."Throw on the switch, plug into the mediating machine, the flesh-object writes back, becomes subject, suspect, the gaze cut-up and fed back into vibrating loops of unobtainable desire."--David Buuck

    Her distinctive style is a unique combination of retro glamor, pin-up and high-art eroticism, and always perfect down to the smallest accessories. She only works with the best photographers - Baker, Czernich, James & James, Weathers - and, combined with her clear vision of how she wants to look, the result is always 100% stunning and 100% Dita. Dominant or submissive, damsel in distress or provocative French maid, this genuine fetishist has laced herself up and paraded around in the highest of high heels - a true fetish goddess.

    Expanding on her popular online home hacks, Laura will teach you how to handle the problems we all encounter in our homes.Straight-talking and hilarious and packed with Laura’s stunning illustrations, her step-by-step guides will prepare you to handle the most common household emergencies with style. From dripping taps to hanging a frame, how best to look after your white goods, how to treat moths, mould and everything in between, and with invaluable design ideas to improve the living spaces in your home, this book is for everyone who has ever wanted to tackle a bit of She-IY without really knowing how.Ingenious and sure to be an instant household must-have, Gaff Goddess will empower you to make those repairs and rediscover your space saving you time, money and stress in the process.

    Ortiz was an only child and a bookish, insecure girl living with alcoholic parents in the San Fernando Valley of Los Angeles in the late 1980s and early 1990s. Her relationship with a charming and deeply flawed private school teacher fifteen years her senior appeared to give her the kind of power teenagers wish for, regardless of consequences. Her teacher—now a registered sex offender—continually encouraged her passion for writing while making her promise she was not leaving any written record about their dangerous sexual relationship. This conflicted relationship with her teacher may have been just five years long, but would imprint itself on her and her later relationships, queer and straight, for the rest of her life.In Excavation: A Memoir, the black and white of the standard victim/perpetrator stereotype gives way to unsettling grays. The present-day narrator reflects on the girl she once was, as well as the teacher and parent she has become. It's a beautifully written and powerful story of a woman reclaiming her whole heart.

    "A very readable book which portrays the human being behind the music, increasing our love of both." Yehudi Menuhin, from inside cover.

    Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    . . . Yeah, that's me. But believe it or not, that's not the real me. The real me is just an average guy trying to make it in the world like everyone else.Well . . . sort of . . .I always wanted to be a legitimate actor (that's right, don't laugh). But when the gigs didn't come I didn't let it get me down. Instead, I'd fall into the arms of beautiful women and let them heal my bruised soul. One of them insisted on taking nude pictures of me and sending them to Playgirl. For some reason I agreed, and when it was published, I got tons of phone calls. One of them was from a casting director who wanted me in his next picture. There was only one problem: it was a porno."What do you think?" I asked my dad.He rubbed his chin and paused for a moment."I think you should do it," he said. "I mean, you're already halfway there, and . . . at least you'll be performing, right?"That's exactly what I thought. From there, my life only got better. I traveled all over the world, made tons of money, and got more famous every year. But more than anything, I wanted to be legit, so I started doing stand-up comedy, moved to Hollywood, and kept my acting hopes alive by mingling with every major—Wait a minute, you don't care about any of this, do you? You just want to know about the celebrity orgies, the constant sex, and how I learned to blow myself. . . . All right, fine.But keep reading. . . . I guarantee you'll get more than you bargained for. . . .—Ron Jeremy

     While children and adults alike know Shel Silverstein for his classic books The Giving Tree, A Light in the Attic, and Where the Sidewalk Ends, they may be less aware that Silverstein also created a dazzling series of illustrated comic travelogues published by Hugh M. Hefner in Playboy. Playboy's Silverstein Around the World not only reproduces these fascinating articles in facsimile form, it also provides an introduction with never-before-seen photos and drawings and rare, illuminating biographical detail. Beginning in May 1957 with "Return to Tokyo," the pieces reproduced in this book took Silverstein from Scandinavia to Africa and the Middle East, from Paris and London to Moscow, ending in the summer of 1968 with the two-part epic "Silverstein Among the Hippies." This unique collection is a legacy of the close relationship between Silverstein and Hefner, who saw the great potential of this particular combination of artist and assignment, and the social revolution led by Playboy in the 1950s and 1960s. With its wry, ribald humor and beautifully produced color illustrations, this tableau of the mid-twentieth-century world is sure to please and fascinate Silverstein's millions of fans.

    But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

    They’re also fearful about opening up a dialogue. Not Orenstein. A contributing writer to the New York Times Magazine and the New York Times best-selling author of books like Cinderella Ate My Daughter, Orenstein spoke to psychologists, academics, and other experts in the field and yes, 70 young women, to offer an in-depth picture of “girls and sex” today.

    (Why? Shush, dear. A lady doesn't question.) UNMENTIONABLE is your hilarious, illustrated, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood, giving you detailed advice on: ~ What to wear ~ Where to relieve yourself ~ How to conceal your loathsome addiction to menstruating ~ What to expect on your wedding night ~ How to be the perfect Victorian wife ~ Why masturbating will kill you ~ And moreIrresistibly charming, laugh-out-loud funny, and featuring nearly 200 images from Victorian publications, UNMENTIONABLE will inspire a whole new level of respect for Elizabeth Bennett, Scarlet O'Hara, Jane Eyre, and all of our great, great grandmothers. (And it just might leave you feeling ecstatically grateful to live in an age of pants, super absorbency tampons, epidurals, anti-depressants, and not-dying-of-the-syphilis-your-husband-brought-home.)

    . . · Alice Ball, the chemist who developed an effective treatment for leprosy—only to have the credit taken by a man?· Mary Sherman Morgan, the rocket scientist whose liquid fuel compounds blasted the first U.S. satellite into orbit?· Huang Daopo, the inventor whose weaving technology revolutionized textile production in China—centuries before the cotton gin? Smart women have always been able to achieve amazing things, even when the odds were stacked against them. In Wonder Women, author Sam Maggs tells the stories of the brilliant, brainy, and totally rad women in history who broke barriers as scientists, engineers, mathematicians, adventurers, and inventors. Also included are interviews with real-life women in STEM careers, an extensive bibliography, and a guide to women-centric science and technology organizations—all to show the many ways the geeky girls of today can help build the future.

    After a nine-year affair with Jake, a married man, Kate Ennis decides to escape. She takes off, looking for something beautiful and quiet by the sea, but finds herself in a pitch dark and driving rain on a lonely Irish road. It is only months later that she learns that she may have committed a crime, but by then she is home, once more negotiating with Jake for time, for attention, and for love."

    Throughout Europe and America, artists and intellectuals banded together to portray women as static and unindividuated beings who functioned solely in a sexual and reproductive capacity, thus formulating many of the anti-feminine platitudes that today still constrain women's potential. Bram Dijkstra's Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Moreau, Klimt, Darwin, and Spencer. Dijkstra demonstrates that the most prejudicial aspects of Evolutionary Theory helped to justify this wave of anti-feminine sentiment. The theory claimed that the female of the species could not participate in the great evolutionary process that would guide the intellectual male to his ultimate, predestined role as a disembodied spiritual essence. Darwinists argued that women hindered this process by their willingness to lure men back to a sham paradise of erotic materialism. To protect the male's continued evolution, artists and intellectuals produced a flood of pseudo-scientific tracts, novels, and paintings which warned the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now, but also connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of a grim and largely one-sided war on women still being fought today.