For as long as she can remember, Ella has longed to feel at home. Orphaned as a child after her parents’ murder, and afflicted with hallucinations at dusk, she’s always felt more at ease in nature than with people. She traveled from Bangladesh to Brooklyn to live with the Saleems: her uncle Anwar, aunt Hashi, and their beautiful daughter, Charu, her complete opposite. One summer, when Ella returns home from college, she discovers Charu’s friend Maya—an Islamic cleric’s runaway daughter—asleep in her bedroom.  As the girls have a summer of clandestine adventure and sexual awakenings, Anwar—owner of a popular botanical apothecary—has his own secrets, threatening his thirty-year marriage. But when tragedy strikes, the Saleems find themselves blamed. To keep his family from unraveling, Anwar takes them on a fated trip to Bangladesh, to reckon with the past, their extended family, and each other.

    Written in what DeLillo calls "super-omniscience" the sentences sweep from young Cotter Martin as he jumps the gate to the press box, soars over the radio waves, runs out to the diamond, slides in on a fast ball, pops into the stands where J. Edgar Hoover is sitting with a drunken Jackie Gleason and a splenetic Frank Sinatra, and learns of the Soviet Union's second detonation of a nuclear bomb. It's an absolutely thrilling literary moment. When Bobby Thomson hits Branca's pitch into the outstretched hand of Cotter—the "shot heard around the world"—and Jackie Gleason pukes on Sinatra's shoes, the events of the next few decades are set in motion, all threaded together by the baseball as it passes from hand to hand."It's all falling indelibly into the past," writes DeLillo, a past that he carefully recalls and reconstructs with acute grace. Jump from Giants Stadium to the Nevada desert in 1992, where Nick Shay, who now owns the baseball, reunites with the artist Kara Sax. They had been brief and unlikely lovers 40 years before, and it is largely through the events, spinoffs, and coincidental encounters of their pasts that DeLillo filters the Cold War experience. He believes that "global events may alter how we live in the smallest ways," and as the book steps back in time to 1951, over the following 800-odd pages, we see just how those events alter lives. This reverse narrative allows the author to strip away the detritus of history and pop culture until we get to the story's pure elements: the bomb, the baseball, and the Bronx. In an epilogue as breathless and stunning as the prologue, DeLillo fast-forwards to a near future in which ruthless capitalism, the Internet, and a new, hushed faith have replaced the Cold War's blend of dread and euphoria.Through fragments and interlaced stories—including those of highway killers, artists, celebrities, conspiracists, gangsters, nuns, and sundry others—DeLillo creates a fragile web of connected experience, a communal Zeitgeist that encompasses the messy whole of five decades of American life, wonderfully distilled.

    Junius Booth--breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one--is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war.As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country's leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy.Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.

    They speak a secret “twin” tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twin-ship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster’s New International Dictionary, Second Edition.Cathleen Schine has written a playful and joyful celebration of the interplay of language and life. A dazzling comedy of sisterly and linguistic manners, a revelation of the delights and stresses of intimacy, The Grammarians is the work of one of our great comic novelists at her very best.

    Their headstrong fifteen-year-old daughter, İrem, resents the attention her brother, Ismail, receives from their parents. For her, there was no such festive observance–only the wrapping of her head in a dark scarf and strict rules that keep her hidden away from boys and her friends. But even before the night of the celebration, İrem has started to change, to the dismay of her Kurdish father. What Sinan doesn’t know is that much of her transformation is due to her secret relationship with their neighbor, Dylan, the seventeen-year-old American son of expatriate teachers.İrem sees Dylan as the gateway to a new life, one that will free her from the confines of conservative Islam. Yet the young man’s presence and Sinan’s growing awareness of their relationship affirms Sinan’s wish to move his family to the safety of his old village, a place where his children would be sheltered from the cosmopolitan temptations of Istanbul, and where, as the civil war in the south wanes, he hopes to raise his children in the Kurdish tradition.But when a massive earthquake hits in the middle of the night, the Basioglu family is faced with greater challenges. Losing everything, they are forced to forage for themselves, living as refugees in their own country. And their survival becomes dependent on their American neighbors, to whom they are unnervingly indebted. As love develops between İrem and Dylan, Sinan makes a series of increasingly dangerous decisions that push him toward a betrayal that will change everyone’s lives forever.The deep bonds among father, son, and daughter; the tension between honoring tradition and embracing personal freedom; the conflict between cultures and faiths; the regrets of age and the passions of youth–these are the timeless themes Alan Drew weaves into a brilliant fiction debut.

    On his way to see his son, Sam, for the first time in years, Henri steps into the road without looking and collides with oncoming traffic. He is rushed to a nearby hospital where he floats, comatose, between dreams, reliving the fairytales of his childhood and the secrets that made him run away in the first place.After the accident, Sam--a thirteen-year old synesthete with an IQ of 144 and an appetite for science fiction--waits by his father's bedside every day. There he meets Eddie Tomlin, a woman forced to confront her love for Henri after all these years, and twelve-year old Madelyn Zeidler, a coma patient like Henri and the sole survivor of a traffic accident that killed her family. As these four very different individuals fight--for hope, for patience, for life--they are bound together inextricably, facing the ravages of loss and first love side by side.A revelatory, urgently human story that examines what we consider serious and painful alongside light and whimsy, The Book of Dreams is a tender meditation on memory, liminality, and empathy, asking with grace and gravitas what we will truly find meaningful in our lives once we are gone.

    The Islamic Revolution is just around the corner, as is a massive solar eclipse. In this epic novel set in the small Iranian city of Naishapur, a retired judge and his wife, Bibi, grow apples, plums, peaches, and sour cherries, as well as manage several generations of family members. The days here are marked by long, elaborate lunches on the terrace and arguments about the corrupt monarchy in Iran and the rise of Islamic fundamentalism. And yet life in the orchard continues. An uncle develops into a powerful cleric. A young nephew goes to university, hoping to lead the fight for a new Iran and marry his childhood sweetheart. Another nephew surrenders to opium, while his widowed father dreams of a life in the West. Told through a host of vivid, unforgettable characters that range from servants to elderly friends of the family, To Keep the Sun Alive is the kind of rich, compelling story that not only informs the past, but raises questions about political and religious extremism today.

    Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.As she grows older, Ruthie slowly learns how the town's prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm--from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.In her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in--and out of--the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

    In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material—the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era—and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which—now that he has done it!—looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."

    A gifted artist, she seeks solace and inspiration in the Mediterranean heat of Athens—trying to understand who she is and how she can love without fear.George has come to Athens to learn ancient languages after growing up in New England boarding schools and Ivy League colleges. He has no close relationships with anyone and spends his days hunched over books or wandering the city in a drunken stupor.Henry is in Athens to dig. An accomplished young archaeologist, he devotedly uncovers the city’s past as a way to escape his own, which holds a secret that not even his doting parents can talk about....and then, with a series of chance meetings, Rebecca, George, and Henry are suddenly in flight, their lives brighter and clearer than ever, as they fall headlong into a summer that will forever define them in the decades to come.

    As the story unfolds, the history and culture of their homeland takes on a life of its own.

    Badge of Evil is the first novel in a bold new thriller series from the writing team of private investigator Bill Stanton and award-winning journalist Craig Horowitz.All eyes are on New York City’s police commissioner Lawrence Brock after his hands-on role in a raid on a potential terrorist cell that turns into a blazing shootout. There’s even talk that he may be headed to Washington to take over Homeland Security.Investigative journalist A. J. Ross wants to expose the ruthless opportunist behind Brock’s heroic image. Freewheeling private investigator Frank Bishop is hired by the family of the lone surviving suspect, desperate to prove the young man’s innocence. A. J. and Bishop hate each other at first sight, but they’ll need to learn to work together quickly if they want to take down the commissioner—because Lawrence Brock will do anything to ensure the dark secrets of his past remain hidden.Badge of Evil introduces a dynamic new voice in thriller fiction, in the spirit of such bestselling authors as Harlan Coben and David Baldacci. It is a novel of our times and for our times—an all too familiar story of corruption and abuse at the highest levels, and how the lust for power can drive men to commit the most shocking acts.

    But the house has a mystery it has never revealed: It's where Arden Arrowood's younger twin sisters vanished on her watch twenty years ago--never to be seen again. After the twins' disappearance, Arden's parents divorced and the Arrowoods left the big house that had been in their family for generations. And Arden's own life has fallen apart: She can't finish her master's thesis, and a misguided love affair has ended badly. She has held on to the hope that her sisters are still alive, and it seems she can't move forward until she finds them. When her father dies and she inherits Arrowood, Arden returns to her childhood home determined to discover what really happened to her sisters that traumatic summer.Arden's return to the town of Keokuk--and the now infamous house that bears her name--is greeted with curiosity. But she is welcomed back by her old neighbor and first love, Ben Ferris, whose family, she slowly learns, knows more about the Arrowoods' secrets and their small, closed community than she ever realized. With the help of a young amateur investigator, Arden tracks down the man who was the prime suspect in the kidnapping. But the house and the surrounding town hold their secrets close--and the truth, when Arden finds it, is more devastating than she ever could have imagined.Arrowood is a powerful and resonant novel that examines the ways in which our lives are shaped by memory. As with her award-winning debut novel, The Weight of Blood, Laura McHugh has written a thrilling novel in which nothing is as it seems, and in which our longing for the past can take hold of the present in insidious and haunting ways.

    Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.