As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past. While Meena’s fate hangs in the balance, Smita tries in every way she can to right the scales. She also finds herself increasingly drawn to Mohan, an Indian man she meets while on assignment. But the dual love stories of Honor are as different as the cultures of Meena and Smita themselves: Smita realizes she has the freedom to enter into a casual affair, knowing she can decide later how much it means to her.In this tender and evocative novel about love, hope, familial devotion, betrayal, and sacrifice, Thrity Umrigar shows us two courageous women trying to navigate how to be true to their homelands and themselves at the same time.

    and Alice WalkerAs Jacob lies dying, he begins to write a letter to his only son, Isaac. They have not met or spoken in many years, and there are things that Isaac must know. Stories about his ancestral legacy in rural Arkansas that extend back to slavery. Secrets from Jacob's tumultuous relationship with Isaac's mother and the shame he carries from the dissolution of their family. Tragedies that informed Jacob's role as a father and his reaction to Isaac's being gay.But most of all, Jacob must share with Isaac the unspoken truths that reside in his heart. He must give voice to the trauma that Isaac has inherited. And he must create a space for the two to find peace. With piercing insight and profound empathy, acclaimed author Daniel Black illuminates the lived experiences of Black fathers and queer sons, offering an authentic and ultimately hopeful portrait of reckoning and reconciliation. Spare as it is sweeping, poetic as it is compulsively readable, Don't Cry for Me is a monumental novel about one family grappling with love's hard edges and the unexpected places where hope and healing take flight.

     We can't choose what we inherit. But can we choose who we become?In present-day California, Eleanor Bennett's death leaves behind a puzzling inheritance for her two children, Byron and Benny: a traditional Caribbean black cake, made from a family recipe with a long history, and a voice recording. In her message, Eleanor shares a tumultuous story about a headstrong young swimmer who escapes her island home under suspicion of murder. The heartbreaking tale Eleanor unfolds, the secrets she still holds back, and the mystery of a long-lost child, challenge everything the siblings thought they knew about their lineage, and themselves.Can Byron and Benny reclaim their once-close relationship, piece together Eleanor's true history, and fulfill her final request to "share the black cake when the time is right"? Will their mother's revelations bring them back together or leave them feeling more lost than ever?Charmaine Wilkerson's debut novel is a story of how the inheritance of betrayals, secrets, memories, and even names, can shape relationships and history. Deeply evocative and beautifully written, Black Cake is an extraordinary journey through the life of a family changed forever by the choices of its matriarch.

    He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. He hoped it wouldn’t end like this, not for him.Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life. We meet his mother, Lavender, a seventeen-year-old girl pushed to desperation; Hazel, twin sister to Ansel’s wife, inseparable since birth, forced to watch helplessly as her sister’s relationship threatens to devour them all; and finally, Saffy, the homicide detective hot on his trail, who has devoted herself to bringing bad men to justice but struggles to see her own life clearly. As the clock ticks down, these three women sift through the choices that culminate in tragedy, exploring the rippling fissures that such destruction inevitably leaves in its wake. Blending breathtaking suspense with astonishing empathy, Notes on an Execution presents a chilling portrait of womanhood as it simultaneously unravels the familiar narrative of the American serial killer, interrogating our system of justice and our cultural obsession with crime stories, asking readers to consider the false promise of looking for meaning in the psyches of violent men.

    Violeta comes into the world on a stormy day in 1920, the first girl in a family of five boisterous sons. From the start, her life will be marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses all and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling. . . .She tells her story in the form of a letter to someone she loves above all others, recounting devastating heartbreak and passionate affairs, times of both poverty and wealth, terrible loss and immense joy. Her life will be shaped by some of the most important events of history: the fight for women's rights, the rise and fall of tyrants, and, ultimately, not one but two pandemics.Told through the eyes of a woman whose unforgettable passion, determination, and sense of humor will carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

    Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets...Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream--all while asking what it really means to weather a storm.

    "A poetic story for anyone who has longed to leave home, only to find that home resides within you."--Sandra CisnerosWe live in the dregs of Queens, New York, where airplanes fly so low that we are certain they will crush us...This remarkable story brings you deep into the lives of a group of friends--young women of color growing up in Queens, New York City's most vibrant and eclectic borough. Here, streets echo with languages from all over the globe, subways rumble above dollar stores, trees bloom and topple across sidewalks, and the briny scent of the ocean wafts from Rockaway Beach. Here, girls like Nadira, Gabby, Naz, Trish, Angelique, and many others, attempt to reconcile their immigrant backgrounds with the American culture they come of age in. Here, they become friends for life--or so they vow.Exuberant and wild, they sing Mariah Carey at the tops of their lungs and roam the streets of The City That Never Sleeps, pine for crushes who pay them no mind--and break the hearts of those who do--all the while trying to heed their mothers' commands to be dutiful daughters, obedient young women. As they age, however, their paths diverge and rifts form between them, as some choose to remain on familiar streets, while others find themselves ascending in the world, drawn to the allure of other skylines, careers, and lovers, beckoned by existences foreign and seemingly at odds with their humble roots.In musical, evocative prose, Brown Girls illustrates a collective portrait of childhood, motherhood, and beyond, and is an unflinching exploration of race, class, and marginalization in America. It is an account of the forces that bind friends to one another, their families, and communities, and is a powerful depiction of women of color attempting to forge their place in the world. For even as the dueling forces of ambition and loyalty, freedom and marriage, reinvention and stability threaten to divide them, it is to each other--and to Queens--that the girls ultimately return.

     Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more.Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

    Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted.Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last.As hilarious as it is heartbreaking, entertaining as it is deeply moving, Cleopatra and Frankenstein marks the entry of a brilliant and bold new talent.

    An astonishing debut." —Alan Moore, creator of Watchmen and V for Vendetta"Epic . . . Sequoia Nagamatsu is a writer whose imagination is matched only by his compassion, the kind we need to light our way through the dark." —Chloe Benjamin, New York Times bestselling author of The ImmortalistsRecommended by New York Times Book Review • Los Angeles Times • Entertainment Weekly • Esquire • Good Housekeeping • NBC News • Buzzfeed • Business Insider • Bustle • Goodreads • The Millions • The Philadelphia Inquirer • Minneapolis Star-Tribune • San Francisco Chronicle • The Guardian • PopSugar • Literary Hub • and many more!For fans of Cloud Atlas and Station Eleven, a spellbinding and profoundly prescient debut that follows a cast of intricately linked characters over hundreds of years as humanity struggles to rebuild itself in the aftermath of a climate plague—a daring and deeply heartfelt work of mind-bending imagination from a singular new voice.Beginning in 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus.Once unleashed, the Arctic Plague will reshape life on earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy. In a theme park designed for terminally ill children, a cynical employee falls in love with a mother desperate to hold on to her infected son. A heartbroken scientist searching for a cure finds a second chance at fatherhood when one of his test subjects—a pig—develops the capacity for human speech. A widowed painter and her teenaged granddaughter embark on a cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead to interstellar starships, Sequoia Nagamatsu takes readers on a wildly original and compassionate journey, spanning continents, centuries, and even celestial bodies to tell a story about the resiliency of the human spirit, our infinite capacity to dream, and the connective threads that tie us all together in the universe."Wondrous, and not just in the feats of imagination, which are so numerous it makes me dizzy to recall them, but also in the humanity and tenderness with which Sequoia Nagamatsu helps us navigate this landscape. . . . This is a truly amazing book, one to keep close as we imagine the uncertain future." —Kevin Wilson, New York Times bestselling author of Nothing to See Here

    Hadi and Sama are a young Syrian couple flying high on a whirlwind love, dreaming up a life in the country that brought them together. She had come to Boston years before chasing dreams of a bigger life; he’d landed there as a sponsored refugee from a bloody civil war. Now, they are giddily awaiting the birth of their son, a boy whose native language would be freedom and belonging. When Sama is five months pregnant, Hadi’s father dies suddenly in Jordan, the night before his visa appointment at the embassy. Hadi flies back for the funeral, promising his wife that he’ll only be gone for a few days. On the day his flight is due to arrive in Boston, Sama is waiting for him at the airport, eager to bring him back home. But as the minutes and then hours pass, she continues to wait, unaware that Hadi has been stopped at the border and detained for questioning, trapped in a timeless, nightmarish limbo. Worlds apart, suspended between hope and disillusion as hours become days become weeks, Sama and Hadi yearn for a way back to each other, and to the life they’d dreamed up together. But does that life exist anymore, or was it only an illusion? Achingly intimate yet poignantly universal, No Land to Light On is the story of a family caught up in forces beyond their control, fighting for the freedom and home they found in one another.

    Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own. In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice—the wanton destruction of love, the belief that Black people aren’t even capable of loving—that hurts the most. It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him. Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things—when to dine, when to begin and end work—as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust? In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful, and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?

    Their mother wants them to repair their shattered relationships, but first they'll have to face the lies and obstacles they've worked so hard to leave behind... An intriguing, heartfelt tale about long held family secrets, truths that won't stay hidden, and how facing the ultimate loss can force us to find our own ways to make amends and heal...Raising four very different daughters on her own in rural Arkansas wasn't easy for Miss Pearly Bell. And she's always regretted that the sisters went their separate ways for good--and never wanted to see each other again. But when Pearly is stricken with a terminal illness, she summons them all home--determined to somehow help them get right with each other and forgive...But that means dealing with past secrets and lies first.As the oldest sister, pastor's wife Maxine took her responsibility way too seriously--and never fails to judge everyone else. But a secret she can no longer keep will explode everything she stands for. Youngest sister Leslie is all about making a very different life with her new love--but she didn't expect a shattering past truth to be suddenly revealed and uproot everything she ever thought she knew. Elegant PR professional Stella and her earthy twin, Star, don't see eye-to-eye on anything--and now a long-ago deception could wipe out their last chance at a relationship.Soon each sister must confront the illusions they've taken refuge in for so long and deal with each other woman-to-woman. But can building an all-too-fragile trust repair the damage done--and help them come together when they are needed most?

    But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief. One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese internment camp in which she spent the war. Narrated by Alice's daughter, who witnesses her stark and devastating decline, The Swimmers is a searing, intimate story of mothers and daughters, and the sorrows of implacable loss, written in spellbinding, incantatory prose. The most commanding and unforgettable work yet from a modern master.

    Longing for the family and security she never had, she allowed herself to be coddled and groomed into Manny's partner-in-crime. Before long, Kit and Manny became infamous for their string of gas station robberies throughout Texas, making a name for themselves as the Texaco Twosome.But as Manny's fatherly demeanor shifts to something darker and more violent, Kit is forced to reconsider their relationship and her own safety. In a flash decision, she leaves Manny at a holdup gone wrong.Thirteen years after her escape, she has made a home for herself and her daughter amongst the pecan trees and muddy creeks of the claustrophobic town of Pecan Hollow. When Manny shows up at her doorstep a new man, fresh out of prison, Kit's profound and twisted attachment to him compels her to let him in. Immediately, Kit's world is transformed and her community is sent into a tailspin.With its rich landscape, indelible characters, and evocative language, Shadows of Pecan Hollow is a hauntingly intimate and distinctly original debut about the strength and vulnerability of womanhood and the complexity of love--both romantic and familial. This penetrating, gritty, and unexpectedly tender novel ensnares the reader in its story of resilience and the bonds that define us.

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    And all of them are keeping secrets.Pinballing between resentment, abandonment, and loneliness, KB is forced to carve out a different identity for herself and find her own voice. As she examines the jagged pieces of her recently shattered world, she learns that while some truths cut deep, a new life--and a new KB--can be built from the shards.Capturing all the vulnerability, perceptiveness, and inquisitiveness of a young Black girl on the cusp of puberty, Harris's prose perfectly inhabits that hazy space between childhood and adolescence, where everything that was once familiar develops a veneer of strangeness when seen through newer, older eyes. Through KB's disillusionment and subsequent discovery of her own power, What the Fireflies Knew poignantly reveals that heartbreaking but necessary component of growing up--the realization that loved ones can be flawed, sometimes significantly so, and that the perfect family we all dream of looks different up close.

    I reach for my baby sister and pull her small body close to me. When the sky clears, we are alone on an empty road with no clue which way to go…Oklahoma, 1935. Fifteen-year-old Faith Wilson takes her little sister Hope’s hand. In worn-down shoes, they walk through the choking heat of the Dust Bowl towards a new life in California. But when a storm blows in, the girls are separated from their parents. How will they survive in a place where just the color of their skin puts them in terrible danger?Starving and forced to sleep on the streets, Faith thinks a room in a small boarding house will keep her sister safe. But the glare in the landlady’s eye as Faith leaves in search of their parents has her wondering if she’s made a dangerous mistake. Who is this woman, and what does she want with sweet little Hope? Trapped, will the sisters ever find their way back to their family?California, present day. Reeling from her divorce and grieving the child she lost, Zoe Edwards feels completely alone in the world. Throwing herself into work cataloguing old photos for an exhibition, she sees an image of a teenage girl who looks exactly like her, and a shiver grips her. Could this girl be a long-lost relation, someone to finally explain the holes in Zoe’s family history? Diving into the secrets in her past, Zoe unravels this young girl’s heartbreaking story of bravery and sacrifice. But will anything prepare her for the truth about who she is…?A devastating, completely captivating story of family torn apart, fighting to be reunited. Fans of Orphan Train, Before We Were Yours and Where the Crawdads Sing will never forget this powerful story of survival.

    They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understand. Yet, as these lives advance across decades, the Garretts' influences on one another ripple ineffably but unmistakably through each generation.Full of heartbreak and hilarity, French Braid is classic Anne Tyler: a stirring, uncannily insightful novel of tremendous warmth and humor that illuminates the kindnesses and cruelties of our daily lives, the impossibility of breaking free from those who love us, and how close--yet how unknowable--every family is to itself.

    While modeling an elegant Edwardian trousseau gown, her mind is opened to a century-old crime of passion. Visions—seen through the eyes of the murdered bride—dispute local lore that claims the bridegroom committed the crime. Trey Dunmore doesn’t share her enthusiasm for mind-blowing visions, yet the appeal to clear his family’s tainted legacy compels him to join her in exploring the past. Aided by the dead woman’s clothing and diary, Tess and Trey discover that pursuing love in 1913 was just as thorny as modern day. As the list of murder suspects grows, the couple fears past emotions are influencing, and may ultimately derail, their own blossoming intimacy."MS. YOUNG HAS PENNED a wonderfully romantic mystery featuring a sleuth with the ability to see into the past using vintage clothing. The characters are delightful, and I'm looking forward to the next book in the series!" - Gayle Leeson, author of the GHOSTLY FASHIONISTA Mystery Series"IN DIVINE VINTAGE, Sandra Young walks us back into time to a murder/suicide mystery in 1913 that will keep the reader as spellbound as the lovely vintage clothing the author so adroitly describes. Well-written and woven with enough sensual tension to strum any romantic’s heartstrings, I give Divine Vintage FIVE STARS." - Catherine Lanigan - International Bestselling Author of over 45 published novels and non-fiction including: ROMANCING THE STONE; JEWEL OF THE NILE and Hallmark Channel’s THE SWEETEST HEART.

    Amidst this emergence, dark obsessions are stirred, uncanny gifts provoked, and secrets unearthed. During a visit to Mistletoe, a plantation owned by the wealthy Mayfield family, Analeise encounters Cordelia Mayfield and her daughter Marlissa, both of whom possess an otherworldly beauty. A whisper, a sense of déjà vu, and an act of violence perpetrated during this visit by Mrs. Mayfield all converge to kindle Analeise’s fascination with the Mayfields.Analeise’s burgeoning obsession with the Mayfield family overshadows her own seemingly, ordinary life, culminating in dangerous games and manipulation, setting off a chain of cataclysmic events with life-altering consequences—all of it unfolding to the maddening whir of a cicada song.

    IT'S THE 4TH OF DECEMBER 1591.On this, the last night of her life, in a prison cell several floors below Edinburgh's High Street, convicted witch Geillis Duncan receives a mysterious visitor - Iris, who says she comes from a future where women are still persecuted for who they are and what they believe.As the hours pass and dawn approaches, Geillis recounts the circumstances of her arrest, brutal torture, confession and trial, while Iris offers support, solace - and the tantalising prospect of escape.Hex is a visceral depiction of what happens when a society is consumed by fear and superstition, exploring how the terrible force of a king's violent crusade against ordinary women can still be felt, right up to the present day.

    Junius Booth--breadwinner, celebrated Shakespearean actor, and master of the house in more ways than one--is at once a mesmerizing talent and a man of terrifying instability. One by one the children arrive, as year by year, the country draws frighteningly closer to the boiling point of secession and civil war.As the tenor of the world shifts, the Booths emerge from their hidden lives to cement their place as one of the country's leading theatrical families. But behind the curtains of the many stages they have graced, multiple scandals, family triumphs, and criminal disasters begin to take their toll, and the solemn siblings of John Wilkes Booth are left to reckon with the truth behind the destructively specious promise of an early prophecy.Booth is a startling portrait of a country in the throes of change and a vivid exploration of the ties that make, and break, a family.

    This is a story of courage, of women willing to take a stand in the face of corporate greed, and most definitely a tale for our times.” —Fiona Davis, New York Times bestselling author of The Lions of Fifth AvenueMaddie Sykes is a burgeoning seamstress who’s just arrived in Bright Leaf, North Carolina—the tobacco capital of the South—where her aunt has a thriving sewing business. After years of war rations and shortages, Bright Leaf is a prosperous wonderland in full technicolor bloom, and Maddie is dazzled by the bustle of the crisply uniformed female factory workers, the palatial homes, and, most of all, her aunt’s glossiest clientele: the wives of the powerful tobacco executives.When a series of unexpected events thrusts Maddie into the role of lead dressmaker for the town’s most influential women, she scrambles to produce their ornate gowns for the biggest party of the season. But she soon learns that Bright Leaf isn’t quite the carefree paradise that it seems: A trail of misfortune follows many of the women, including substantial health problems. Although Maddie is quick to believe that this is a coincidence, she inadvertently uncovers evidence that suggests otherwise.Maddie wants to report what she knows, but in a town where everyone depends on Big Tobacco to survive, she doesn’t know who she can trust—and fears that exposing the truth may destroy the lives of the proud, strong women with whom she has forged strong bonds.Shedding light on the hidden history of women’s activism during the post-war period, at its heart, The Tobacco Wives is a deeply human, emotionally satisfying, and dramatic novel about the power of female connection and the importance of seeking truth.

    It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.

    The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.To Paradise is a fin de siècle novel of marvellous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love – partners, lovers, children, friends, family and even our fellow citizens – and the pain that ensues when we cannot.

    All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey? At once a careful reckoning and an elegy, Cold Enough for Snow questions whether any of us speak a common language, which dimensions can contain love, and what claim we have to truly know another's inner world.Selected from more than 1,500 entries, Cold Enough for Snow won the Novel Prize, a new, biennial award offered by Fitzcarraldo Editions, New Directions (US) and Giramondo (Australia), for any novel written in English that explores and expands the possibilities of the form.

    With captivating warmth, she pulls us in to how it felt to live in Ireland’s changing culture of the ‘80s, and how it often made a woman’s decisions for her.“I can’t bear to keep walking. But you can’t keep a secret in this town unless you leave with it.”Kept apart by their love for one man, two sisters embark on their own paths towards survival, love, and understanding, until they finally meet again in the worst of circumstances. And the reality might break them all.My Heart Went Walking is a heartbreakingly beautiful novel that sweeps from the small Irish town of Donegal to the “big smoke” of Dublin City; a book that celebrates the pull of family and the chance of redemption. It is a novel for everyone who feels connected to the Irish approach to life—that of grit and laughter—and also for everyone who loves an overriding message of hope and restoration in all things.

    You were never the smartest child, but even you should know that when a dead woman offers you a cigarette, the polite thing to do would be to take it. Especially when that dead woman is your mother.The St. Bernard women have lived in Morne Marie, the house on top of a hill outside Port Angeles, for generations. Built from the ashes of a plantation that enslaved their ancestors, it has come to shelter a lineage that is bonded by much more than blood. One woman in each generation of St. Bernards is responsible for the passage of the city's souls into the afterlife. But Yejide's relationship with her mother, Petronella, has always been contorted by anger and neglect, which Petronella stubbornly carries to her death bed, leaving Yejide unprepared to fulfill her destiny.Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when his ailing mother can no longer work and the only job he can find is grave digging, he must betray the life she built for him in order to provide for them both. Newly shorn of his dreadlocks and his past and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.Yejide and Darwin will meet inside the gates of Fidelis, Port Angeles's largest and oldest cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and immersive lyricism, When We Were Birds is a spellbinding novel about inheritance, loss, and love's seismic power to heal.

    His older brother is violent; his philandering father doesn’t understand him; his intelligence and sensitivity do not endear him to the other children at school. He loves to read, especially Greek myths, but in Cuba in the 1970s, novels and gods can be dangerous. Despite the signs that warn Rauli to repress and fear what he is, he knows three things to be true: First, that he was born in the wrong body. Second, that he will die, aged eighteen, as a soldier in the Cuban intervention in Angola. And third, that he is the reincarnation of the Trojan princess Cassandra.Moving between Rauli’s childhood and adolescence, between the Angolan battlefield, the Cuban city of Cienfuegos, and the shores of ancient Troy, Marcial Gala’s Call Me Cassandra tells of the search for identity amid the collapse of Cuba’s utopian dreams. Burdened with knowledge of tragedies yet to come, Rauli nonetheless strives to know himself. Lyrical and gritty, heartbreaking and luminous, Rauli’s is the story of the inexorable pull of destiny.

    Both will strive to encapsulate the truth of this place - one in his paintings, the other with his faithful rendition of its speech, the language he hopes to preserve.But the people who live here on this rock – three miles long and half-a-mile wide – have their own views on what is being recorded, what is being taken and what is given in return. Over the summer each of the women and men in the household this French and Englishman join is forced to question what they value and what they desire. At the end of the summer, as the visitors head home, there will be a reckoning.

    Zoe, rudderless, relies on the arrangements of fellow exchange student Hailey Mader, who idolizes Warhol and Britney Spears and wants nothing more than to be an art star. On Craigslist, Hailey unknowingly stumbles on an apartment sublet posted by a well-known thriller writer. Feeling as though they've won the lottery, the women move into the high-ceilinged pre-war flat. Soon they realize that their landlady, Beatrice, who is supposed to be on a residency in Vienna, is watching them--and her next book appears to be based on their lives. Taking stock of their mundane routines--Law and Order binges and nightly nachos--Hailey insists they become people worthy of a novel. As the year unravels and events spiral out of control, they begin to wonder whose story they are living, and how will it end?Other People's Clothes is brilliant on the sometimes dangerous intensity of female friendships, on millennial life in the city, on the lengths people will go to in order to eradicate emotional pain.

    After losing both her job as a reporter and her boyfriend in the same day, she retreats to Chicago and moves in with Helen, her over-protective mother. Before long, the two are clashing over everything from pro-choice to #MeToo, not to mention Helen's run for US Congress which puts Megan's career on hold until after the election.Desperate to reboot her life, Megan gets her chance when an altercation at a campus rally brings her face to face with Pulitzer-prize-winning journalist Jocelyn Jones, who offers her a job on her PR team. Before long, Megan is pulled into the heady world of fame and glamour her charismatic new mentor represents.Until an anonymous tweet brings it all crashing down. To salvage Jocelyn's reputation, Megan must locate the online troll and expose the lies. But when the trail leads to blackmail, and circles back to her own mother, Megan realizes if she pulls any harder on this thread, what should have been the scoop of her career could unravel into a tabloid nightmare.Fan of Jodi Picoult's topical plot twists and Liane Moriarty's character-driven novels will devour this fast-paced tale.

    Harking back to her vivid and magical first novel set in Vietnam, Quan Barry carries us across a landscape as unforgiving as it is beautiful and culturally varied, from the stark Gobi Desert to the ancient capital of Chinggis Khan. As their country stretches before them, questions of the immortal soul, along with more earthly matters of love, sex, and brotherhood, haunt the twins, who can hear each other's thoughts. Are our lives our own, or do we belong to something larger? When I'm Gone is a stunningly far-flung examination of our individual struggle to retain faith and discover meaning in a fast-changing world, and a paean to Buddhist acceptance of what simply is.

    But after four years of painstaking research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a rollercoaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda. In the aftermath, nothing looks quite the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the “super kawaii” Japanese author he’s translated, doubts and insecurities creep in. At the same time, she finds herself drawn to the cool and aloof Alex Kim (even though she swears he’s not her type). As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and most of all, herself. An uproarious and bighearted satire, alive with sharp edges, immense warmth, and a cast of unforgettable characters, Disorientation is both a blistering send-up of white supremacy in academia, and a profound reckoning of a Taiwanese American woman’s complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

    Told in turn back and forth over time, from the early twentieth century through the 1950s, each sibling relays their own version of the memories that surround both their mother's mysterious death and the circumstances leading up to and beyond one sister's scandalous teenage pregnancy. As they move into adulthood, the siblings assume various new roles: caretaker to their aging father, addict, enabler, academic, decorated veteran, widow, and mothers and fathers to the next generation. Entangled in a family knot, each sibling encounters divorce, drama, and death, while haunted by a mother who was never truly there. Through this lens, they all seek not only to understand how her death shaped their family, but also to illuminate the insoluble nature of the many familial experiences we all encounter—the concept of home, the tenacity that is a family’s love, and the unexpected ways through which healing can occur. Chorus is a hopeful story of family, of loss and recovery, of complicated relationships forged between brothers and sisters as they move through life together, and of the unlikely forces that first drive them away and then ultimately back home.

    The idea of a curse was divisive, but the assertion that I had, for some time now, been 'laden with something dark' was disconcertingly unanimous.I wondered if this was something you also saw in me, if that was why you left.There is something wrong with Mathilda.She's still reeling from the blow of a gut-punch break up and grieving the death of a loved one.But that's not it.She's cried all her tears, mastered her crow pose and thrown out every last reminder of him.But that's not helping.Concerned that she isn't moving on, Mathilda's friends push her towards a series of increasingly unorthodox remedies.Until the seams of herself begin to come undone.Tender, unflinching and blisteringly funny, What a Shame glitters with rage and heartbreak, and offers up the joy of self-acceptance through an extraordinary rite of passage to overcome the prickly heat of female shame.

    . . Susan Straight is an essential voice in American writing and in writing of the West." —The New York Times Book ReviewNamed a Most Anticipated Book of March 2022 by the Los Angeles Times, USA Today, and AltaFrom the National Book Award finalist Susan Straight, Mecca is a stunning epic tracing the intertwined lives of native Californians fighting for life and landJohnny Frías has California in his blood. A descendant of the state’s Indigenous people and Mexican settlers, he has Southern California’s forgotten towns and canyons in his soul. He spends his days as a highway patrolman pulling over speeders, ignoring their racist insults, and pushing past the trauma of his rookie year, when he killed a man assaulting a young woman named Bunny, who ran from the scene, leaving Johnny without a witness. But like the Santa Ana winds that every year bring the risk of fire, Johnny’s moment of action twenty years ago sparked a slow-burning chain of connections that unites a vibrant, complex cast of characters in ways they never see coming. In Mecca, the celebrated novelist Susan Straight crafts an unforgettable American epic, examining race, history, family, and destiny through the interlocking stories of a group of native Californians all gasping for air. With sensitivity, furor, and a cinematic scope that captures California in all its injustice, history, and glory, she tells a story of the American West through the eyes of the people who built it—and continue to sustain it. As the stakes get higher and the intertwined characters in Mecca slam against barrier after barrier, they find that when push comes to shove, it’s always better to push back.

     As in Nigeria, vagabonds are those whose existence is literally outlawed: the queer, the poor, the displaced, the footloose and rogue spirits. They are those who inhabit transient spaces, who make their paths and move invisibly, who embrace apparitions, old vengeances and alternative realities. Eloghosa Osunde's brave, fiercely inventive novel traces a wild array of characters for whom life itself is a form of resistance: a driver for a debauched politician with the power to command life and death; a legendary fashion designer who gives birth to a grown daughter; a lesbian couple whose tender relationship sheds unexpected light on their experience with underground sex work; a wife and mother who attends a secret spiritual gathering that shifts her world. As their lives intertwine—in bustling markets and underground clubs, churches and hotel rooms—vagabonds are seized and challenged by spirits who command the city's dark energy. Whether running from danger, meeting with secret lovers, finding their identities, or vanquishing their shadowselves, Osunde's characters confront and support one another, before converging for the once-in-a-lifetime gathering that gives the book its unexpectedly joyous conclusion. Blending unvarnished realism with myth and fantasy, Vagabonds! is a vital work of imagination that takes us deep inside the hearts, minds, and bodies of a people in duress—and in triumph.

    But it’s her tumultuous relationship with Glennie that makes Sarah feel the loneliest. She’d always believed that their relationship was foundational, even unbreakable. Though blessed with a happy marriage to Al, whose compassion and humor she admires, Sarah grows increasingly bitter about Glennie’s absences, until one decision forces them all to decide what family means—and who is family. Narrated by the chorus of their three voices, this elegantly told and deeply moving novel examines the pull of tradition, the power of legacies, and the fertile but fragile ground that is family, the first geography to shape our hearts.

    One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him as a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be. For some people, Ina’s home in the woods outside of the village is a place to fear and to avoid, a godless place. Among their number is Father Barnabas, the town priest and lackey for the depraved lord and governor, Villiam, whose hilltop manor contains a secret embarrassment of riches. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by Villiam and the priest, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces upset the old order. By year’s end, the veil between blindness and sight, life and death, the natural world and the spirit world, civility and savagery, will prove to be very thin indeed.

    Washington’s riveting debut novel dives into the raw emotions of a grieving mother whose quest to heal from a mysterious condition threatens to unravel the lives of those around her.Amanda Jackson has always longed to be a mother. The early weeks of her first pregnancy are a mixture of joy, anticipation, and uncertainty as she and her husband prepare for the journey ahead.Then comes a devastating loss. Even though her doctors tell her otherwise, Amanda believes she’s still pregnant. Her diagnosis is a rare, mysterious condition called pseudocyesis. Betrayed by her mind and body and her marriage strained, Amanda turns to neuroscientist Patrick Davis for answers.Patrick understands the strange twists and turns of the human mind better than anyone. But as he spirals ever deeper into Amanda’s illness, his own homelife crumbles as his wife, Marissa, struggles to cope with her own loss. Marissa’s unique and, some may think, macabre work is her salvation, but it’s pulling her further and further away from Patrick.As the two couples confront the fraught intersection of science, death, and human emotion, they venture into the darkest corners of each other’s lives. What they find there could change them forever.

    Is anything solely mine, or will I always dwell in someone else’s shadow?” Twenty-four-year-old bookseller and New Yorker Naomi Ackerman, desperate to write a novel, struggles to find the right story to tell. When, after years of disastrous Tinder dates, she meets Caleb—a perfectly nice guy with a Welsh accent and a unique patience for all of her quirks—she feels she's finally stumbled onto a time-honored subject: love. But then Caleb's ex-girlfriend, Rosemary, enters the scene. When Naomi learns that Rosemary is not safely tucked away overseas as she'd assumed but in fact lives in New York and works in the literary world, she is fundamentally threatened and intrigued in equal measure. On paper, Rosemary sounds like a better version of Naomi—but if they both fell for the same man, they must have something more essential in common. Determined to figure out how their stories intertwine, Naomi's casual Instagram stalking morphs into a full-blown friendship under false pretenses. She can't seem to get herself to quit Rosemary, in whom she discovers an unexpected confidant—and she can't stop writing about her either, having now found a more interesting subject for her nascent novel. As her lies and half-truths spiral out of her control, and fact and fiction become increasingly difficult to separate, Naomi manipulates the most important people in her life—her family, her friends, Caleb, Rosemary, and, perhaps most devastatingly, herself—in pursuit of her craft. Ultimately, she’s forced to decide who and what she's willing to sacrifice to write them all the perfect ending.

    But he feels its effects all around him. He and his older brother Danny are fatherless, and their mother, Bethie, is still grieving for her fighter-pilot husband. Most of all, Grady sees it in his two uncles: young combat veterans determined to step into a fatherhood role for their nephews, even as they struggle with the psychological scars they carry from the war.When the news breaks that a leopard has escaped from the Oklahoma City Zoo, the playthings and imagined fears of Grady's childhood begin to give way to real-world terrors--the still-incomprehensible threats of battle fatigue, alcoholism, grief, Jim Crow laws, and, most imminently, the dangerous cat itself. The Leopard Is Loose is a stunning encapsulation of America in the 1950s, and a moving portrait of a young boy's struggle to find his place in his family's, and his nation's, history.

    Her award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls-to-arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyonc�; sharing the stage with Michelle Obama--each of these accomplishments has contributed to Chimamanda Ngozi Adichie's becoming one of the most iconic feminist figures of our time.Now, in this beautiful journal, her most inspirational words encourage you to find your own voice, to define what feminism means to you, and to tell your own story. Featuring a series of writing prompts, quotes, and important events in the history of feminism, We Should All Be Feminists: A Guided Journal promises to give readers the tools to understand feminism, as well as to empower them to become better, more confident writers and communicators.

    Running wild through the marshes of Canvey Island, it was Stephen who taught her to look for the incandescent flash of a bird's wings, who instilled within her a love and respect for nature's wonders. But one June day, their lives came crashing down around them and fate forced them apart.Fifteen years later, Emily should be happy. She has a sun-filled garden flat, a lovely boyfriend, and a job that is supposed to let her make a difference. But instead she's lost, always on the lookout for her brother's face, and worn down, spending her days working at the local housing offices having to turn away more applicants than she can help.And then one day, her brother walks through the door.Stephen has been living in and out of shelters for the last decade and the baggage between them is heavy. But Emily is overjoyed to see her brother again and invites him to come live with her. In an attempt to rebuild their relationship, they embark on a birding adventure together. Amid the soft calls of the marsh birds, they must confront the secrets of all that stands between them--even as they begin to realize that home may just be found within.

    She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever. And then she finds a book in Sylvia’s library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope’s mission—but at what cost?A VINTAGE ORIGINAL

    Three generations of women bearing the consequences. A journey that changes everything.When Ivanna opens the door to uniformed officers, her tranquil life is torn to pieces - leaving behind a broken woman who must learn to endure cold, starvation, and the memories of a man who died in the quintessential act of betrayal. Using her thrift, ingenuity, and a bit of luck, she finds a way to survive in Soviet Ukraine, along with her daughter, Yevtsye. But the question remains, will she be strong enough to withstand her daughter’s deceit and the eventual downfall of the nation she has devoted her life to? Or will the memories of her late husband act as a shadow haunting everyone and everything she loves, including Ionna, the granddaughter that never knew him?In Sunflowers Beneath the Snow, Teri M. Brown explores the tenacity of women, showing that even in grueling circumstances, they can, and do, experience all the good things life has to offer - compassion, joy, love, faith, and wonder.

    Little doll. It's an unwelcome reminder of Mum's porcelain prisoners back in London. Of all the things we could have brought with us from Russia - and we weren't able to bring very much - she chose them. Rosie's only inheritance from her reclusive mother is a book of Russian fairy tales. But there is another story lurking between the lines. Not so long ago, Rosie lived peacefully in Moscow and her mother told fairy tales at bedtime. But one summer night, all that came abruptly to an end when her father and sister were gunned down. Years later, Rosie is a doctoral student at Oxford, with a fiancé who knows nothing of her former life and an ailing, alcoholic mother lost to a notebook full of eerie, handwritten little stories. Desperate for answers to the questions that have tormented her, Rosie returns to her homeland and uncovers a devastating family history which spans the 1917 Revolution, the siege of Leningrad, Stalin's purges and beyond. At the heart of those answers stands a young noblewoman, Tonya, as pretty as a porcelain doll, whose actions reverberate across the century. .

    It's winter. It's so cold outside you could execute billionaires in the street about it. Sam lives with Eleanor and they are in love. He has three or four outstanding invoices that would each cover rent for a month. At some point, the President is going to make some absolutely wild announcements that will only end in doom. In a surreal, funny, and heart-breaking version of reality, Sasha Fletcher's highly anticipated first novel occupies that rare register that manages to speak to an increasingly incomprehensible world. Through scenes that poetically transform the mundane into the sublime and the absurd into the tragic, Be Here to Love Me at the End of the World is about the exquisite beauty of being in love in a world that is falling apart.

    A perfect life. A perfect man. Frank is proof of this. He’s everyman and yet as unique as a fingerprint. With a wonderful wife and children he loves most in the world, he couldn’t ask for anything more. But time and time again he keeps risking it all. In snapshots through time, Only About Love takes a sweeping loop around Frank’s life as he navigates courtship, marriage, fatherhood, and illness. Told through the perspective of Frank and his family, this story is one of intense honesty about the things we do with and to those closest to us.

    . . an exquisite, explosive debut."--Julia Phillips, author of Disappearing EarthComing of age in the USSR in the 1980s, best friends Anya and Milka try to envision a free and joyful future for themselves. They spend their summers at Anya's dacha just outside of Moscow, lazing in the apple orchard, listening to Queen songs, and fantasizing about trips abroad and the lives of American teenagers. Meanwhile, Anya's parents talk about World War II, the Blockade, and the hardships they have endured.By the time Anya and Milka are fifteen, the Soviet Empire is on the verge of collapse. They pair up with classmates Trifonov and Lopatin, and the four friends share secrets and desires, argue about history and politics, and discuss forbidden books. But the world is changing, and the fleeting time they have together is cut short by a sudden tragedy.Years later, Anya returns to Russia from America, where she has chosen a different kind of life, far from her family and childhood friends. When she meets Lopatin again, he is a smug businessman who wants to buy her parents' dacha and cut down the apple orchard. Haunted by the ghosts of her youth, Anya comes to the stark realization that memory does not fade or disappear; rather, it moves us across time, connecting our past to our future, joys to sorrows.Inspired by Anton Chekhov's The Cherry Orchard, Kristina Gorcheva-Newberry's The Orchard powerfully captures the lives of four Soviet teenagers who are about to lose their country and one another, and who struggle to survive, to save their friendship, to recover all that has been lost.

    The result is a gripping, wonderfully understated book that oozes humanity, emotion and humour.’ Guardian‘Acutely, brilliantly observed . . . Erskine writes about her characters without sentiment but with compassion and, perhaps most importantly, with a sense of the absurd that finds humour in the darkest of places . . . The stories in Sweet Home are often very funny, even when they unsettle.’ The Times‘Completely brilliant . . . Erskine’s gift for understated black comedy, crisp dialogue and sharp characterisation ensures that Sweet Home is no wallow-in-kitchen-sink misery. Reading it is an enlivening experience and Erskine’s career is one to keep an eye on in the years to come.' Will Gore, ‘Five books to read this Autumn’, Spectator

    The anti-foreigner American Party, better known as the “Know-Nothings,” take power throughout the state. The city of Lowell elects Leonard Ward, a member of the party, as its mayor. Suddenly the “Know-Nothings” are everywhere. And they’re going after the Irish.Rosaleen is ready to fight back. Emboldened by strange conspiracies about the Catholic Church, violent mobs and corrupt government officials are making life nearly unbearable for her people. Lowell’s newly formed police department is committed to ridding the streets of “Irish filth,” beating and arresting anyone who crosses them. When Rosaleen uncovers a horrific truth, it will test her in ways she could never have imagined.Targeted by dangerous opposition, she needs help. But are her friends as loyal as she believes?

    She tried to be a dutiful daughter, to pray, to repent. But it wasn’t enough. Her mother, Diane, didn’t mean to kill her but when she found Ann consorting with devils, she had no choice. She believed the angels—that in the end, the water would save them both.But every choice holds weight.One death, and Arthur is thrown back into the work he wanted to leave. One death, and Richard must face the reality of his choices. One death, and Maddie and Marie are confronted with the hardest parts of love.If only good intentions were enough to keep them from the carnage of their own decisions . . .A dark contemporary fiction drenched in blood, this debut novel from H. Noah has an intricate true crime feeling with psychological depth.Content WarningThe following book centers around processing trauma. Please be aware that it will touch upon such topics as violence, sexual assault (not overly descriptive), racism, microaggressions, misogyny, incest, and homophobia. This book also focuses on mental health and will cover depression, anxiety, PTSD, suicidal ideation, hearing voices, religious fixations, delusions, self-harm, and drug abuse.This book is dark due to the topics covered. This is not a horror or thriller meant to scare you. Please be kind to yourself and put the book back if you are not in a good place to read any of the things mentioned above.

    Observant, warm and extraordinary.In the mid-1950s, a small group of Finnish migrants set up camp on Little Rat, a tiny island in an archipelago off the coast of Western Australia. The crayfishing industry is in its infancy, and the islands, haunted though they are by past shipwrecks, possess an indefinable allure.Drawn here by tragedy, Onni Saari is soon hooked by the stark beauty of the landscape and the slivers of jutting coral onto which the crayfishers build their precarious huts. Could these reefs, teeming with the elusive and lucrative cray, hold the key to a good life?The Islands is the sweeping story of the Saari family: Onni, an industrious and ambitious young man, grappling with the loss of a loved one; his wife Alva, quiet but stoic, seeking a sense of belonging between the ramshackle camps of the islands and the dusty suburban lots of the mainland; and their pensive daughter Hilda, who dreams of becoming the skipper of her own boat. As the Saari's try to build their future in Australia, their lives entwine with those of the fishing families of Little Rat, in myriad and unexpected ways.A stunning, insightful story of a search for home.'There is an other-worldly quality about the Abrolhos which is beyond the reach of ordinary storytelling. Emily Brugman has captured them, staked them to the page in all their isolation and aridity and scoured indifference, because her storytelling is extraordinary.' Jock Serong, bestselling author of Preservation'Strongly felt, deeply felt, original.' Tegan Bennett Daylight'Beautiful, fresh, wise and true - startlingly good.' - Robert Drewe, award-winning author of Whipbird'A beautiful, breathtaking, salty book about finding home on the far reaches of the continental shelf.' Marele Day, author of bestselling Lambs of God

    Her daughter is all grown up and ready to face the world, her marriage is falling apart, and now her best friend and colleague tells her he plans to retire. So, when a postcard from Australia, begging the recipient for forgiveness but marked ‘insufficient address’, lands on her sorting table, she does the unthinkable – she slips it up her sleeve, with the intention of delivering it herself. Jenny sets off on a journey around the Isle of Wight, determined to find the recipient, and with the help of the locals she hopes to reunite the long-lost lovers. Will she be able to give them the happy ending she didn’t allow herself to have? Set against the backdrop of the strikes in the 1980s, Missing Words is a heart-warming journey about self-discovery, the power of family ties, and the strength needed to face whatever life throws your way.

    An abused and abusive mother. An army of relatives. A tapestry of violence, woven across generations and geographies, from Turkey to Lebanon to Western Sydney. This is the legacy left to Jamal Smith, a young queer Muslim trying to escape a past in which memory and rumour trace ugly shapes in the dark. When every thread in life constricts instead of connects, how do you find a way to breathe? Torn between faith and fear, gossip and gospel, family and friendship, Jamal must find and test the limits of love.In this extraordinary work, Omar Sakr deftly weaves a multifaceted tale brimming with angels and djinn, racist kangaroos and adoring bats, examining with a poet’s eye the destructive impetus of repressed desire and the complexities that make us human.

    And when their own family collapses in the wake of a revelation and a resulting devastating fight with their Catholic mother, the twins move to Prague, the city in which their “falling curse” began. There, Marta and Nick try to forge a new life for themselves. But their ties to the past and each other prove difficult to disentangle, and when they ultimately return to their midwestern home and Nick falls from a balcony himself, Marta is forced to confront the truths they've hidden from each other and themselves.Ingeniously and unforgettably narrated by Marta as she reflects on all the ways there are to fall--from defenestration in nineteenth century Prague to the pratfalls of her childhood idol Buster Keaton, from falling in love to falling midflight from an airplane--Defenestrate is a deeply original, gorgeous novel about the power of stories and the strange, malleable bonds that hold families together.

    The work is consuming, the unending dramas of women in crisis. For its patients, Mercy Street offers more than health care; for many, it is a second chance.But outside the clinic, the reality is different. Anonymous threats are frequent. A small, determined group of anti-abortion demonstrators appears each morning at its door. As the protests intensify, fear creeps into Claudia's days, a humming anxiety she manages with frequent visits to Timmy, an affable pot dealer in the midst of his own existential crisis. At Timmy's, she encounters a random assortment of customers, including Anthony, a lost soul who spends most of his life online, chatting with the mysterious Excelsior11--the screenname of Victor Prine, an anti-abortion crusader who has set his sights on Mercy Street and is ready to risk it all for his beliefs.Mercy Street is a novel for right now, a story of the polarized American present. Jennifer Haigh has written a groundbreaking novel, a fearless examination of one of the most divisive issues of our time.

    He reads Dante and Moby Dick, he sinks into Hemingway and battles with Milton. But on Florida's Gulf Coast, one can slip into deep water unconsciously; at the age of fourteen, David runs away from home to pursue a girl and, on his journey, tries crack cocaine for the first time. He's hooked instantly. Over the course of the next decade, he fights his way out of jail and rehab, trying to make sense of the world around him--a sunken world where faith in anything is a privilege. He makes his way to a tenuous sobriety, but it isn't until he takes a literature class at a community college that something within him ignites. All Day is a Long Time is a spectacular, raw account of growing up and managing, against every expectation, to carve out a place for hope. We see what it means, and what it takes, to come back from a place of little control--to map ourselves on the world around, and beyond, us. David Sanchez's debut resounds with real force and demonstrates the redemptive power of the written word.

    Taking place in an unnamed "sliver of Southern suburbia" in the years spanning from the beginning of the Clinton presidency to the eve of Barack Obama's election, each of these exceptional works of short fiction explore how the inequities of our society--in the criminal justice system, education, and healthcare--as well as issues like the "war on drugs"--shape and scar ordinary lives in deeply personal ways.In "False Cognates," a formerly incarcerated attorney struggles with paying raising tuition costs to keep his troubled son in an elite private school. In "There He Go," a young girl whose mother moves them constantly yearns for stability and clings to a picture of the grandfather she doesn't know, inventing stories of his greatness that contrast with the actual man.In this fearless and at times funny collection, Ladee Hubbard transcends stereotypes to provide a fuller portrait of Black American life and its undercurrents. The characters inhabiting her world present diverse configurations of family--grandmothers and granddaughters who live together as roommates; cousins and uncles who form tight bonds; and fathers who are mainly present. Each is part of a community where daycares and babysitters are never taken for granted; where books and words are revered.The Last Suspicious Holdout and Other Stories mirrors and celebrates Black resilience. Though their finances, jobs, and businesses may be vulnerable to forces they cannot control, the neighbors in these stories bravely confront the realities of their lives, and firmly believe that hope is not a promise but a choice.

    It's a book full of ideas about inspiration and a love for language that translates across borders, physical and generational."--Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's SonBlending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar.A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath's modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life--that of her psychiatrist, a rival poet, and years later, a curator of antiquities.Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath's semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she's connected to Plath's legacy in an unexpected way.Plath's psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness.Poet Boston Rhodes, a malicious literary rival, pushes Path to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy.Like Michael Cunningham's The Hours, Paula McLain's The Paris Wife, and Theresa Anne Fowler's Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz's masterful literary novel is a hugely appealing read.

    Not only does she start to doubt her father and his role in the new military-backed government--but she ultimately decides to flee to America with a young soldier she hardly knows, an impulsive act that has far-reaching consequences on both sides of the ocean. A powerful and universal debut novel about family, identity, and independence, Country of Origin is as much about a nation's coming-of-age as it is about secrets and lies, love and truth.

    

    Others are made.As a rookie tabloid reporter, Jenna Sinclair outed Denny Dennison, the illegitimate son of a serial killer. Running from the fallout, Jenna escapes the city and hides behind her marriage and motherhood. Now, decades later, betrayed by her husband and resented by her teenage daughter, Jenna decides to resurrect her career.When her former lover is brutally assaulted, Jenna fears that Denny has inherited his father’s psychopath gene and is out for revenge. When no one believes her, she must track him down before he harms his next target, her daughter.From New York City to the remote North Fork of Long Island and the murky waters surrounding it, Jenna rushes to uncover a terrible truth. Will her relentless investigation save or destroy her family?

    The story follows a young woman fleeing her home country and trying to rebuild her life, after she has suffered violence at the hands of an alcoholic father.Prompted by her therapist, the unnamed protagonist starts processing the abuse experienced in her childhood while also pondering what it means to be a mother when consumed by trauma. The novel bends form to accommodate the narrator’s scattered mind and her attempt to assemble a version of herself through fragments and stitches of memories, borrowed conversations and minutiae that linger and haunt.Infused with love and determination and interwoven with folk tales and rituals, Arrival depicts the ways in which we are resilient, capable of carving our own paths and reimagining our lives.Praise‘I read Arrival in one rapt gulp, urged on by its unnamed narrator’s need to flee her past, escape the confines of womanhood, and the stains of shame and guilt that keep repeating on her, like heartburn. The novel deals in life’s hard knocks, in trauma and deracination, but in langauge that is sensual, languid, feline, snaking with double meaning and sly humour. Like an Sigrid Nunez novel, Arrival seems to be about everything, its canvas expanding and contracting, allowing the story’s particulars to echo far and wide.’Marina Benjamin, author of Insomnia ‘A powerful tale about love, domestic violence, motherhood, escape, and arrival on many levels, written with sensuality and poetic force.’Naja Marie-Aidt, author of Baboon, Rock, Paper, Scissors and Carl’s Book‘From the opening of Arrival, Nataliya Deleva demonstrates a remarkable talent for conjuring place and moment. It sits the reader beside her unnamed narrator. Whether in the Bulgarian valleys of her childhood or inhabiting the trauma-induced void that’s replaced any semblance of home, we are beside her.’Harriet Mercer, author of Gargoyles‘Arrival is a book made up of fragments – fragments of love, motherhood, abuse and marriage – which form an intriguing and moving kaleidoscope narrative. A jagged, beautifully written novel which explores the shattering impact of abuse and how the past shapes the present.’Sam Mills, author of The Fragments of My Father‘In her powerful second novel Nataliya Deleva explores the legacy of a childhood scarred by domestic abuse: how the confusion of love with pain creeps into every fragmented shard of adult life, contaminating relationships and complicating motherhood. Through the mythical samodivi she conjures an enduring archetype of the wild rebel female who has escaped, who rejects the ways men control women. There is beauty and tenderness in the creation of her unnamed narrator’s new life, in the poetry of survival and renewal, and in the breaking of patterns for her daughter – freedom from shattering cruelty.’Venetia Welby, author of Dreamtime‘Arrival is a story of growth and healing, an unflinching look at the aftermath of growing up in systemic domestic violence. Deleva immerses us into the narrator’s journey of entering motherhood while simultaneously understanding, healing and rebuilding her life. The devastating memories of a lost childhood will not leave the readers unmoved. It hurts to read this book, yet it gives us hope for the resilience of the human spirit. ‘Katerina Stoykova, author of Second Skin

    Inspired by the unexpected fall by coup, in November 2017, of Robert Mugabe, Zimbabwe's president of nearly four decades, Bulawayo's bold, vividly imagined novel shows a country imploding, narrated by a chorus of animal voices who unveil the ruthlessness and cold strategy required to uphold the illusion of absolute power, and the imagination and bullet-proof optimism to overthrow it completely.As with her debut novel We Need New Names, Bulawayo's fierce voice and lucid imagery immerses us in the daily life of a traumatized nation, revealing the dazzling life force and irrepressible wit that lies barely concealed beneath the surface of seemingly bleak circumstances. At the center of this tumult is Destiny, who has returned to Jidada from exile to bear witness to revolution--and focus on the unofficial history and the potential legacy of the women who have quietly pulled the strings in this country.The animal kingdom--its connection to our primal responses and resonance in the mythology, folktales, and fairytales that define cultures the world over--unmasks the surreality of contemporary global politics to help us understand our world more clearly, even as Bulwayo plucks us right out of it. Glory is a blockbuster, an exhilarating ride, and crystalizes a turning point in history with the texture and nuance that only the greatest of fiction can.

    She's moved to Milwaukee for an entry-level corporate job that, gruelling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women--soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It's then that Tig begins to draw up a radical solution to their problems, hoping to save them all.

    Belfast has escaped the worst of the war -- so far. Over the next two months, it's going to be destroyed from above, so that people will say, in horror, My God, Belfast is finished.Many won't make it through, and no one who does will remain unchanged.Following the lives of sisters Emma and Audrey -- one engaged to be married, the other in a secret relationship with another woman -- as they try to survive the horrors of the four nights of bombing which were the Belfast Blitz, These Days is a timeless and heart-breaking novel about living under duress, about family, and about how we try to stay true to ourselves.

    Magazine's most anticipated books for 2022; BROWN GIRL BOOKSHELF'S "22 BOOKS TO READ IN 2022"; BUZZFEED NEWS'S "16 Upcoming Books from Indie Presses You’ll Love” and many other lists**Dia Mittal is an airline call center agent in Mumbai searching for an easier life. As her search takes her to the United States, Dia’s checkered relationship with the American Dream dialogues with the experiences and perspectives of a global South Asian community across the class spectrum--call center agents, travel agents, immigrant maids, fashion designers, blue- and white-collar workers in the hospitality industry, junior and senior artists in Bollywood, hustling single mothers, academics, tourists in the Third World, refugees displaced by military superpowers, Marwari merchants and trade caravans of the Silk Road, among others. What connects the novel’s web of brown border-crossing characters is their quest for belonging and negotiation of power struggles, mediated by race, class, gender, nationality, age, or place. With its fragmented form, staccato rhythm, repetition, and play with English language, Border Less questions the “mainstream” Western novel and its assumptions of good storytelling.Border Less was a finalist for The Feminist Press’s Louise Meriwether First Book Prize. Chapters from the novel won the Short Story Contest organized by 14th International Conference on the Short Story in English, judged by Bharati Mukherjee and Clark Blaise; the New Asian Writing Prize; and appeared in The Best Asian Short Stories anthology. The opening chapter, in a slightly different form, was published in The Kenyon Review.**ADVANCE PRAISE**“Not only does this resonant feminist debut challenge normative narratives of immigrant life, it also disrupts the notion of the Western novel in form and function.” —KARLA J. STRAND, Ms. Magazine“Border Less is a novel that invites the reader into the twists, turns, and corkscrews of immigrant life. From call centers in India to affluent eateries in Orange County, CA, these characters are irreverent, sometimes raunchy, anxiety-ridden, but most of all, explorative. Poddar has a sensitive touch to moving between time, space, and generations to present a continuous portrait of adventures and hardships in a racialized, Brown body.” --MORGAN JERKINS, New York Times Bestselling Author of This Will Be My Undoing“Namrata Poddar is a fierce storyteller, and Border Less has a lively, singular cast of characters that burn in the memory." —ANGIE CRUZ, Author of Dominicana, and Editor-in-chief of Aster(ix)“Namrata Poddar's Border Less is a dazzling debut! ... Pieces of the novel's puzzle gradually come together in the plot, which stretches from India through Mauritius to California. Characters are thrown up in a narrative that mirrors their intractability or tedium: a Nepali maid cooped up in a glass kitchen with the hopes of paying for her father's surgery; Dia who wants to be more Indian in her heart than in her habits; cousins whose separate lives across continents allow no reconciliation except in the rhythm of a childhood dance unforgotten by their bodies; immigrant parents and their American children negotiating family, home, love, and that elusive Dream. With a light hand but profound insight, sympathy, and humor, Poddar explores the new versions of gender and hierarchies that play out for different generations and different versions of "Indians" in the U.S. With this auspicious inception, she experiments with hybrid literary genealogies, giving us a novel of poetic form and sensibility.” — ANJALI PRABHU, Director of Comparative Literary Studies, Wellesley College, and Author of Hybridity: Limits, Transformations, Prospects"Namrata Poddar...has created an engaging debut by bringing us into the lives of those who leave and those who stay. If she is tilling familiar ground, she is also giving us a new set of characters. That the individual stories in Border Less can stand on their own is testament to her literary dexterity." —Martha Anne Toll, NPR"Namrata Poddar's "Border Less" attempts to advance that evolution for a new generation of immigrants and their children, for whom South Asia and the United States aren't diametrically opposed but rather interconnected through mutual exchange... In its tangle of "Roots" and "Routes" — its complementary halves — Poddar's debut sheds light on the inextricable networks that make up cosmopolitan India, its California spinoffs and the cyclical, multigenerational journey from there to here and back again." -- THE LOS ANGELES TIMES "Nuanced shades of brownness burst into life in the pages of Namrata Poddar's Border Less, a literary exploration of migration that brings together characters as endearing as they are complex: the Nepali housemaid who finds subtle ways of rebelling against her employer, the Californian surgeon who tries to educate his mother about sexism while remaining oblivious to his own blind spots, and the young émigré who cannot, despite all her efforts, reconnect with the cousins who remained on the motherland. As it roves across cities and deserts, lingering on the centuries-old frescoes that immortalize the stories of the Thar Desert, Border Less is itself nothing less than a lustrous and colorful tapestry of migration in an imperfectly globalized world." —Nikhita Obeegadoo, CATAPULT“Border Less challenges the traditional form and aesthetic of the western novel with a narrative of interconnected stories as layered as the human experience itself. Each of the novel’s carefully drawn chapters explores questions of belonging and identity, complicated by geographic, racial, gender and class distinctions, to name a few. Poddar is an ambitious and important new voice in the tapestry of global literature.” --ALINE OHANESIAN, Author of Orhan’s Inheritance, Finalist for the Dayton Literary Peace Prize“The insights of Indian American diasporic experiences — where the borders of internalized colonialism and patriarchy are crossed and reinforced both ways — gives Poddar’s literary effort its strength.” — Gabriel San Román, THE LOS ANGELES TIMES (Times OC)“Border Less is an intricate, dazzling tapestry that pulls threads from past and present—from Mumbai to California—crossing and blending stories and lives. Dia Mittal forges her way, inspired by and respectful of the generational dances, while also discovering her own path as she seeks that “ethereal family reunion.” In this novel, Namrata Poddar keeps her eye on the individual heart while painting the most expansive orbit; she is a masterful writer, bringing time and place to life with vivid story and color and memorable wisdom.” --JILL MCCORKLE, New York Times Bestselling Author of Hieroglyphics“Pitch perfect and beautifully written, this debut novel of dislocation, belonging and return captures with acuity and a light touch our shared transnational present and complex human ties.” --FRANÇOISE LIONNET, Literature Professor at Harvard University, and Author of Postcolonial Representations: Women, Literature, Identity“Namrata Poddar delves with heart-breaking delicacy and precision into the solitary struggles of her characters, whether in the teeming, sweat-drenched Mumbai metropolis or on sunny Californian shores: through the tiny, yet deep epiphanies that close each chapter of their lives, she shows us how every woman is borderless, with minds reaching out well beyond their shores and bodies enclosed within rigid confines. We are all migrants as soon as we are born, reflects one of her characters. But women are even more so as they try to hold on to their center, to their core, while being pulled in different directions by the dictates of family, society, lovers, husbands, children. Until one day—one hopes—the ferociously unique kundalini awakens and takes her due.” --ANANDA DEVI, Author of Eve Out of Her Ruins, Winner of the Prix des cinq continents de la francophonie“Border Less is a serious transnational, feminist and a postcolonial novel. It is a deeply moving narrative of a migrant’s journey from Mumbai to Southern California and her displacements over multiple spaces and her moments of self-discovery. This is a novel that finally gives voice to the complexity of being brown and a woman juggling the intersections of class, race, gender, nationality and place.” --RESHMI DUTT-BALLERSTADT, Literature Professor at Linfield University, and Author of The Postcolonial Citizen"Border Less...spans the relationships of families, romances, friendships. It spans physical distances, across deserts and coasts and the globe. It spans generations, cultures, class, religion, gender, all creating that broad tapestry of interconnected experience." —Winslow Schmelling, HAYDEN'S FERRY REVIEW“Illuminating debut...connecting the fragmented narrative with sharp prose. The range of perspectives harnessed announces Poddar as an exciting new voice in immigrant fiction.” —PUBLISHERS WEEKLY“Story that is made whole through its fragmentation. A thoughtful exploration of what it means to belong.” —Wendy J. Fox, BUZZFEED NEWS"Questions mainstream modes of storytelling. Her style, which seems to draw on oral traditions, emphasizes repetition, rhythm and reinvention." --KHABAR“A multi-vocal exploration of a South Asian community stretching from Mumbai to Mauritius to California, and the ways in which these places and voices are depicted is a real highlight of the book.” —Rashi Rohatgi, BROWN GIRL MAGAZINE“Story by story, Poddar links the characters together, widening the circle until it encompasses the entire world and much of womanhood. … The stories lash out at the patriarchy, particularly the last one, Kundalini which evokes the anger of the goddess. Yet, in this expanse of alienation and frustration, there are moments of tenderness and grace. Through it all, women compromise, bide their time and build a life, longing for the day when they and the goddess will rise. But first, their stories must be told. Border Less does that with distinction.” —Raji Pillai, INDIA CURRENTS

    Soon she is chasing chickens, telling bad jokes to a prospective boss, fielding a roommate's insults about her décor, all the while homesick for a place that never existed. Funny, harsh, touching, and uniquely observant, Talia speaks to the reader as if to a best friend.In a chance encounter Talia meets George, a young man whose passion for building sailboats sparks a conversation that leads to much more. When a sailing job takes George away to Mexico, Talia struggles with ghosts from her troubled past until a growing faith in herself brings her to take a bold decision, stepping into the unknown in a way she never has before.Reminiscent of J.D. Salinger's The Catcher in the Rye and Colette's Claudine, Eighteen is an intimate coming-of-age exploration of love, friendship, sexuality, and self-discovery.

    She enjoys limitless luxury and limited freedom; the end of the Cold War seems unimaginable.When she meets Jason, a confident British poet, Milena is appalled by his political naivety and his poor choice of footwear. Still, they fall into bed together, and before long Milena is secretly planning to escape to Britain.1980s London defies her privileged expectations. The rented flat is grim and the food is disgusting but she is with the man she loves and there are no hidden cameras to record her every move. But then Milena discovers that Jason's idea of freedom hurts even more...With sharp wit and tender precision, Vesna Goldsworthy unpicks the failures of family and state. Iron Curtain is a sly, elegant human drama that challenges the myths we tell ourselves.'A pacy page-turner... Full of humour, pathos and poignancy' Irish Independent'Vesna Goldsworthy's finely wrought third novel explodes into life... Potent' Spectator'A wonderful, perfectly-pitched novel: full of delightful intrigue and wry insight about the human predicament and its unique tensions' William Boyd

    These are stunning, irresistible stories of Southern Black womanhood that I will return to again and again."—Deesha Philyaw, National Book Award finalist for The Secret Lives of Church LadiesIn this glittering triptych novel, Suzette, Maple and Agnes, three Black women with albinism, call Shreveport, Louisiana home. At the bustling crossroads of the American South and Southwest, these three women find themselves at the crossroads of their own lives.   Suzette, a pampered twenty-year‑old, has been sheltered from the outside world since a dangerous childhood encounter. Now, a budding romance with a sweet mechanic allows Suzette to seek independence, which unleashes dark reactions in those closest to her. In discovering her autonomy, Suzette is forced to decide what she is willing to sacrifice in order to make her own way in the world.Maple is reeling from the unsolved murder of her free‑spirited mother. She flees the media circus and her judgmental grandmother by shutting herself off from the world in a spare room of the motel where she works. One night, at a party, Maple connects with Chad, someone who may understand her pain more than she realizes, and she discovers that the key to her mother's death may be within her reach.Agnes is far from home, working yet another mind‑numbing job. She attracts the interest of a lonely security guard and army veteran who’s looking for a traditional life for himself and his young son. He’s convinced that she wields a certain “magic,” but Agnes soon unleashes a power within herself that will shock them both and send her on a trip to confront not only her family and her past, but also herself. This novel, told in three parts, is a searing meditation on grief, female strength, and self‑discovery set against a backdrop of complicated social and racial histories. Nobody's Magic is a testament to the power of family—the ones you're born in and the ones you choose. And in these three narratives, among the yearning and loss, each of these women may find a seed of hope for the future.

    This is the beginning of an odyssey that moves back and forth in time and reveals the dangerous secrets of a mysterious woman, the fortune she built, and her precipitous fall.Born in Philadelphia in the late 1800s, Hannah Elias has done things she’s not proud of to survive. Shedding her past, Hannah slips on a new identity before relocating to New York City to become as rich as a robber baron. Hannah quietly invests in the stock market, growing her fortune with the help of businessmen. As the money pours in, Hannah hides her millions across 29 banks. Finally attaining the life she’s always dreamed, she buys a mansion on the Upper West Side and decorates it in gold and first-rate décor, inspired by her idol Cleopatra.The unsolved murder turns Hannah’s world upside-down and threatens to destroy everything she’s built. When the truth of her identity is uncovered, thousands of protestors gather in front of her stately home. Hounded by the salacious press, the very private Mrs. Elias finds herself alone, ensnared in a scandalous trial, and accused of stealing her fortune from whites.Packed with glamour, suspense, and drama, populated with real-life luminaries from the period, The Great Mrs. Elias brings a fascinating woman and the age she embodied to glorious, tragic life.

    Drunk on spirit, lust, and hope, Lou agrees to perform a ritual, which, unforeseen, leaves him alone to face death.Not any death, but his personal one; a skinny, sarcastic anthropomorphic embodiment of his end-of-time which - who? - goes by D.Summoned during the ritual, D will help Lou in the search for Angelene, Mallory’s twin sister, the only clue to finding the disappeared Mallory and reverse the ritual.The strange duo begins a road trip from dusty interstates to lousy strip clubs, during which they’ll have time to know each other and discuss the meaning of life, love, and what does it means to be mortal.Will our unconventional couple find Angelene, and persuade her to help in the search for Mal? Will Lou be able to save his friend Neil, or his own soul for that matter?But more importantly: will he make peace with his own Death?DEAD MEN NAKED is Dario’s debut novel. Narrated with the characteristic prose that differentiates Dario’s work – minimalistic at its core, but with incredibly powerful and lyrical flights of fancy – this modern and magical tale uses a touch of humor, philosophy, and poetry, to explore what it takes to accept our own mortality.

    Voids are flats that have been vacated, that will never be lived in again. But there never were any signs of life. Only the wind whistling through vacant interiors.’In a condemned tower block in Glasgow, residents slowly trickle away until a young man is left alone with only the angels and devils in his mind for company. Stumbling from one surreal situation to the next, he encounters others on the margins of society, finding friendship and camaraderie wherever it is offered, grappling with who he is and what shape his future might take.The Voids is an unsparing story of modern-day Britain, told with brilliant flashes of humour and humanity.