He was a blind devotee who threw away his education and future prospects to become a rock star. In Hell Bent for Leather, he reaches into the most embarrassing depths of the family photo album to reveal his Wayne's World-esque teen years, taking readers on a (very loud) musical journey from his first guitar to his first gig and on, through groupies, girlfriends, too many drugs, spiraling egos, musical differences, and finally, the end of the dream -- and a much-needed haircut.In this nostalgic look at heavy metal culture, Seb Hunter has given us a moving portrait of adolescence and chasing your dream, reminding us all that it's better to have lost in rock than never to have rocked at all.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    From the eighties through today, from Rio to All You Need is Now, John writes about the music, the parties, and the MTV videos that made millions swoon.With Duran Duran, John Taylor has created some of the greatest music of our time. From the disco dazzle of debut single ‘Planet Earth’ right up to their latest number one album, All You Need is Now, Duran Duran has always had the power to sweep the world onto its feet. It’s been a ride – and for John in particular, the ride has been wild, thrilling... and dangerous. Now, for the first time, he tells his incredible story. A tale of dreams fulfilled, lessons learned and demons conquered. A shy only child, Nigel John Taylor wasn’t an obvious candidate for pop stardom and frenzied girl panic. But when he ditched his first name and picked up a bass guitar, everything changed. John Formed Duran Duran with his friend Nick Rhodes in the summer of 1978, and they were soon joined by Roger Taylor, then Andy Taylor and finally Simon Le Bon. Together they were an immediate, massive global success story, their pictures on millions of walls, every single a worldwide hit. In his frank, compelling autobiography, John recounts the highs –hanging out with icons like Bowie, Warhol and even James Bond; dating Vogue models and driving fast cars – all the while playing hard with the band he loved. But there were tough battles ahead – troubles that brought him to the brink of self-destruction – before turning his life around. Told with humor, honesty and hard-won wisdom, and packed with exclusive pictures, In the Pleasure Groove is a fascinating, irresistible portrait of a man who danced into the fire... and came through the other side.

    He has never granted a writer access to his inner life – until now. Based on six years of interviews with more than three hundred of Young’s associates, and on more than fifty hours of interviews with Young himself, Shakey is a fascinating, prodigious account of the singer’s life and career. Jimmy McDonough follows Young from his childhood in Canada to his cofounding of Buffalo Springfield to the huge success of Crosby, Stills, Nash and Young to his comeback in the nineties. Filled with never-before-published words directly from the artist himself, Shakey is an essential addition to the top shelf of rock biographies.

    Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siecle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

    Since finding their love of music and performing as teenagers in Seattle, Washington, Ann Wilson and Nancy Wilson, have been part of the American rock music landscape. From 70s classics like “Magic Man” and “Barracuda” to chart- topping 80s ballads like “Alone,” and all the way up to 2012, when they will release their latest studio album, Fanatic, Heart has been thrilling their fans and producing hit after hit. In Kicking and Dreaming, the Wilsons recount their story as two sisters who have a shared over three decades on the stage, as songwriters, as musicians, and as the leaders of one of our most beloved rock bands. An intimate, honest, and a uniquely female take on the rock and roll life, readers of bestselling music memoirs like Life by Keith Richards and Steven Tyler’s Does the Noise in My Head Bother You? will love this quintessential music story finally told from a female perspective.

    Live shows were transformed into an ear-splitting redneck disco from hell, under the influence of a mind-boggling cocktail of every conceivable narcotic, with sleazy strippers and even reports of live cattle on stage.As well as Jourgensen and all the Wax Trax crew, the book features cameo appearances by Ogre of Skinny Puppy, Trent Reznor of Nine Inch Nails, Killing Joke, Jah Wobble, and Cabaret Voltaire.Despite the unrelenting chaos, both Ministry and the Revolting Cocks have been immensely successful; Connelly appeared on two US gold albums ("The Land of Rape and Honey" and "The Mind is a Terrible Thing to Taste") and worked as songwriter on the million-plus selling platinum album "Psalm 69: The Way to Succeed and the Way to Suck Eggs."Connelly's superbly written, funny, irreverent, and sometimes downright scary memoir is one of the finest portrayals of a man trapped in the eye of a post-punk industrial storm this side of Armageddon.Chris Connelly was born in Edinburgh, Scotland, and now lives in Chicago where he has pursued a successful solo career.

    Million Dollar Bash tells for the first time the whole story of the Basement Tapes, recorded in summer 1967 when Bob Dylan's career was at a crossroads. Recovering from a mysterious motorcycle crash, he gathered together a few musician friends in Woodstock, New York, and informally recorded a bunch of songs intended to be heard by no one but themselves. Instead, they changed music forever. In this new book, musician and author Sid Griffin examines the recordings in detail, demonstrating on every page a musician's insight into the Basement Tapes, the men who recorded them, and the times in which they were made. Every Dylan fan needs this book.

    From the moment the metronomic pulse of a heartbeat thudded out to begin "Speak to Me" to the soaring guitar solo that climaxed "Comfortably Numb," these self-effacing men in their late fifties stole the show. Almost a year later, the death of their troubled founder-member Syd Barrett made headline news worldwide. Both events signaled a kind of closure to the remarkable tale of one of the world's biggest bands. Now, in the first full-length history of the group for more than fifteen years, Mark Blake tells the story of how a group of middle-class Englishmen conquered the world. Drawing on his own interviews with all of the band members, interviews with the group's friends, road crew, producers, former housemates and university colleagues, as well as musical contemporaries including Pete Townshend and Alice Cooper, Comfortably Numb follows Pink Floyd all the way from the early psychedelic nights at UFO in the mid-sixties to the stadium-rock and concept-album zenith of the seventies, and finally the acrimonious schism that sundered the band in the '80s and '90s.

    The record was a smash, reaching number two on the charts inMarch of 1974, spawning three hit singles; Help Me, Free Man in Parisand Raised on Robbery and cementing Mitchell's position as a commercialas well as an artistic force. Sean Nelson, a well known musician himself (Harvey Danger, the Long Winters), is particularly well equipped to understand all the elements that went into the making of this classic album, and he does so with clarity and wit.>

    The western world was turned upside down by the rock ‘n' roll revolution and here's the real lowdown on the rock stars who made it happen — and what it did to their lives.

    This history includes the band's blues roots, their wild early days on the road and their recent resurgence.

    in January 1968, The Who Sell Out was, according to critic Dave Marsh, a complete backfire--the album sold well, but not spectacularly [and was] ultimately a nostalgic in-joke: Who but a pop intellectual could appreciate such a thing? Further rarifying its in-joke status was its unapologetic Englishness; 13 tracks stitched together in a mock pirate radio broadcast, without a DJ, with cool, anglocentric commercials to boot. In the 36 years since its release, Sell Out, though still not the best selling release in The Who's catalog, has been embraced by a growing number of fans who regard it as the band's best work, one of the few recordings of the late 1960s that best represents the ambitious aesthetic possibilities of the concept album without becoming mired in a bog of smug, self-aggrandizing, high art aspirations. Sell Out, powerfully and ecstatically, articulates the nexus of pop music and pop culture.As much as it is an expression of the band's expanding sonic palette, Sell Out also functions as a critique of the rock and roll lifestyle. Not the cliched mantra of sex, drugs, and rock and roll but in the ways that commercial advertising fabricates a youth-oriented cultural reality by hawking pimple cream, deodorant, food, musical equipment, etc., and linking it with rock and roll. In this sense Sell Out is a reflective work, one that struggles with rock and roll as a cultural expression that aspires to aesthetic permanence while marketed as ephemera. From this conflict emerges a pop art masterpiece.

    With his groundbreaking book The Game, Strauss penetrated the secret society of pickup artists; now, in Everyone Loves You When You’re Dead, his candid, surprising, and often hysterical interviews reveal the hidden sides of 120 of the world’s biggest celebrities, from Hugh Heffner to Johnny Cash to Snoop Dogg and beyond.

       A great cover only makes a song stronger. Jimi Hendrix’s version of Bob Dylan’s “All Along the Watchtower.” The Beatles rocking out with “Twist and Shout.” Aretha Franklin demanding “Respect.” Without covers, the world would have lost many unforgettable performances. This is the first book to explore the most iconic covers ever, from Elvis’s “Hound Dog” and the Rolling Stones’ “Not Fade Away” to Led Zeppelin’s “Dazed and Confused,” the Talking Heads’ “Take Me to the River,” and Adele’s “Make You Feel My Love.” Written by the founder of the website covermesongs.com, each of the 20 chapters investigates the origins of a classic cover—and uses it as a framework to tell the larger story of how cover songs have evolved over the decades. Cover Me is packed with insight, photography, and music history.

    It has also been written about, pored over, and analyzed more than most other albums put together. In this disarming book, Jim Fusilli focuses primarily on the emotional core of the album, on Brian Wilson's pitch-perfect cry of despair. In doing so, he brings to life the search for equilibrium and acceptance that still gives "Pet Sounds" its heart almost four decades after its release.