Eliot PrizeDear son, I was mezzo del camminand the true path was as lost to me as everwhen you cut in front and lit it as you ran.See how the true gift never leaves the giver . . .—from "Waking with Russell"Hailed for its "seriousness and moral urgency" (The Independent), Landing Light is one of the most important and resonant poetry collections to come out of Britain in recent years.

    Previously published in Anvil New Poets 2, a selection chosen by Carol Ann Duffy, and winner of the 1994 Eric Gregory Award, Oswald already clearly demonstrates a distinct voice. The poems here are extraordinarily beautiful: intensely musical, strewn with emotion, and full of energy and warmth. Influenced by Gerard Manley Hopkins and George Herbert, they speak passionately of nature and love. They have a religious sense of mystery, and try to express the intangible in marvellously vivid language. The second part of the book features an entertaining long poem titled The Men of Gotham, a comical folk-legend about the three men who went to sea to try to catch the moon in a net. Taken together, this is a wonderful first collection by an exceptionally talented young poet.

    MacNeice's work matches the world he famously described as 'incorrigibly plural.'Michael Longley, himself a distinguished Ulster poet, has written an introductory essay of meticulous advocacy. His wife, the critic Edna Longley, has supplied the apparatus for students and the general reader.

    These are poems of well-tempered yearning, conditional idylls which sing in praise of lying fallow, the creativity of daydream, the yeast of boredom, the truths of intermediacy. Wendy Cope's formal tact is alertly present - in triolets, rondeaux, villanelles, squibs, epigrams - small forms whose power to disarm goes hand in hand with her characteristically tart ripostes to the way things (usually) are. This collection extends the variousness of her occasions.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    Another notable feature is the inclusion of poems from his books for younger readers, 'What is the Truth?' and 'Season Songs'.

    Examining how trauma becomes a part of the language we use, Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.The collection crescendos to Scott's tour de force, 'Oh My Soho!', where a night stroll under the street lamps of Soho Square becomes a search for true lineage, a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

    A collection of poems which includes some of the poet's best-known pieces (The Old Fools, This Be the Verse, The Explosion, and the title poem.

    Heaney peppers this short collection of poems with crafty language and natural objects: "I heard the hatchet's differentiated/Accurate cut, the crack, the sigh/And collapse of what luxuriated/Through the shocked tips and wreckage of it all." The Haw Lantern won England's Whitbread Prize in 1987.

    Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often painful encounter with childhood loss. This is a book of mourning, recrimination, exhilaration and 'oceanic feeling': 'A meditation on a want that can never be answered.'

    This selection, made by Cummings himself in 1960, offers a comprehensive introduction to his most characteristic work — whether love poems, satirical squibs or nature poetry — and represents the range of his experiments with lyric form, syntax and typography, which combined to offer a radically individual and spontaneous view of the world.

    Eliot Prize 2018One of Bustle's 12 Most Anticipated Poetry Collections for 2018Hannah Sullivan’s debut collection is a revelation – three long poems of fresh ambition, intensity, and substance. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. "You, Very Young in New York" captures a great American city, in all its alluring detail. It is a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. "Repeat until Time" begins with a move to California and unfolds into an essay on repetition and returning home, at once personal and philosophical. "The Sandpit after Rain" explores the birth of a child and the loss of a father with exacting clarity. In Three Poems, readers will experience Sullivan's work with the same exhilaration as they might the great modernizing poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.

    S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence" to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style.This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Pound scholars Lea Baechler (of Columbia) and A. Walton Litz (Holmes Professor of English Literature at Princeton) have prepared a corrected text and supplied an informative "Note on the Text" explaining both Pound's original criteria for his selection and the volume's subsequent history.

    To the rest of the world he is an inert body and is subjected to a variety of experiments, but his own consciousness is vital and reflective. This novel draws attention to the fact that we can never really be sure what is going on in the minds or imaginations of people who are unable to express themselves. The reader feels helpless to stand up for the injustices Peter is subjected to. Ultimately, this novel is a good example of descriptive prose that highlights the alienation of the characters from the so-called normal life)

    The present edition offers the complete poems together with detailed editorial apparatus in what has become acknowledged as the standard edition by R. George Thomas. It also includes Thomas's remarkable prose War Diary of 1917.