Influenced by works such as Don Juan, and the novels of Kafka, these essays begin with a meditation on suicide: the question of living or not living in an absurd universe devoid of order or meaning. With lyric eloquence, Camus posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.

    Kurtz. What he sees on his journey, and his eventual encounter with Kurtz, horrify and perplex him, and call into question the very bases of civilization and human nature. Endlessly reinterpreted by critics and adapted for film, radio, and television, the story shows Conrad at his most intense and sophisticated. The other three tales in this volume depict corruption and obsession, and question racial assumptions. Set in the exotic surroundings of Africa, Malaysia, and the east, they variously appraise the glamour, folly, and rapacity of imperial adventure. This revised edition uses the English first edition texts and has a new chronology and bibliography.

    This novel of an enclosed world invaded by public events also embodies in its characters the shifts in England's class structures at the beginning of the twentieth century.

    Great Short Short Stories: Quick Reads by Great Writers offers that opportunity. An outstanding collection of 30 brilliant short stories, each just six or fewer pages in length, it provides the chance to absorb an entire story (or two or three) in just one sitting.Well-known tales from masters of the short-story genre include: Mark Twain, "The Notorious Jumping Frog of Calaveras County"; Franz Kafka, "A Country Doctor"; Edgar Allan Poe, "The Cask of Amontillado"; Guy de Maupassant, "A Piece of String"; Stephen Crane, "The Veteran"; Kate Chopin, "A Pair of Silk Stockings"; plus works by Dickens, O. Henry, Chekhov, Wilde, and many others. Includes 2 selections from the Common Core State Standards Initiative: "A White Heron" and "Cask of Amontillado."The egg / Sherwood Anderson (1876-1941, American)An occurrence at Owl Creek Bridge / Ambrose Bierce (1842-1914?, American)The enchanted bluff / Willa Cather (1873-1947, American)A malefactor / Anton Chekhov (1860-1904, Russian)A pair of silk stockings / Kate Chopin (1851-1904, American)The veteran / Stephen Crane (1871-1900, American)The apparition of Mrs. Veal / Daniel Defoe (1660-1731, English)Nobody's story / Charles Dickens (1812-1870, English)If I were a man / Charlotte Perkins Gilman (1860-1935, American)Squire Petrick's lady / Thomas Hardy (1840-1928, English)The luck of Roaring Camp / Bret Harte (1836-1902, American)Dr. Heidegger's experiment / Nathaniel Hawthorne (1804-1864, American)A ghost story / Jerome K. Jerome (1859-1927, English)A white heron / Sarah Orne Jewett (1849-1909, American)A country doctor / Franz Kafka (1883-1924, Czech)Wee Willie Winkie / Rudyard Kipling (1865-1936, English)Sanctuary / Nella Larsen (1891-1964, American)Second best / D.H. Lawrence (1885-1930, English)The white silence / Jack London (1876-1916, American)Germans at meat / Katherine Mansfield (1888-1923, English)A piece of string / Guy de Maupassant (1850-1893, French)The open window / H.H. Munro, or Saki (1870-1916, English)The furnished room / O. Henry (1962-1910, American)With other eyes / Luigi Pirandello (1867-1936, Italian)The cask of Amontillado / Edgar Allan Poe (1809-1849, American)The coffin-maker / Alexander Pushkin (1799-1837, Russian)The three hermits / Leo Tolstoy (1828-1910, Russian)The notorious jumping frog of Calaveras County / Mark Twain (1835-1910, American)The remarkable case of Davidson's eyes / H.G. Wells (1866-1946, English)The sphinx without a secret / Oscar Wilde (1854-1900, Irish)

    They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable."--Alice Walker"Discovering Nella Larsen is like finding lost money with no name on it. One can enjoy it with delight and share it without guilt."  --Maya Angelou"A hugely influential and insighful writer." --The New York Times"Larsen's heroines are complex, restless, figures, whose hungers and frustrations will haunt every sensitive reader. Quicksand and Passing are slender novels with huge themes." -- Sarah Waters"A tantalizing mix of moral fable and sensuous colorful narrative, exploring female sexuality and racial solidarity."-Women's Studies International ForumNella Larsen's novels Quicksand (1928) and Passing (1929) document the historical realities of Harlem in the 1920s and shed a bright light on the social world of the black bourgeoisie. The novels' greatest appeal and achievement, however, is not sociological, but psychological. As noted in the editor's comprehensive introduction, Larsen takes the theme of psychic dualism, so popular in Harlem Renaissance fiction, to a higher and more complex level, displaying a sophisticated understanding and penetrating analysis of black female psychology.

    Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio de Janeiro and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid realization that for all her outward misery, Macabéa is inwardly free. She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator--edge of despair to edge of despair--and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love, and the art of fiction. In her last novel she takes readers close to the true mystery of life, and leaves us deep in Lispector territory indeed.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Published in 1938, this was the first book from Wright, who would continue on to worldwide fame as the author of the novels Native Son and Black Boy.

    

    The letter defends the strategy of nonviolent resistance to racism. It says that people have a moral responsibility to break unjust laws and to take direct action rather than waiting potentially forever for justice to come through the courts. Responding to being referred to as an "outsider," King writes, "Injustice anywhere is a threat to justice everywhere."

    The sketches, poems, and stories of black rural and urban life that make up Cane are rich in imagery. Visions of smoke, sugarcane, dusk, and flame permeate the Southern landscape: the Northern world is pictured as a harsher reality of asphalt streets. Impressionistic, sometimes surrealistic, the pieces are redolent of nature and Africa, with sensuous appeals to eye and ear.

    "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."