Superb, full-color photographs offer a unique and revealing "eyewitness" view of this rich culture. See a necklace made of bear claws, a model of a Blackfeet teepee, a false face made from cornhusks, how fish were trapped in a basket, and a Cheyenne feathered war bonnet. Learn about the kachina ceremony, why love dolls were important, how turtle shells made music, what's stored inside a parfleche, and how pemmican was made. Discover the meanings of carvings on a Haida totem pole, what's inside an Iroquois longhouse, what medicine men carried in their medical kits, how a bow drill works, and much, much more.

      From recounting the visions Black Elk had as a young boy, to his involvement in the battles of Little Big Horn and Wounded Knee, as well as his journeys to New York City and Europe with Buffalo Bill’s Wild West Show, this biographical account of Black Elk—an Oglala-Lakota medicine man (1863–1950)—follows him from childhood through adulthood.   S. D. Nelson tells the story of Black Elk through the medicine man’s voice, bringing to life what it was like to be Native American in the mid-to-late nineteenth century and early twentieth century. The Native people found their land overrun by the Wha-shi-choos, or White Man, the buffalo slaughtered for sport and to purposely eliminate their main food source, and their people gathered onto reservations. Through it all, Black Elk clung to his childhood visions that planted the seeds to help his people—and all people—understand their place in the circle of life.   The book includes archival images, a timeline, a bibliography, an index, and Nelson’s signature art.  Praise for the work of S. D. Nelson Western Writers of America Spur Storyteller AwardChicago Public Library Best of the BestOppenheim Toy Portfolio Gold Award [STAR] “An appealing story full of excitement, warmth, and wisdom.” —The Five Owls, starred review “A fine choice for story hours, this will also find wide curricular use.” —Booklist “A modern-day story in the Sioux tradition of storytelling.” —Winston-Salem Journal “Splendid acrylic artwork captures the action, humor, and spirit of the tale. A solid addition to collections of Native American tales and an enjoyable read-aloud.” —School Library Journal “Nelson pulls it off with his confident style as a storyteller . . . polished illustrations . . . informative, well written.” —Kirkus ReviewsF&P level: UF&P genre: B

    Completely revised for 2002.

    Mann.

    See the pyramids and temples of Egypt and Mexico in breathtaking detail as well as statues of pharaohs, officials, workers, and religious texts written on stone and papyrus thousands of years ago; the interior passages of the Great Pyramid, and more.

    Was this an unsolved murder? The remnants of some settler's or Native American's unmarked grave? What was the story behind this skeleton? Within weeks, scientific testing yielded astonishing news: the bones were more than 9,000 years old! The skeleton instantly escalated from interesting to extraordinary. He was an individual who could provide firsthand evidence about the arrival of humans in North America. The bones found scattered in the mud acquired a name: Kennewick Man. Authors Sally M. Walker and Douglas W. Owsley take you through the painstaking process of how scientists determined who Kennewick Man was and what his life was like. New research, never-before-seen photos of Kennewick Man's remains, and a lifelike facial reconstruction will introduce you to one of North America's earliest residents. But the story doesn't end there. Walker and Owsley also introduce you to a handful of other Paleoamerican skeletons, exploring their commonalities with Kennewick Man. Together, their voices form a chorus to tell the complex tale of how humans came to North America--if we will only listen.

    Presents an illustrated history of North American Indians from their origins to the present, and includes contemporary interviews and excerpts from journals.

    Louis. Built around a sprawling central plaza and known as Cahokia, the site has drawn the attention of generations of archaeologists, whose work produced evidence of complex celestial timepieces, feasts big enough to feed thousands, and disturbing signs of human sacrifice. Drawing on these fascinating finds, Cahokia presents a lively and astonishing narrative of prehistoric America.

    Including figures such as Crazy Horse, Net-no-kwa, former NASA astronaut John Herrington and Canadian NHL goalie Carey Price, Go Show the World showcases a diverse group of Indigenous people in the US and Canada, both the more well known and the not- so-widely recognized. Individually, their stories, though briefly touched on, are inspiring; collectively, they empower the reader with this message: "We are people who matter, yes, it's true; now let's show the world what people who matter can do."

    The photos are somewhere between documentary and romanticism. Where he could have taken straight documentary photos of poverty and tattered Western/white clothing, he instead staged warrior meetings on horseback and the like.

    Talayesva, the Sun Chief, who was born and reared until the age of ten as a Hopi Indian, and then trained as a white man until he was twenty. Although torn between two worlds and cultures, he returned to Hopiland and readopted all the tribal customs. This is his autobiography, written for Leo Simmons, a white man who was a clan brother.

    Drawing on both native and Spanish chronicles, he vividly describes the dramatic story of the conquest, with all its savagery and suspense. This authoritative, exciting history is among the most powerful and important accounts of the culture of the South American Indians and the Spanish Conquest.

    Sarah was smart and good at languages, so she was able to link the worlds. As she became older, this made her a great leader. Sarah used condemning letters, fiery speeches, and her autobiography, Life Among the Piutes, to provide detailed accounts of her people’s turmoil through years of starvation, unjust relocations, and violent attacks. With sweeping illustrations and extensive backmatter, including hand-drawn maps, a chronology, archival photographs, an author's notes, and additional resource information, Deborah Kogan Ray offers a remarkable look at an underrepresented historical figure.

    But in every corner of the world this age-old custom is rapidly changing. From increased trade between countries to the expansion of global food corporations like Kraft and Nestlé, current events are having a tremendous impact on our eating habits. Chances are your supermarket is stocking a variety of international foods, and American fast food chains like McDonald’s and Kentucky Fried Chicken are popping up all over the planet. For the first time in history, more people are overfed than underfed. And while some people still have barely enough to eat, others overeat to the point of illness. To find out how mealtime is changing in real homes, authors Peter Menzel and Faith D’Aluisio visited families around the world to observe and photograph what they eat during the course of one week. They joined parents while they shopped at mega grocery stores and outdoor markets, and participated in a feast where a single goat was shared among many families. They watched moms making dinner in kitchens and over cooking fires, and they sat down to eat with twenty-five families in twenty-one countries--if you’re keeping track, that’s about 525 meals! The foods dished up ranged from hunted seal and spit-roasted guinea pig to U.N.-rationed grains and gallons of Coca-Cola. As Peter and Faith ate and talked with families, they learned firsthand about food consumption around the world and its corresponding causes and effects. The resulting family portraits offer a fascinating glimpse into the cultural similarities and differences served on dinner plates around the globe.

      As a child, Amalia Hernández saw a pair of dancers in the town square. The way they stomped and swayed to the rhythm of the beat inspired her. She knew one day she would become a dancer.   Amalia studied ballet and modern dance under the direction of skilled teachers who had performed in world-renowned dance companies. But she never forgot the folk dance she had seen years earlier. She began traveling through the Mexican countryside, witnessing the dances of many regions, and she used her knowledge of ballet and modern dance to adapt the traditional dances to the stage. She founded her own dance company, a group that became known as el Ballet Folklórico de México.   Using his signature illustration style, inspired by the ancient art of the Mixtecs, award-winning author and illustrator Duncan Tonatiuh tells the story of Amalia Hernández and the formation of the Folkloric Ballet, one of the most famous and successful dance companies in the world.