He decided right then, at the age of nine, what he wanted to be when he grew up...an undertaker. The day he turned twenty-one, Casey joined the ranks of Morton-Albright, a family owned and operated mortuary, in the small Florida town of Angel Shoals. Immediately, he felt right at home. He seems to have a gift for embalming. The Morton and Albright families welcome him like the family he never had. The quirky and mischievous Natalie Albright is the girl he's always dreamed of. And within the walls of Morton-Albright, Casey feels a reassuring presence that calms him, like nothing ever has before. But his happiness will be short-lived if the mortuary falls victim to a rapacious funeral-home giant. With family secrets being uncovered, contested wills, and rumors of illegal funeral practices circling, the lives entwined in this funeral home become filled with intrigue, deception, and, of course, death. Bringing abundant experience and a fresh wit to the page, Miles Keaton Andrew offers a clever, spirited, darkly humorous first novel, rich with dialogue and full of nuanced characters.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    Phased out. Home had never appealed. All his life he had dreamed about a plush flat somewhere in the West End of London. So now he would make the leap from poverty street into the affluent society. In one gigantic jump. Fresh out of stir after kicking a police sergeant’s head in, former skinhead Joe Hawkins is heading for the big time – a job in a firm of stockbrokers, a swanky flat and (hopefully) plenty of money. A whole new style is called for – so Joe becomes a Suedehead. The hair is a few millimetres longer, the uniform a velvet-collared crombie coat, bowler hat and neatly-furled umbrella – with razor sharp tip. For while Joe might be playing the establishment pet, he remains the unrepentently vicious, cunning hooligan from Skinhead, intent on pulling women, stealing and putting the boot in. It’s not long before he finds some other Suedes willing to commit mayhem under cover of respectability... but can Joe and respectability ever really get along? Suedehead is the second of Richard Allen’s era-defining cult novels featuring anti-hero Joe Hawkins. First published in 1971, this new edition features an introduction by Andrew Stevens.

    Whiplash twists, razor-sharp prose, an addictive narrative--I couldn't read it fast enough."--Rob Hart, author of South Village"With a plot that winds up like a Swiss watch and then explodes like an RPG, Bradley Spinelli's The Painted Gun pays off in every way a reader of noir fiction wants it to, and provides a lovely bonus--some of the most sure-footed tough guy prose I've seen since Hammett and Chandler walked those mean streets. Spinelli's novel pays homage to the conventions of detective fiction while also spinning an original and terrifying web of violence, menace, and intrigue. A bravura performance by a writer of marvelous gifts."--Sterling Watson, author of Suitcase City"The Painted Gun is a fun and wonderfully reckless remix. Bradley Spinelli spins the conventions of noir and whips up a tasty postmodern dish. It's an homage to yesterday, and also an examination of what's thrumming outside our walls right now."--Joshua Mohr, author of All This LifePraise for Killing Williamsburg by Bradley Spinelli:"Spinelli offers sharp and stylish prose...Benson's nihilistic views may resonate with readers in their twenties facing an uncertain economic future."-- Publishers Weekly "Spinelli has written the first visionary neo-Romantic novel of the twenty-first century."-- The Awl It's 1997 at the dawn of the digital age in San Francisco. Ex-journalist and struggling alcoholic David "Itchy" Crane's fledgling "information consultancy" business is getting slowly buried by bad luck, bad decisions, and the growing presence of the Internet. Before Itchy can completely self-destruct, a crooked private investigator offers him fifty grand to find a missing girl named Ashley. Crane takes the job because the money's right and because the only clue to her disappearance is a dead-on oil portrait of Crane himself painted by the mysterious missing girl--whom he has never met.As Crane's search for Ashley rapidly becomes an obsession, he stumbles upon a series of murders, gets slapped around by thugs and intimidated by cops, and begins to suspect he's being framed for the murders by a psychotic Guatemalan hit man. Left with no avenue but survival, Crane goes on the offensive, fighting to clear his name, solve the murders, and find the beguiling portrait artist Ashley, who may have a few surprises of her own.

     And when his childhood buddy Vinnie bails him out of jail, he agrees to partake in a scam Vinnie has put together that will make them all rich. The only problem is: while out fishing one day Johnnie reels in the biggest catch of his life... Vinnie's head on the end of the fishing line. Now mafia types, bounty hunters, and Vinnie's girlfriend are after him, and Johnnie LoDuco doesn't have a clue as to why. Plus, they all seem to want Vinnie's head, but Johnnie seems to have misplaced it in an ice cooler--and if he wants to live he needs to get it back.

    Baldy.• Suicide of a wandering derelict.• Murder of a wealthy matriarch.• Murder of a charismatic Catholic priest.

    Together they must investigate a strange murder at Boleskine House on the banks of Loch Ness. But what dark creature lurks at the heart of the Loch? And what do the murders have to do with Boleskine’s most infamous resident, Aleister Crowley? Second in the Charles Fort Historical Mysteries series by TE Scott, for fans of Golden Age style detectives and historical mysteries.

    He wrote about 200 books on a wide variety of subjects, both fiction and non-fiction. He was one of the leading writers of detective fiction in the "Golden Age." Fletcher was born in Halifax, West Yorkshire, son of a clergyman. He was educated at Silcoates School in Wakefield. After some study of law, he became a journalist. His first books published were poetry, and he then moved on to write numerous works of both historical fiction and history, many dealing with Yorkshire. He was made a fellow of the Royal Historical Society. In 1914 he wrote his first detective novel and went on to write over a hundred, latterly featuring private investigator, Ronald Camberwell. His works include: Andrewlina (1889), The Winding Way (1890), Old Lattimer's Legacy (1892), When Charles the First was King (1892), The Wonderful City (1894), Where Highways Cross (1895), At the Gate of the Fold: A Country Tale (1896), The Builders (1897), God's Failures (1897), In the Days of Drake (1897), At the Blue Bell Inn (1898), Pasquinado (1898) and In the Mayor's Parlour (1922).

    After getting fired from her job at a calendar company for botching Daylight Savings, she is informally hired by a wealthy acquaintance to track down his girlfriend, a stripper named Trigger Happy. But Queenie's seemingly good luck turns hard when she finds Trigger dead in her apartment.Now Queenie's daily routine of being a drunk smart-ass is put on hold as she becomes both a suspect for the murder and the target for an unknown predator. Hopping from bar to bar, from Coney Island clam stands to the Waldorf-Astoria, she inadvertently lands on the trail of Trigger's killer and puts herself in the line of fire.Along the way she meets Rey, a private eye with a soft spot for tough-talking ladies; Detective Olds, the stuttering cop who thinks Queenie's the culprit; and a dozen New York denizens, among them a cult recruiter, a hit man, a thief, and even Rip Torn -- some strange, some sad, some sweet, and some deadly, every one dropping in and out of Queenie's life as she searches for each fragile piece of the puzzle that may eventually lead her to the truth.With danger closing in on her, Queenie can't help but realize the precariousness of her own mortality. As she stares out of the window at an old lady on the corner, she thinks, "There is nothing separating you from that old lady right now -- maybe something, maybe time is all, but that's really nothing when you think about it." After all, thinks Queenie, it's just days. But unless she can find the killer before the killer finds her, Queenie's days are seriously numbered.

    Next to the Louis L’Amours, one could find the adventures of The Executioner, the Destroyer, the Death Merchant, and many more action heroes that were hell-bent on bringing America back from the brink. That time was the 1970s & ’80s. A bygone era filled with wide-eyed innocence and mustaches.Those stories are back! The new quarterly magazine Blood & Tacos is bringing back the action, the fun, and the adventure. Also, the mustaches.In each issue of Blood & Tacos, some of today’s hottest crime writers will choose an era and create a new pulp hero and deliver a brand-new adventure. Each issue will include 5-6 stories featuring action-packed mayhem written in the style of that bygone era. The stories might not always be politically correct, but whether satire or homage, they will deliver on every page. Fast and fun, action and adventure, Blood & Tacos.If the stories weren’t enough, Blood & Tacos will also feature fine pulpy art, reviews of some of the fine (and not so fine) novels from the same period, and maybe even a recipe or two.So enjoy this serving of Blood & Tacos. And remember, if it’s too cheesy, it’s a quesadilla.***Blood & Tacos is the brainchild of Johnny Shaw, screenwriter and author of the novel Dove Season: A Jimmy Veeder Fiasco. When he’s not writing or teaching, he is usually in an undisclosed warzone working as the demolitions expert in the mercenary group, The Bushmasters. He also enjoys badminton. His website can be found at Johnnyshaw.net. Or follow him on Twitter at @BloodandTacos.Blood & Tacos is published by Creative Guy Publishing, the company that brought you such fine books as Amityville House of Pancakes (Vols 1-3), Stays Crunchy in Milk, Installing Linux on a Dead Badger, Brine, and many others with odd titles but excellent stories.

    Maggie returns to Catalonia, to a story heard on her first trip three years before which now has a significance she didn’t understand or appreciate at the time and further revelations lead back to Glasgow and a long hidden crime. Back in Wales, the final confrontation with the Quinn and McCarthy Miller families is looming. There has to be a winner. Can anyone emerge unscathed?

    They find a safe haven in the isolated Norfolk village where Seb was born. Yet this idyllic rural setting has its own murderous secrets and a terrible crime requires our hero to play the sleuth once more.Even away from London, Seb and Emily are not as safe as they believe - their enemies are closer than they know and danger lurks at every twist and turn. The sixth Sebastian Foxley medieval murder mystery from bestselling author Toni Mount brings the medieval era to life once again.

    Casino owner Joe Martin faces down a Syndicate-backed gambler in a marathon craps game, with millions of dollarsand possibly even his lifeat stake.

    On the case are Mark Green (Zachary Quinto), a deskbound police department employee with an encyclopedic knowledge of celebrity gossip, and Tiana Jones (Michelle Buteau), his no-nonsense colleague. After Mark and Tiana pose as detectives to find Charlie, the case gains national media attention, and the two quickly find themselves in a firestorm of basic bitches, gun-toting bookies, and cutthroat momagers. Sorry Charlie Miller is a TikTok-era mystery with twists, turns, and a whole lot of questionable fashion choices. It takes place in Florida, hello.

    She tells the police exactly what she saw, but their investigation doesn’t seem to make much headway.Fran tries to settle back into a normal life, but is tormented by guilt – was there something she could have done to save the boy? Fran can’t let it go and finds herself drawn to Tyler’s grieving mother, Mel, both finding some strange connection through this shared trauma.Then someone launches a terrifying campaign of intimidation against Fran and her husband, Laurie. Could it be the killers? Are they letting her know she had better be careful what she says? Who she sees? And why is Mel acting so strangely? Does she know more about her son’s death than she is saying?Fran can’t help herself – she needs to know the truth. But when she begins to dig, she uncovers the terrible secret of the deep, dark wood – a secret that will change her life forever.