Red marker in hand, she creates a boat, a balloon, and a flying carpet that carry her on a spectacular journey toward an uncertain destiny. When she is captured by a sinister emperor, only an act of tremendous courage and kindness can set her free. Can it also lead her home and to her heart’s desire? With supple line, luminous color, and nimble flights of fancy, author-illustrator Aaron Becker launches an ordinary child on an extraordinary journey toward her greatest and most exciting adventure of all.

    Not because of the kiss, but because it was the day her father announced that the family was moving from St. Louis all the way to Palestine. Though her father grew up there, Liyana knows very little about her family’s Arab heritage. Her grandmother and the rest of her relatives who live in the West Bank are strangers and speak a language she can’t understand. It isn’t until she meets Omer that her homesickness fades. But Omer is Jewish, and their friendship is silently forbidden in this land. How can they make their families understand? And how can Liyana ever learn to call this place home?

    When they both fall on hard times, can they find a way to help each other? In Fawzia Gilani's retelling of this folktale, which has both Jewish and Arab origins, differences are not always causes for conflict and friendship can overcome any obstacle.

    Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a periwinkle curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes—and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

    Gone were the Saturdays at Abuela's house, filled with cousins and sunshine. Instead, things were busy and fast and noisy. Areli's limited English came out wrong, and schoolmates accused her of being illegal. But time passed, and Areli slowly became a New Yorker--although not an American citizen. I could do anything here, Areli says one day to the city sky. Someday, I will.This is a moving story--one that resonates with millions of immigrants who make up the fabric of our country--about one girl living in two worlds, a girl whose DACA application was eventually approved and who is now living her American dream.

    Weaving together Kalia's story with that of her beloved grandmother, the book moves from the jungles of Laos to the family's early years in the United States.When Kalia becomes unhappy about having to do without and decides she wants braces to improve her smile, it is her grandmother--a woman who has just one tooth in her mouth--who helps her see that true beauty is found with those we love most. Stunning illustrations from Vietnamese illustrator Khoa Le bring this intergenerational tale to life.A deep and moving reflection on enduring hardship and generational love. . . . Poignant storytelling with stunning visuals.--starred, Kirkus Reviews A sincere narrative that centers on the power of family love.--starred, School Library JournalMinnesota Book Award Finalist, ALA Notable Children's Book, New York Public Library Best Book for Kids, NPR Best Book of the Year

    Told from the point of view of Jean Baptiste Charbonneau, the baby on Sacagawea's back, this story offers a fresh perspective of a young country and gives voice to a character readers will already be familiar with--at least visually (the baby is shown on the golden Sacagawea dollar).

    From a red prayer rug to a blue hijab, everyday colors are given special meaning as young readers learn about clothing, food, and other important elements of Islamic culture, with a young Muslim girl as a guide. Sure to inspire questions and observations about world religions and cultures, Golden Domes and Silver Lanterns is equally at home in a classroom reading circle as it is being read to a child on a parent's lap.

     Retelling the Easter story through a Bible overview, children will discover that 'because of our sin, we can't go in' but because of Jesus' victory on the cross, an even better garden awaits us...

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    From the feeding of the five thousand to walking on water, this is a story of faith told through Jesus’s miraculous deeds.   The story of the Miracle Man is one of the best known in human history, and it has been retold by countless writers and artists for more than two thousand years. In this handsome edition, Hendrix brings his signature style—interweaving hand-lettering with original illustrations—to create a sophisticated approach that readers of all Christian denominations will find both extraordinary and inspirational.

    When Grandpa explains to Benny that God, not him, should be thanked for the wonderful bagels, Benny sets out to do just that. He decides to leave God a bagful of bagels in the synagogue at the end of each week. And each week God eats the bagels --- or so Benny thinks ... Lovingly told, Bagels from Benny explores the values of caring and sharing, building a strong sense of community and finding joy in giving thanks.

    She also sees a community that is rapidly changing around her.But as the sun sets purple-blue-gold behind Daisy Ramona and her papi, she knows that the love she feels will always be there.

    She figures her worrying works like a whisper in God's ear – if Cara's concerned about car crashes, kidnappings, or murders, she lets God know, and he alwaysspares her. But Cara never thought to worry about a fire. And one night while she's sleeping at a friend's house, her house catches fire, and her mother and younger sister are both killed.Throughout shiva, the initial Jewish mourning period, Cara can't help wondering about God's role in the tragedy. And what is her father's role in her life now? He walks around like a ghostand refuses to talk about the fire. Cara longs for her family and her home, where sweet smells filled the house as Cara's mom filled orders for her catering business, Julia's Kitchen. Then oneday a call comes in for a cookie order, and Cara gets a wild idea. Maybe by bringing back Julia's Kitchen, she can find a way to reconnect with everything she's lost.Complete with a glossary of Hebrew and Yiddish terms and a recipe for chocolate chip cookies, this debut novel is a joyous tribute to the resiliency of the human spirit.Julia's Kitchen is a 2007 Bank Street - Best Children's Book of the Year.

    “The Dillons magnificently capture the drama with powerful full-page illustrations that resemble stage sets. . . . Ideal for reading aloud during an Egyptian unit, in music classes, to children attending the opera, or for the pure aesthetic experience.”--Booklist