The life of each; Washington, Adams, Jefferson, Franklin, Hamilton, Madison, Paine is presented individually as well as collectively, but the thread that binds these portraits together is the idea of character as a lived reality. They were members of the first generation in history that was self-consciously self-made men who understood that the arc of lives, as of nations, is one of moral progress.

    Simple yet profound, it has since brought hope and inspiration to children and adults around the world.

    This narrative biography follows Kathrine from running laps as a girl in her backyard to becoming the first woman to run the Boston Marathon with official race numbers in 1967.

    M. Barrie. Barrie’s young childhood was marked by sorrow, but also held great adventure. His adult life and relationship with the Davies family brought about a second childhood that helped him to create his lasting triumph. Masterfully illustrated by Steve Adams and using Barrie’s own words, Jane Yolen tells the story of the author and the boys who changed his life.

    Over 40 tales of visitation by the undead--from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favorite haunted house tales chosen by famous screen stars such as Boris Karloff, Peter Cushing and Christopher Lee. In addition, a top ranking list of contributors includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert--all brought together by an anthologist who himself lives in a haunted house.Contents1 • The Haunted House • (2000) • short fiction by Elizabeth Albright and Ray Bradbury3 • Foreword: I Live In A Haunted House • (2000) • essay by Peter Haining9 • The Haunted and the Haunters • (1919) • novelette by Edward Bulwer-Lytton (variant of The Haunted and the Haunters; or, The House and the Brain 1859)39 • Authentic Narrative of a Haunted House • (2000) • short story by Joseph Sheridan Le Fanu (variant of An Authentic Narrative of a Haunted House 1862)53 • A Case of Eavesdropping • [Jim Shorthouse] • (1900) • short story by Algernon Blackwood69 • A Haunted House • (1921) • short story by Virginia Woolf73 • Ghost Hunt • (1948) • short story by H. Russell Wakefield81 • Dark Winner • (1976) • short story by William F. Nolan89 • The Old House in Vauxhall Walk • (1882) • novelette by Mrs. J. H. Riddell [as by Charlotte Riddell]109 • No. 252 Rue M. Le Prince • (1895) • short story by Ralph Adams Cram125 • The Southwest Chamber • (1903) • novelette by Mary E. Wilkins Freeman [as by Mary Eleanor Freeman]145 • The Toll-House • (1907) • short story by W. W. Jacobs157 • Feet Foremost • (1932) • novelette by L. P. Hartley191 • Happy Hour • (1990) • novelette by Ian Watson217 • The Ankardyne Pew • (1979) • short story by William Fryer Harvey [as by W. F. Harvey]231 • The Real and the Counterfeit • (1988) • short story by Mrs. Alfred Baldwin [as by Louisa Baldwin]249 • A Night at a Cottage ... • (1926) • short story by Richard Hughes253 • The Considerate Hosts • (1939) • short story by Thorp McClusky265 • The Grey House • (1967) • short story by Basil Copper309 • Watching Me, Watching You • (1981) • short story by Fay Weldon329 • A Spirit Elopement • (1915) • short story by Richard Dehan339 • The House of Dust • (1920) • short story by Herbert de Hamel357 • The Kisstruck Bogie • (1946) • short story by A. E. Coppard367 • Mr Edward • (2000) • short story by Norah Lofts (variant of Mr. Edward 1947)385 • House of the Hatchet • (1941) • short story by Robert Bloch403 • Napier Court • (1971) • short story by Ramsey Campbell423 • Lost Hearts • (1895) • short story by M. R. James435 • The Shadowy Third • (1916) • novelette by Ellen Glasgow461 • A Little Ghost • (1922) • short story by Hugh Walpole477 • The Patter of Tiny Feet • (1950) • short story by Nigel Kneale489 • Uninvited Ghosts • (1981) • short story by Penelope Lively497 • Playing with Fire • (1900) • short story by Arthur Conan Doyle [as by Sir Arthur Conan Doyle]513 • The Whistling Room • [Carnacki (Hodgson)] • (1910) • short story by William Hope Hodgson533 • Bagnell Terrace • (1925) • short story by E. F. Benson547 • The Companion • (1978) • short story by Joan Aiken557 • The Ghost Hunter • (2000) • short fiction by James Herbert563 • Computer Séance • (1997) • short story by Ruth Rendell573 • In Letters of Fire • [L'homme qui a vu le diable] • (1908) • novelette by Gaston Leroux (trans. of L'homme qui a vu le diable)593 • The Judge's House • (1891) • short story by Bram Stoker613 • The Storm • (1944) • short story by McKnight Malmar627 • The Waxwork • (1931) • short story by A. M. Burrage [as by Ex-Private X]641 • The Inexperienced Ghost • (1902) • short story by H. G. Wells655 • Sophy Mason Comes Back • (1930) • short story by E. M. Delafield669 • The Boogeyman • (1973) • short story by Stephen King683 • Appendix: Haunted House Novels: A Listing • (2000) • essay by Peter Haining

    But Kate convinced Allan to hire her for his detective agency. She explained that she could worm out secrets where men could not go—in disguise as a society lady! Join Kate on her most important mission—to thwart a plot to assassinate Abraham Lincoln on the way to his inauguration.

    They had no idea that the skinny, underfed horse had one of the biggest and bravest hearts they’d ever known. And one of the biggest appetites!Soon Reckless showed herself more than willing to carry ammunition too heavy for the soldiers to haul. As cannons thundered and shells flew through the air, she marched into battle—again and again—becoming the only animal ever to officially hold military rank—becoming Sgt. Reckless—and receive two Purple Hearts.This is the first picture book from award-winning novelist Patricia McCormick, sumptuously illustrated by acclaimed artist Iacopo Bruno.

    Eleven-year-old Jon Whitcroft never expected to enjoy boarding school. Then again, he never expected to be confronted by a pack of vengeful ghosts, either. And then he meets Ella, a quirky new friend with a taste for adventure... Together, Jon and Ella must work to uncover the secrets of a centuries-old murder while being haunted by terrifying spirits, their bloodless faces set on revenge. So when Jon summons the ghost of the late knight Longspee for his protection, there's just one question: Can Longspee truly be trusted?

    It turns out to be the body of a young girl who lived more than a thousand years ago. A girl like Maeve, with fair hair, who walked the same fields and picked the same flowers. When archeologists display the mummy at a museum, Maeve wonders: Does the girl mind being displayed in a glass case for all to see? Or does she miss the green meadow where she had lain for so many hundreds of years?Two picture-book masters sensitively capture the layers of thought and feeling arising in the face of an awe-inspiring and mysterious discovery.

    It covers every aspect of the paranormal, from early photographs of psychics, mediums and ghostly happenings, to celebrated recent photos and the most interesting examples of the unexplained, as collected in the archive of the Society for Psychical Research. Each picture is accompanied by a description of its circumstances and the steps taken by researchers to establish that there is no 'normal' explanation for the phenomena. The incredible photographs will stimulate the interest of everyone who sees them. Whether you are a sceptic or a believer, you can't help but be drawn into the mystery.

    It tells the true story of the Callery pear tree that stood at the base of the World Trade Center for 30 years and was almost destroyed, only to be pulled from the rubble, coaxed back to life, and eventually replanted as part of the 9/11 memorial.

    That’s what everyone wonders when they see Niagara . . . How close will their courage let them get to it? At the turn of the nineteenth century, a retired sixty-two-year-old charm school instructor named Annie Edson Taylor, seeking fame and fortune, decided to do something that no one in the world had ever done before—she would go over Niagara Falls in a wooden barrel. Come meet the Queen of the Falls and witness with your own eyes her daring ride!

    And she never thought she’d be one of the first Native American women in Congress. During her campaign, she heard from a lot of doubters. They said she couldn’t win because of how she looked, who she loved, and where she came from. But here’s the thing: Everyone’s path looks different and everyone’s path has obstacles. And this is the remarkable story of Sharice Davids’ path to Congress.Beautifully illustrated by Joshua Mangeshig Pawis-Steckley, an Ojibwe Woodland artist, this powerful autobiographical picture book teaches readers to use their big voice and that everyone deserves to be seen—and heard!The back matter includes information about the Ho-Chunk written by former Ho-Chunk President Jon Greendeer, an artist note, and an inspiring letter to children from Sharice Davids.

    If she felt sad, music cheered her up, and when she was happy, the piano helped her share that joy. Soon she was writing her own songs and performing in grand cathedrals. Then a revolution in Venezuela forced her family to flee to the United States. Teresa felt lonely in this unfamiliar place, where few of the people she met spoke Spanish. Worst of all, there was fighting in her new home, too—the Civil War. Still, Teresa kept playing, and soon she grew famous as the talented Piano Girl who could play anything from a folk song to a sonata. So famous, in fact, that President Abraham Lincoln wanted her to play at the White House! Yet with the country torn apart by war, could Teresa’s music bring comfort to those who needed it most?

    Research shows that talking about issues like race and gender from the age of two not only helps children understand what they see, but also increases self-awareness, self-esteem, and allows them to recognize and confront things that are unfair, like discrimination and prejudice.This first book in the series begins the conversation on race, with a supportive approach that considers both the child and the adult. Stunning art accompanies the simple and interactive text, and the backmatter offers additional resources and ideas for extending this discussion.