This book recounts the guilt of her first love for another woman and the joy of her relationship with her husband, the Japanese sculptor Fumio Yoshimura.

    In Southern California in the early '70s, she continued in the battle for gay civil rights and helped to organize the takeover of The Ladies' Home Journal and an "ogle-in" — where women staked out Wall Street and whistled at the men.

    It traces the development of one individual consciousness, "playing over such issues as motherhood, racism, history, poetry, the uses of scholarship, the politics of language". A. Rich has written a headnote for each essay, briefly discussing the circumstances of its writing. "I find in myself both severe and tender thoughts toward the women I have been, whose thoughts I find here".

    Surpassing the Love of Men throws a new light on shifting theories of female sexuality and the changing status of women over the centuries.

    But what really happened? What role did hatred play? What were the men involved really like, and what was going on between them when the murder occurred? American Honor Killings explores the truth behind squeamish reporting and uninformed political rants of the far right or fringe left. David McConnell, a New York based novelist, researched cases from small-town Alabama to San Quentin's death row. The book recounts some of the most notorious crimes of our era.Beginning in 1999 and lasting until the 2011 conviction of a youth in Queens, New York, the book shows how some murderers think they're cleaning up society. Surprisingly, other killings feel almost preordained, not a matter of the victim's personality or actions so much as a twisted display of a young man's will to compete or dominate. We want to think these stories involve simple sexual conflict, either the killer's internal struggle over his own identity or a fatally miscalculated proposition. They're almost never that simple.Together, the cases form a secret American history of rage and desire. McConnell cuts through cant and political special pleading to turn these cases into enduring literature. In each story, victims, murderers, friends, and relatives come breathtakingly alive. The result is more soulful, more sensitive, more artful than the sort of "true crime” writing the book was modeled on. A wealth of new detail has been woven into old cases, while new cases are plumbed for the first time. The resulting stories play out exactly as they happened, an inexorable sequence of events—grisly, touching, disturbing, sometimes even with moments of levity.It has been awarded the Stonewall Book Award-Israel Fishman Non-Fiction Award for 2014."Utilizing an empathetic narrative nonfiction approach, novelist McConnell, co-chair of the Lambda Literary Foundation, casts a humanizing eye upon monstrous deeds…a journalistic tour de force made all the more impressive by jailhouse interviews…McConnell's unquestionable skill as a writer gives both literary helot and immediacy to the narratives."-- Publishers Weekly "McConnell convincingly shows how fluid terms like 'gay' and 'straight' can actually be… The author's case studies reflect an intensive investigation into the economic and cultural backgrounds of a wide variety of extremist cultures, research that involved interviews with law enforcement officials, families of victims and the convicted criminals themselves. A shocking look at the subculture of violent crime, not for the fainthearted."-- Kirkus Reviews A masterpiece of reportage . . . Homophobia is not accepted as a mitigating circumstance in murder, but there is no doubt that men are still murdered for being gay. From Jon Schmitz ('The Jenny Jones Killer’) to John Katehis (the teenage hustler who murdered radio personality George Weber), novelist McConnell . . . has compiled a number of these cases and looks into the culture of masculinity for clues to the dynamics behind these killings . . . with no clear answers, but some very intriguing questions, these vignettes of masculine pride and rage will appeal to those interested in gender politics and gay studies as well as true crime fans.”-- Library Journal "McConnell, who is gay, is convinced he has written a book that no straight man could have written, and he's probably right. Navigating the depressing world of these horrific murders would discourage all but the most determined, passionate writers. Finding the humanity in these killers and the nuance in these most inhumane killings would challenge all but the most compassionate of writers."-- LA Weekly "American Honor Killings is a strong addition to any criminology or true crime collection with a side focus on gay issues, very much recommended."-- Midwest Book Review

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    Based on thirteen years of research and drawing upon the oral histories of forty-five women, authors Kennedy and Davis explore butch-femme roles, coming out, women who passed as men, motherhood, aging, racism, and the courage and pride of the working-class lesbians of Buffalo who, by confronting incredible oppression and violence, helped to pave the way for the gay and lesbian liberation movements of the 1970s and 1980s. Boots of Leather, Slippers of Gold captures the full complexity of lesbian culture; it is a compassionate history of real people fighting for respect and a place to love without fear of persecution.

    An ex–Southern Baptist born in Kentucky, she was camping in an Avenue B loft, scribbling poems, and playing in an underground band, trying to figure out her next move. A couple of months later she was consumed by the Lesbian Avengers, instigating direct action campaigns, battling cops on Fifth Avenue, mobilizing 20,000 dykes for a march on Washington, D.C., and eating fire—literally—in front of the White House.At once streetwise and wistful, Eating Fire is a witty and urgent coming-of-age memoir spanning two decades, from the Culture War of the early 1990s to the War on Terror. Cogswell’s story is an engaging blend of picaresque adventure, how-to activist handbook, and rigorous inquiry into questions of identity, resistance, and citizenship. It is also a compelling, personal recollection of friendships and fallings-out and of finding true love—several times over. After the Lesbian Avengers imploded, Cogswell describes how she became a pioneering citizen journalist, cofounding the Gully online magazine with the groundbreaking goal of offering “queer views on everything.”The first in-depth account of the influential Lesbian Avengers, Eating Fire reveals the group’s relationship to the queer art and activist scene in early ’90s New York and establishes the media-savvy Avengers as an important precursor to groups such as Occupy Wall Street and La Barbe, in France. A rare insider’s look at the process and perils of street activism, Kelly Cogswell’s memoir is an uncompromising and ultimately empowering story of creative resistance against hatred and injustice.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    Here is an author who takes neither love nor the power of language for granted, and her book is as provocative and lively as the love it evokes. An extraordinary performance by a writer who renews our wonder at the complexity of human connection."—Bernard Cooper"Barrie Jean Borich wins my respect with her ingenious and original description of feelings which, for many, need translating into a familiar language. She writes about her lover and their life together with a rare deftness, clarity, and antic sense of humor, never strident or defensive, rather self-confident and as if she herself were curious to discover what she is thinking about their relationship." — Rosellen BrownWinner of the American Library Association GLBT Book AwardFinalist for the Lambda Literary Award

    But is same-sex marriage, improved media visibility and corporate endorsement all it’s cracked up to be? At what cost does this acceptance come? And who is getting left behind, particularly in parts of the world where LGBTQ+ rights aren’t so advanced?Combining intrepid journalism with her own personal experience, Amelia Abraham searches for the answers to these urgent challenges, as well as the broader question of what it means to be queer in 2019. With curiosity, good humour and disarming openness, Amelia takes the reader on a thought-provoking and entertaining journey. Join her as she cries at the first same-sex marriage in Britain, loses herself in the world’s biggest drag convention in L.A., marches at Pride parades across Europe, visits both a transgender model agency and the Anti-Violence Project in New York to understand the extremes of trans life today, parties in the clubs of Turkey’s underground LGBTQ+ scene, and meets a genderless family in progressive Stockholm.

    No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.From the Trade Paperback edition.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    Anne Lister was a Regency landowner, an intrepid world traveller ... and an unabashed lover of other women. In this bold new biography, prizewinning author Angela Steidele uses the diaries to create a portrait of Anne Lister as we've never seen her before: a woman in some ways very much of her time and in others far ahead of it. Anne Lister recorded everything from the most intimate details of her numerous liaisons through to her plans to make her fortune by exploiting the coal seams under her family estate in Halifax and her reaction to the Peterloo massacre. She conducted a love life of labyrinthine complexity, all while searching for a girlfriend who could provide her with both financial security and true love.Anne Lister's rich and unconventional life is now the subject of the major BBC TV drama series Gentleman Jack.

    Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.