It was an agreement to work together. We build all of our treaties on that original treaty.On the banks of the river that have been Mishomis’s home his whole life, he teaches his granddaughter to listen—to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties—the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow. Accompanied by illustrations by Luke Swinson and an author’s note at the end, Aimée Craft communicates the importance of understanding an Indigenous perspective on treaties.

    My Father's house was safe and rooted in the rock But inside he dreamed of air and flight ...Step into an incredible world, where dreams that are passed from father to son make anything possible.

    Hassan has only recently arrived in the United States after he and his family were forced to flee Somalia, and he deeply misses the colorful landscape of his former home in Africa. But with the help of his parents, an understanding teacher, and a school art project, Hassan finds that by painting a picture of his old home and sharing his story, his homesickness and the trauma of leaving a war-torn country are lessened. And he finds that there are many things to like about his new home in America. The colorful, impressionistic illustrations are a perfect complement to the wonderful text by Mary Hoffman, author of the highly acclaimed Amazing Grace. Together art and text make this poignant story accessible and affecting for a young audience.

    Pebble always listens to her stories. Pebble always smiles when she feels scared. But when a lost little boy arrives in the World of Tents, Lubna realizes that he needs Pebble even more than she does.This emotionally stirring and stunningly illustrated picture book explores one girl's powerful act of friendship in the midst of an unknown situation.

    But the vivid seasonal flora and fauna are framed by ever-present rusty razor wire, warning signs, and locked gates--and regularly interrupted by military exercises that continue decades after a 1953 ceasefire in the Korean War established the DMZ.

    Consisting almost entirely of images, The River presents each of the four seasons as its own chapter and story. A few sentences at the start of each chapter set the stage and provide clues for following each story. Beginning in autumn and ending in summer, The River is about our connection to place, as well as about the connections between geography, setting, and the stories we tell. The River is also about the flow of time, which flows like the river, and carries us.Alessandro Sanna and his work are renowned throughout Italy and this book, which will fascinate young and old alike, demonstrates why.

    The challenge of circumnavigating the globe as no one ever had before--a feat assuring fame if not fortune--attracted the fearless in droves. Three hardy spirits stayed the course: In 1884, former miner Thomas Stevens made the journey on a bicycle, the kind with a big front wheel. In 1889, pioneer reporter Nellie Bly embarked on a global race against time that assumed the heights of spectacle, ushering in the age of the American celebrity. And in 1895, retired sea captain Joshua Slocum quietly set sail on a thirty-six-foot sloop, braving pirates and treacherous seas to become the first person to sail around the world alone. With cinematic pacing and deft, expressive art, acclaimed graphic novelist Matt Phelan weaves a trio of epic journeys into a single bold tale of three visionaries who set their sights on nothing short of the world.

    This inspiring and suspenseful account testifies to the difference that one person's dedication can make.

    Each town, that is...except for one. Unfortunately, for the people of Stoker-on-Avon, their monster isn't quite as impressive. In fact, he's a little down in the dumps. Can the morose Rayburn get a monstrous makeover and become a proper horror? It's up to the eccentric Dr. Charles Wilkie and plucky street urchin Timothy to get him up to snuff, before a greater threat turns the whole town to kindling. Monsters of all ages are sure to enjoy this tale about life's challenges, the power of friendship, and creative redemption, packed with epic battles and plenty of wild beasts!

    The children's actual words (from publicly available court documents) are assembled to tell one heartbreaking story, in both English and Spanish (back to back). Each spread is illustrated in striking full-color by a different Latinx artist. A portion of sales will be donated to human rights organizations that work with children on the border.

    Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco.Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world—one where he is a prisoner of war in his own country.

    They have big, round eyes and long lashes. She realizes that her eyes are like her mother’s, her grandmother's, and her little sister's. They have eyes that kiss in the corners and glow like warm tea, crinkle into crescent moons, and are filled with stories of the past and hope for the future.Drawing from the strength of these powerful women in her life, she recognizes her own beauty and discovers a path to self love and empowerment.

    From celebrated author Beryl Evans and illustrator Ned Dameron comes a story about friendship, loyalty, and hard work.Beryl Evans is the pseudonym adopted by Stephen King for this picture book, 'Charlie the Choo-Choo'.

    They also hate hippies, not to mention zip lines, penguins, moon penguins, nudists, weddings, sharing, and kittens. They really hate unicorns, strangely don't mind Canadians, and love YOU. Each of Greg Stones's ghoulishly colorful paintings reveal funny and unexpected scenes of zombie disgruntlement, cataloging the stuff that really riles up the walking dead (astronauts, rain, bagpipes, re-gifting, and more) with wit, humor, and, of course, brains. Zombies Hate Stuff offers an unexpected and irresistible perspective on the zombie apocalypse and the pop culture phenomenon that will not die. Plus, this is a fixed-format version of the book, which looks nearly identical to the print version.

    Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today’s preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries. From New Yorker cartoonist Roz Chast’s “There Was a Crooked Man” to Bad Kitty author Nick Bruel’s “Three Little Kittens” to First Second’s own Gene Yang’s “Pat-a-Cake,” this is a collection that will put a grin on your face from page one and keep it there. Each rhyme is one to three pages long, and simply paneled and lettered to ensure that the experience is completely accessible for the youngest of readers. Chock full of engaging full-color artwork and favorite characters (Jack and Jill! Old Mother Hubbard! The Owl and the Pussycat!), this collection will be treasured by children for years to come.