Selected from New Directions' collections of Saroyan's early stories (The Man With the Heart In the Highlands) and his later work (Madness In the Family), Fresno Stories spans his whole remarkable career.

    The collection boasts great variety from "famous to first-timers, sifted from major magazines and little reviews, grand and little worlds" (St. Louis Post-Dispatch), ensuring yet another rewarding, eduring edition of the oldest and best-selling Best American.The idiot President / Daniel Alarcón --Yurt / Sarah Shun-Lien Bynum --Rubiaux rising / Steve de Jarnatt --Beyond the pale / Joseph Epstein --A shadow table / Alice Fulton --NowTrends / Karl Taro Greenfeld --The farms / Eleanor Henderson --Sagittarius / Greg Hrbek --Hurricanes anonymous / Adam Johnson --The anniversary trip / Victoria Lancelotta --A man like him / Yiyun Li --The briefcase / Rebecca Makkai --Magic words / Jill McCorkle --One dog year / Kevin Moffett --Modulation / Richard Powers --Them old cowboy songs / Annie Proulx --Into the gorge / Ron Rash --Ostracon / Alex Rose --The peripatetic coffin / Ethan Rutherford --Muzungu / Namwali Serpell --Contributors' notes --100 other distinguished stories of 2008 --Editorial addresses of American and Canadian magazines publishing short stories

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    This wonderful compilation includes, in facsimile of the original turn of the century magazines, the complete novels of White Fang, The Sea-Wolf, The Call of the Wild and Cruise of the Dazzler, plus 15 short stories -- all with original illustrations This is an adventure you won't want to miss

    He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

    Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

    You’ll discover how far a prisoner will go to be with his dying wife, and what lurks between the walls of that Louisiana jailhouse to keep him there. You’ll find out how deep a man can cut himself to dig out the past. You’ll meet a college professor whose fear of flying might be the least of his worries. And you’ll learn how a sister’s love for sweet treats can reunite a broken family…whether they want it or not. Aliens and lot lizards…disembodied lips…the voice of God Himself… Thirteen stories and a brand new novella from horror author Wesley Southard. Within these pages, we all go a little mad…

    When Clara begins interviewing Georg Kominsky--her elderly neighbor--she finds that he is equally reticent about his own concealed history. Precocious and imaginative, Clara invents versions of Mr. Kominsky’s past, just as she invents lives for the people missing from her own shadowy history. Her journey of discovery is at the heart of this beautiful story about unlikely friendship and communion, about discovering what matters most in life, and about the search to find the missing pieces of ourselves.

    Picador 1988, the famous African Trilogy by the recently late Chinua Achebe, 'the man whose writing redefined Colonialism' Achebe was a towering literary figure whose work always repays the reader.

    Show Them a Good Time tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, Show Them a Good Time is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.

    Living on their uncle’s farm after the death of their father, the boys once spent their days helping farmers in collective fields, their nights spellbound by their uncle’s mythic tales. Years later, the two men labor side by side at the Oranzheria, a sea of glass—the largest greenhouse in the world—that sprawls over acres of cropland. Lit by space mirrors orbiting above, it ensnares the denizens of Petroplavilsk in perpetual daylight and constant productivity, leaving the twins with only work in common—stalwart Yarik married with children, oppressed by the burden of responsibility; dreamer Dima living alone with his mother and rooster, wistfully planning the brothers’ return to their uncle’s land.But an encounter with the Oranzerhia’s billionaire owner changes their lives forever. Dima drifts into a laborless life of bare subsistence while Yarik begins a head-spinning ascent from promotion to promotion until both men become poster boys for opposing ideologies, pawns at the center of conspiracies and deceptions that threaten to destroy not only the lives of those they love but the very love that has bonded the brothers since birth. This is a breathtakingly ambitious novel of love, loss, and light, set amid a bold vision of an alternative present-day Russia.

    They began as notes he jotted on the inside of his forearm in grease pencil and, later, as bullet points on the torn-off flap of an MRE kit. Whenever possible he incorporated those notes into his journals. Years later, he used those journals to write this book.Together, the stories in Bring Out the Dog offer a remarkable portrait of the absurdity and poetry that define life in the most elite, clandestine circles of modern warfare. It is a world of intense bonds, ancient credos, and surprising compassion--of success, failure, and their elusive definitions. Moving between settings at home and abroad, in vivid language that reflects the wonder and discontent of war, Mackin draws the reader into a series of surreal, unsettling, and deeply human episodes: In "Crossing the River No Name," a close call suggests that miracles do exist, even if they are in brutally short supply; in "Great Circle Route Westward Through Perpetual Night," the death of the team's beloved dog plunges them into a different kind of grief; in "Kattekoppen," a man struggles to reconcile his commitments as a father and his commitments as a soldier; and in "Baker's Strong Point," a man whose job it is to pull things together struggles with a loss of control.Told without a trace of false bravado and with a keen, Barry Hannah-like sense of the absurd, Bring Out the Dog manages to capture the tragedy and heroism, the degradation and exultation, in the smallest details of war.

    But what happens to human feeling in a completely commodified world? In The Post-Office Girl, Stefan Zweig, a deep analyst of the human passions, lays bare the private life of capitalism.Christine toils in a provincial post office in post–World War I Austria, a country gripped by unemployment. Out of the blue, a telegram arrives from Christine’s rich American aunt inviting her to a resort in the Swiss Alps. Christine is immediately swept up into a world of inconceivable wealth and unleashed desire. She feels herself utterly transformed: nothing is impossible. But then, abruptly, her aunt cuts her loose. Christine returns to the post office, where yes, nothing will ever be the same again.Christine meets Ferdinand, a bitter war veteran and disappointed architect, who works construction jobs when he can get them. They are drawn to each other, even as they are crushed by a sense of deprivation, of anger and shame. Work, politics, love, sex: everything is impossible for them. Life is meaningless, unless, through one desperate and decisive act, they can secretly remake their world from within.Cinderella meets Bonnie and Clyde in Zweig’s haunting and hard-as-nails novel, completed during the 1930s, as he was driven by the Nazis into exile, but left unpublished at the time of his death. The Post-Office Girl, available here for the first time in English, transforms our image of a modern master’s achievement.

    Few readers had heard of David Bezmozgis before May 2003, when Harper's, Zoetrope, and The New Yorker all printed stories from his forthcoming collection. In the space of a few weeks, America thus met the Bermans--Bella and Roman and their son, Mark--Russian Jews who have fled the Riga of Brezhnev for Toronto, the city of their dreams.Told through Mark's eyes, the stories in Natasha possess a serious wit and uniquely Jewish perspective that recall the first published stories of Bernard Malamud and Philip Roth, not to mention the recent work of Jhumpa Lahiri, Nathan Englander, and Adam Haslett.

    In this brilliant new collection she takes mainly the lives of women - unruly, ungovernable, unpredictable, unexpected, funny, sexy and completely recognisable - and brings their hidden desires bubbling to the surface. The love of a good woman is not as pure and virtuous as it seems: as in her title story it can be needy and murderous. Here are women behaving badly, leaving husbands and children, running off with unsuitable lovers, pushing everyday life to the limits, and if they don't behave badly, they think surprising and disturbing thoughts.