The book devotes a long section to Machiavelli himself as well as to such modern Machiavellians as Gaetano Mosca, Georges Sorel, Robert Michels and Vilfredo Pareto. Burnham contends that the writings of these men hold the key both to the truth about politics and to the preservation of political liberty.

    Since childhood, Knecht has been consumed with mastering the Glass Bead Game, which requires a synthesis of aesthetics and philosophy, which he achieves in adulthood, becoming a Magister Ludi (Master of the Game).

    The early teachings, he suggests, offer the foremost example of an active spirituality that is opposed to the more passive, modern forms of theistic religions. This sophisticated, highly readable analysis of the theory and practice of Buddhist asceticism, first published in Italian in 1943 , elucidates the central truths of the eightfold path and clears away the later accretions of Buddhist doctrine. Evola describes the techniques for conscious liberation from the world of maya and for achieving the state of transcendence beyond dualistic thinking. Most surprisingly, he argues that the widespread belief in reincarnation is not an original Buddhist tenet. Evola presents actual practices of concentration and visualization, and places them in the larger metaphysical context of the Buddhist model of mind and universe. The Doctrine of the Awakening is a provocative study of the teachings of the Buddha by one of Europe's most stimulating thinkers.

    His is a journey marked by the questioning of experience itself, until what is reached is sovereign laughter, non-knowledge, and a Presence in no way distinct from Absence, where "The mind moves in a strange world where anguish and ecstasy coexist."

    Alternative cover for ISBN: 978-0060652944The Abolition of Man, Lewis uses his graceful prose, delightful humor, and keen understanding of the human mind to challenge our notions about how to best teach our children--and ourselves--not merely reading and writing, but also a sense of morality.

    Edith and Frederick Farrell. Bachelard uses his extensive knowledge of the poetry of Poe, Blake, Shelley, and Nietzsche to amplify the images of the airy elements. THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with Jos? Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language.

    It must be read by anyone who is seriously interested in the heritage of liberty--not just in America, but the world over. And reading it is a joy. Lane, who is said to have written the book 'at white heat,' was at once a brilliant thinker and a gifted storyteller.This book is a withering attack on statism, nationalism, and what Nobel Laureate F. A. Hayek calls the 'fatal conceit' of national economic planning. It is an intellectual tour de force that stood up to the collectivist paradigm of its time and pointed the way to rediscovering the principles of the American Revolution--a true revolution unlike those of the Old World that 'are revolutions only in the sense that a wheel's turning is a revolution.' Her exciting description of the revolutionary period (you can tell she wishes she'd been there to lend a hand to Paine, Mason, Jefferson and the gang) is the best of a brilliant book.Rose Wilder Lane was a truly remarkable woman. Like Jefferson, she attacked life, living it to the fullest, as adventurer, journalist, world traveler, iconoclast, and just prior to her death, war corespondent in Vietnam. Not surprisingly, the clear-eyed determination and supercharged energy she brings to attacking the enemies of liberty in Discovery is unique among prominent pro-liberty writers. (Free download at mises.org)

    Memoirs of a Superfluous Man By Albert Jay Nock 1994 Paperback

    Written soon after his immigration to the United States, he signed the book "Francis Stuart Campbell" because he was a refugee from Austria and didn't want to endanger them. The contents: a relentless attack on the idea of mass government based on the egalitarian ethic, and its tendency toward the total state of Stalin and Hitler. And yet there is more here, more than can possibly be recounted in a paragraph. The author was a remarkable 19th-century-style liberal intellectual, startling in his erudition and wisdom. A bit disorganized, perhaps, and not as friendly to the market as it might be but a book overflowing with insight into the ancient, medieval, and modern worlds. To read him is to experience something of an intellectual liberation from every sort of conventional wisdom. This is a dazzling work from a man who seemed to be an impossibility in the modern age.

    

    Meditation and its practical applications in modern society are also discussed.

    These essays—like those collected in the other five books of criticism published over several decades—have established Blanchot as the most lucid and powerful French critic of the second half of the twentieth century. Sober reconstructions of the main tenets of both classical and modern, both literary and theoretical texts, they have attained the status of model readings for authors as diverse as da Vinci and Kierkegaard, Melville and Proust, Molière, Goethe, and Mallarmé.However, the book is not a miscellaneous collection of exquisite essays. The first section of the volume, "From Anguish to Language," indicates the relative unity of its trajectory and its special moment in the development of Blanchot's thought. "Anguish" was a prominent notion for the existentialist philosophies of the period of his first work, and in this book Blanchot reflects on the necessary transition from the paradoxes of anguish to a focus on the paradoxes of language. He does so without ever betraying the affective tensions that attach themselves to linguistic utterances, but he also insists that the pathos of anxiety is, in the last resort, comical. Whoever writes "I am lonely" can judge himself to be quite comical, as he evokes his solitude by addressing a reader and using means that make it impossible to be alone.This comedy of language is retraced in Blanchot's intensely luminous essays on poetry and narration, on silence and symbolism, the novel and morals, the stranger, the enigma, time, and the very possibility of literature in the works of Blake, Balzac, Rimbaud, and Gide, Bergson and Brice Parain, Rilke and Bataille, Sartre, Camus, Queneau, and so many others.

    When it was published in 1943, Isabel Paterson's work provided fresh intellectual support for the endangered American belief in individual rights, limited government, and economic freedom. The crisis of today's collectivized nations would not have surprised Paterson; in The God of the Machine, she had explored the reasons for collectivism's failure. Her book placed her in the vanguard of the free-enterprise movement now sweeping the world.Paterson sees the individual creative mind as the dynamo of history, and respect for the individual's God-given rights as the precondition for the enormous release of energy that produced the modern world. She sees capitalist institutions as the machinery through which human energy works, and government as a device properly used merely to cut off power to activities that threaten personal liberty.Paterson applies her general theory to particular issues in contemporary life, such as education, .social welfare, and the causes of economic distress. She severely criticizes all but minimal application of government, including governmental interventions that most people have long taken for granted. The God of the Machine offers a challenging perspective on the continuing, worldwide debate about the nature of freedom, the uses of power, and the prospects of human betterment.Stephen Cox's substantial introduction to The God of the Machine is a comprehensive and enlightening account of Paterson's colorful life and work. He describes The God of the Machine as "not just theory, but rhapsody, satire, diatribe, poetic narrative." Paterson's work continues to be relevant because "it exposes the moral and practical failures of collectivism, failures that are now almost universally acknowledged but are still far from universally understood." The book will be essential to students of American history, political theory, and literature.

    Written alongside Bataille’s major work, Guilty, and only loosely narrative in any conventional sense, these audaciously experimental pieces of pornographic chamber music commingle prose and poetry, fiction and autobiography, philosophical and theological meditations, abstract artifice and intimate confession, bound together by the mysterious pseudonym at their center. Jean-Jacques Pauvert claimed that The Little One was the most “shattering” text that Bataille ever wrote and André Breton remarked that The Little One “offers the most hungering, most moving aspect of [Bataille’s] thought and attests to the importance that that thought will have in the near future.” The future is now as these texts appear in English for the first time. An extended postface by the translator places the works in biographical, historical, and critical perspective as assemblages constellated around the disappearance of the discursive real.Stuart Kendall is a writer, editor, and translator working at the intersections of poetics, modern and contemporary visual culture, theology, ecology, and design. His books include Georges Bataille (Reaktion Books, Critical Lives, 2007), The Ends of Art and Design (Infrathin, 2011), and eight book-length translations of French poetry, philosophy, and visual and cultural criticism, including books by Bataille, Maurice Blanchot, Paul Éluard, Jean Baudrillard, Guy Debord, and René Char. In 2012, Contra Mundum published his Gilgamesh, a new version of the eponymous Mesopotamian poems.