With an entire nation blindly following an evil leader, where did a handful of students find the courage to resist? The university students who formed the White Rose, an undercover resistance movement in Nazi Germany, knew that doing so could cost them their lives. But some things are worth dying for.The White Rose printed and distributed leaflets to expose Nazi atrocities and wake up their fellow citizens. The Gestapo caught and executed them. Sophie Scholl was twenty-one; her brother Hans, twenty-four; Christoph Probst, twenty-three; Alexander Schmorell and Willi Graf, twenty-five.But the White Rose was not silenced. Their heroism continues to inspire new generations of resisters. Now, for the first time, this story that has been celebrated in print and film can be experienced as a graphic novel. Italian artist Andrea Grosso Ciponte's haunting imagery will resonate with today's students and activists. The challenges they face may vary, but the need for young people to stand up against evil, whatever the cost, will remain.

    Through classic comics, blog entries, and a wealth of other wacky new material, experience Jon’s dating disasters, phone call faux pas, wardrobe malfunctions, and mirthful mishaps—and cheer the geek with a heart of gold as he finally finds true love with Liz, the veterinarian. (Who’d have thunk it?) So, rejoice, Jon fans, and enjoy the fun. The moment of goof has arrived!

    Her love of movement and dedication to the craft earned her a spot at the School of American Ballet, with hopes of becoming a member of George Balanchine’s world-famous New York City Ballet company. Siena has worked hard for many years to be a professional ballet dancer, but injury and doubt are starting to take their toll. Maybe it’s time to look beyond the world of dance—but Siena’s whole identity has been shaped by ballet. When you have spent your entire life working toward something, how do you figure out what comes next? And how do you figure out who you are without the thing that defined you? This is a moving and beautifully drawn memoir of a dancer struggling to find her next step—and a young woman finding her true footing in the world.

    The 31 stories collected here combine Dragnet with The Twilight Zone with Tales from the Crypt in a world filled with aliens, good-time girls, and cocktail-bar nihilism. The stories are hip and funny, with a good dose of wacky 1950s paranoia and the kind of tongue-in-cheek morality that characterized the old E.C. horror comics. The Lloyd Llewellyn stories also trace the development of Clowes's style as a comic artist, from the angular early pieces that show the influence of 1950s advertising style to the grotesque Robert Crumb-inspired style of the more recent work in Eightball. Clowes is one of the most gifted comic-book artists around, and the retro-chic world of Lloyd Llewellyn deserves to be seen by a new generation of readers.

    When a sudden medical incident lands Tomine in the emergency room, he begins to question if it was really all worthwhile: despite the accolades, awards, and opportunities of a seemingly charmed career, it's the gaffes, humiliations, slights, and insults he's experienced (or caused) within the industry that loom largest in his memory.But as those memories are delineated in excruciatingly hilarious detail, a different, parallel narrative plays out in the background. In between chaotic book tours, disastrous interviews, and difficult interactions with other artists, life happens: Tomine fumbles his way into marriage, parenthood, and an indisputably fulfilling existence. While mining his conflicted relationship with comics and comics culture, Tomine illustrates the amusing absurdities of life and how we choose to spend our time. Through these cringe-inducing moments, a deeper emotional story emerges, and we see Tomine’s life develop into something much more robust than the blunders. In a bold departure in style from his award-winning Killing and Dying, Tomine distills his art to the loose, lively essentials of cartooning. His stripped-down lines communicate effortlessly, with each pen stroke economically imbued with human depth. Designed as a sketchbook complete with place-holder ribbon and an elastic band, The Loneliness of the Long-Distance Cartoonist shows an acclaimed artist at the peak of his career.

    Each volume in the collection contains about 100 illustrations.

    He's a thoroughly modern "involved" Dad. Watch him stagger through the pee, the poo, and the puke in a sleep-deprived haze. Observe as he becomes a second class citizen in his X-chromosome controlled domicile. And feel as Simon tries to juggle career ambitions and his family in an act worthy of the best circus performers. No, you're not alone; this is what it's like for everyone.

    Zomboss unleashes a horde of mobile, fast-moving zombies on the innocent citizens of Neighborville! Riding inventive hot rods and crazy contraptions, both zombie and plant forces alike pull out all the creative stops in a series of contests to win control over the city! A competitive, race-filled finale as our Petal to the Metal story arc closes! The comedy jumps from each and every page, and the preposterous nature of the whole thing is just golden.Dread Central

    Then David's parents enter the world of 12-step programs and find a sense of support and community. It seems to help. David, meanwhile, grows up struggling with his own troublesome sexual urges and seeking some way to make sense of it all. Eventually he starts attending meetings too. Alcoholics Anonymous. Overeaters Anonymous. Debtors Anonymous. Sex and Love Addicts Anonymous. More and more meetings. Meetings for issues he doesn't have.With stark, sharply drawn art and unflinching honesty, David Heatley explores the strange and touching relationships he develops, and the truths about himself and his family he is forced to confront, while "working" an ever-increasing number of programs. The result is a complicated, unsettling, and hilarious journey--of far more than 12 steps.

    From her tousled bedroom hair to her name–all the porn stars in this world take their names from supermodels and sports cars–she is adult entertainment's prototypical femme fatale. Her life is the collision of countless troubled–childhood cliches and grown–up wet dreams, projected onto her as surely as her videos project their blue light onto lonely men around the world.From its first panel, How to Make Money Like a Porn Star draws the reader into the dark world of girls like Claudia, the men who fantasize about them, and the monsters who control them. In the hands of Rolling Stone writer Neil Strauss and illustrator Bernard Chang, this adult graphic novel weaves together black humor and blacker reality. Like all great American stories, it features humble beginnings, life–changing tragedy, stripping, abuse, implants, fame, addiction, bigger implants, abduction, gunplay, downfall, and even bigger implants. Not to mention a thousand shades of latex and L'Oreal.Part parody, part morality tale, here is the truth about the porn life, its outsized visual splendor captured in a comic parade of doe–eyed centerfolds, its essence distilled in a story that will haunt every reader who has ever wondered where his next fantasy is coming from.

    1 and 2 (Atomic Books, 2007 and 2009) and Drinking at the Movies (Random House, 2010). In contrast to her last book, which was a full-length graphic memoir, The Infinite Wait is not a sustained narrative, but rather a collection of three short stories or graphic novellas. The stories in this collection contain Wertz’s signature acerbic wit, ribald humour and keen eye for the everyday, but they also find the cartoonist delving into the personal. “Industry” catalogues 25 years of alternately terrible and terrific jobs, from selling golf balls, feeding and failing to feed animals, waitressing, and finally to cartooning and the publication of her first book. “A Strange and Curious Place” is a love letter to Wertz’s hometown library; its mysteries and revelations, and its ability foster growth, rebellion and even artistic affirmation. The most sustained narrative in the collection, the eponymous “The Infinite Wait,” chronicles Wertz’s move from her small hometown to San Francisco, her diagnosis with an incurable, auto-immune disease and her subsequent discovery of comics and comic making.The collection’s title, The Infinite Wait and Other Stories, intentionally and ironically recalls the vacuous and pretentious book titles of the literary elite, but these stories are the polar opposite of pretension. They are comics born out of illness, but not defined by it, and they are filled with the sometimes messy, heartbreaking and hilarious moments that make up a life.

    4! It's time for more wild adventures starring the coolest superheroes around!First, Beast Boy is ready to save the world using his new super-power--the power to smell the future! Then, is Robin really the fulfillment of an ancient prophecy? Can the team answer the Justice League's call and take on the not-so-awesome responsibility of babysitting an infant Superman...Superbaby? And when a punk rock supervillain sentences Jump City to death by rock and roll, only the musical stylings of the Teen Titans can stop him!From the beach to H.I.V.E. Tower to the Titans Tower bathroom, the Teen Titans are here to save the day in these and more all-ages stories in TEEN TITANS GO! VOL. 4: SMELLS LIKE TEEN TITANS SPIRIT, from writers Sholly Fisch (THE ALL-NEW BATMAN: THE BRAVE AND THE BOLD), Derek Fridolfs (SCOOBY-DOO, WHERE ARE YOU?), artists Lea Hernandez (Killer Princesses), Marcelo Di Chiara (SMALLVILLE SEASON 11), Jeremy Lawson (Mighty Morphin Power Rangers) and more! Collects TEEN TITANS GO! #19-24.

    Since Maurice Garin's inaugural victory in 1903, hundreds of thousands of kilometers have been covered in pursuit of the yellow jersey and few of them have been without incident or drama. Here are the Tour's legends: Eugene Christophe welding his bicycle back together at the foot of the Pyrenees in 1913; Bartali V Coppi, 1949; Poulidor shoulder-to-shoulder with Anquetil on the Puy de Dome, 1964; Tommy Simpson's death on Ventoux, 1967; Lance Armstrong's domination and disgrace; finishing with Bradley Wiggins' and Chris Froome's back-to-back victories for Britain in 2012 and 2013.

    From the #1 bestselling, award–winning team behind March comes the first book in their new, groundbreaking graphic novel series, Run: Book One “In sharing my story, it is my hope that a new generation will be inspired by Run to actively participate in the democratic process and help build a more perfect Union here in America.” –Congressman John LewisThe sequel to the #1 New York Times bestselling graphic novel series March—the continuation of the life story of John Lewis and the struggles seen across the United States after the Selma voting rights campaign.To John Lewis, the civil rights movement came to an end with the signing of the Voting Rights Act in 1965. But that was after more than five years as one of the preeminent figures of the movement, leading sit–in protests and fighting segregation on interstate busways as an original Freedom Rider. It was after becoming chairman of SNCC (the Student Nonviolent Coordinating Committee) and being the youngest speaker at the March on Washington. It was after helping organize the Mississippi Freedom Summer and the ensuing delegate challenge at the 1964 Democratic National Convention. And after coleading the march from Selma to Montgomery on what became known as “Bloody Sunday.” All too often, the depiction of history ends with a great victory. But John Lewis knew that victories are just the beginning. In Run: Book One, John Lewis and longtime collaborator Andrew Aydin reteam with Nate Powell—the award–winning illustrator of the March trilogy—and are joined by L. Fury—making an astonishing graphic novel debut—to tell this often overlooked chapter of civil rights history.

    With this strong entry in the autobiographical comic genre, Roberts is unafraid to show herself looking bad, such as when she's frustrated when her daughter, Xia, calls her-only to find out it's to say "I love you." In the comic's best pages, Roberts and Xia struggle with toilet training ("That already happened," Xia beams when she is warned to keep her butt out of the bowl), and Xia abuses her swearing privileges. The linework on the characters is detailed while retaining a sketchiness for backgrounds that makes the figures feel raw, rather than polished. The simple, direct art makes for an intimate, personal journey through Roberts's life as a mother and creator." Alex Hoffman, Sequential State, 5 June, 2015 - "Roberts' comics primarily explore her relationship with her daughter Xia and husband Scott, as well as her interactions with friends and extended family. These are classic slice-of-life comics, and Roberts uses sometimes panels, sometimes full pages to capture the essence of certain moments. Xia is growing up and learning about the world around her, and the strange internal logic of toddlers gives Miseryland much of its charm. Slice-of-life comics can often be cute or endearing, but Miseryland is funny, laugh out loud funny, mostly due to the inanities and bad behaviors of its youngest cast member and Roberts' deadpan reactions. Importantly, Roberts isn't writing a "kids say the darndest things" comic; as panels and pages fall into place throughout Miseryland, these small stories paint a picture of Roberts as a melancholy, anxious mother living with bipolar disorder and trying to find the best way to raise her daughter. Xia is oftentimes the access point to these feelings, pointing out the hidden in ways that make it seem obvious. Miseryland isn't a tell all, either - even when things like Roberts miscarriage come up, the stories told are more a remembering than an exposure. We find Roberts at high and low points throughout the book, and while these moments coalesce into a larger vision, Miseryland has time to explore the way creative processes and personal time are changed after you have children. Some of these comics are certainly a part of the book because Xia wasn't napping when Roberts was drawing, just as some are there to illustrate Roberts fears and frustrations." printed with the assistance of Koyama Press