With full-cloth binding and a silk ribbon marker. EVERYMAN'S POCKET CLASSICS.In an interview, Updike once said, "If I had to give anybody one book of me, it would be the Olinger Stories." These stories were originally published in The New Yorker and then in various collections before Vintage first put them together in one volume in 1964, as a paperback original. They follow the life of one character from the age of ten through manhood, in the small Pennsylvania town of Olinger (pronounced, according to Updike, with a long O and a hard G), which was loosely based on Updike's own hometown. "All the stories draw from the same autobiographical well," Updike explained, "the only child, the small town, the grandparental home, the move in adolescence to a farm." The selection was made and arranged by Updike himself, and was prefaced by a lovely 1,400-word essay by the author that has never been reprinted in full elsewhere until now.

    

    It was first published in the Easter supplement of Prager Tagblatt on 20 April 1924. During his final illness Kafka corrected the proofs of the story for the inclusion into collection A Hunger Artist (Ein Hungerkünstler) published by Verlag Die Schmiede after his death.

    

    In this series of perfectly rendered vignettes, written just as he was starting to find his comic voice, Kurt Vonnegut paints a warm, wise, and funny portrait of life in post—World War II America–a world where squabbling couples, high school geniuses, misfit office workers, and small-town lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence. Here are tales both cautionary and hopeful, each brimming with Vonnegut's trademark humor and profound humanism. A family learns the downside of confiding their deepest secrets into a magical invention. A man finds himself in a Kafkaesque world of trouble after he runs afoul of the shady underworld boss who calls the shots in an upstate New York town. A quack psychiatrist turned "murder counselor" concocts a novel new outlet for his paranoid patients. While these stories reflect the anxieties of the postwar era that Vonnegut was so adept at capturing– and provide insight into the development of his early style–collectively, they have a timeless quality that makes them just as relevant today as when they were written. It's impossible to imagine any of these pieces flowing from the pen of another writer; each in its own way is unmistakably, quintessentially Vonnegut.Featuring a Foreword by author and longtime Vonnegut confidant Sidney Offit and illustrated with Vonnegut's characteristically insouciant line drawings, Look at the Birdie is an unexpected gift for readers who thought his unique voice had been stilled forever–and serves as a terrific introduction to his short fiction for anyone who has yet to experience his genius. Contents: Letter from Kurt Vonnegut, Jr., to Walter J. Miller, 1951. Confido F U B A R Shout About It from the Housetops Ed Luby's Key Club A Song for Selma Hall of Mirrors The Nice Little People Hello, Red Little Drops of Water The Petrified Ants The Honor of a Newsboy Look at the Birdie King and Queen of the Universe The Good Explainer

    It was first published in the September 1946 issue of Astounding Science Fiction and reprinted in the collections I, Robot (1950), The Complete Robot (1982), and Robot Visions (1990).Many people choose to see Asimov's treatment of technophobia as an allegory to the antisemitism with which he was bitterly familiar; he wrote Evidence during Army service shortly after World War II.

    

    It was first published in the March 1967 issue of IF: Worlds of Science Fiction.It won a Hugo Award in 1968. The name was also used for a short story collection of Ellison's work, featuring this story. It was recently reprinted by the Library of America, collected in volume two (Terror and the Uncanny, from the 1940s to Now) of American Fantastic Tales (2009).

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    In a world where genetically engineered animals are run of the mill Jerry and his sponsor, the 'World's Richest Woman,' decide that it is time to stand up for anthropoids' rights. In Jerry is a Man Grand Master Robert A. Heinlein explores what it means to be human and the importance of civil liberties.

    Here, Uncle Oswald gets more than he bargained for in Arabia . . . The Visitor is taken from the short story collection Switch Bitch, which includes three other black comedies which capture the ins and outs, highs and lows of sex (including another Uncle Oswald story, Bitch). 'One of the most widely read and influential writers of our generation.' (The Times ) This story is also available as a Penguin digital audio download read by Richard E. Grant and Derek Jacobi. Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

    By his stern lights I judged he was bearing about northeast-and-by-north-half-east. Well, it was so near my course that I wouldn't throw away the chance; so I fell off a point, steadied my helm, and went for him. You should have heard me whiz, and seen the electric fur fly! In about a minute and a half I was fringed out with an electrical nimbus that flamed around for miles and miles and lit up all space like broad day. The comet was burning blue in the distance, like a sickly torch, when I first sighted him, but he begun to grow bigger and bigger as I crept up on him. I slipped up on him so fast that when I had gone about 150,000,000 miles I was close enough to be swallowed up in the phosphorescent glory of his wake, and I couldn't see anything for the glare. Thinks I, it won't do to run into him, so I shunted to one side and tore along. By and by I closed up abreast of his tail. Do you know what it was like? It was like a gnat closing up on the continent of America. I forged along. By and by[...].

    With his characteristic raw and minimalist style, Charles Bukowski takes us on a walk through his side of town in Hot Water Music.  He gives us little vignettes of depravity and lasciviousness, bite sized pieces of what is both beautiful and grotesque.The stories in Hot Water Music dash around the worst parts of town – a motel room stinking of sick, a decrepit apartment housing a perpetually arguing couple, a bar tended by a skeleton – and depict the darkest parts of human existence.  Bukowski talks simply and profoundly about the underbelly of the working class without raising judgement. In the way he writes about sex, relationships, writing, and inebriation, Bukowski sets the bar for irreverent art – his work inhabits the basest part of the mind and the most extreme absurdity of the everyday.

    And we say “Can we join?” And they say, “Well, you can apply.” And this is what happens when we apply.

    He was a man on the move, a man who traveled light: and in the end he rode, with all of his possessions, on a rented horse into the Mexican desert to join Pancho Villa -- never to return.Can Such Things Be?Once William Randolph Hearst -- Bierce's employer, who was bragging about his own endless collections of statuary, art, books, tapestries, and, of course real estate like Hearst Castle -- once William Randolph Hearst asked Bierce what he collected. Bierce responded, smugly: "I collect words. And ideas. Like you, I also store them. But in the reservoir of my mind. I can take them out and display them at a moment's notice. Eminently portable, Mr. Hearst. And I don't find it necessary to show them all at the same time." Such things can be. (jacketless library hardcover)