His closing chapter, 'Global and Intercultural Performance', is completely rewritten in light of the post-9/11 world. Fully revised chapters with new examples, biographies and source material provide a lively, easily accessible overview of the full range of performance for undergraduates at all levels in performance studies, theatre, performing arts and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games as well as the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, post-structuralism, ritual theory, ethology, philosophy and aesthetics.User-friendly, with a special text design, Performance Studies: An Introduction also includes the following features:numerous extracts from primary sources giving alternative voices and viewpoints biographies of key thinkers student activities to stimulate fieldwork, classroom exercises and discussion key reading lists for each chapter twenty line drawings and 202 photographs drawn from private and public collections around the world.

    and love that will last forever. Only available until end December 2014!HEART OF DARKNESSA vampire prince intent on avenging his murdered sister, Aleksandr Nemov won’t stop until the hunter’s line is extinct. Each kill pushes him towards the darkness all vampires hold within their hearts and devolving into a beast. Time is running out as he tracks the last hunter to Prague. There he finds a beautiful woman who could be his one chance for salvation, but is it already too late for him?SEDUCEBloodlust runs in Antoine’s veins, a dark master waiting for the day it will reign over him. Now a woman with a pure soul and wicked intentions has him in her sights and is determined to crack the ice around his heart, and she might just save or damn him. When Sera discovers the shocking truth about his past and the darkness that lurks within, will she be strong enough to seize his heart or will she lose him to the ghosts that haunt him?A PROMISE OF PASSIONAlicia is a vampire hunter, unable to find a man strong enough to love and accept her for who she is. When Kassian, a tall and seductively handsome vampire walks into her life and vows to protect her, she doesn't know what to think or feel. His eyes make promises that his searing touch backs up, but can she get past the fact that he’s a vampire and accept him for who he is?SEVENTH CIRCLELincoln is a powerful pureblood vampire with a problem. He's caught up in a prophecy and has little time left to unravel the mystery of the contract between his lord and the Devil before he dies. When witches foretell that a vampire hunter will save his life, he's prepared to work with his most hated enemy, but he isn't prepared for the forbidden desire he feels when he meets her.

    That night, Sater came home and began writing the first lyric of Spring Awakening: "Mama Who Bore Me" - a lyric which still stands, verbatim, just as he first wrote it. Ten years later, in the wake of the enormous international success of this groundbreaking, multiaward-winning show, its original director, Michael Mayer, urged Sater to write notes explicating its famously evocative, poetic lyrics. In rich detail, Sater's notes address the literary sources and allusions of each lyric. He also writes feelingly of what prompted the songs over the course of the show's eight years of development. In so doing, Sater expands on his partnership with Sheik and his experiences with original cast members, Lea Michele and Jonathan Groff, now also known from Glee. These notes will prove invaluable for fans of the show, for all those interested in theater, and most especially for all the young performers who will play the roles and sing these songs.

    RIP IT UP AND START AGAIN is a celebration of what happened next.Post-punk bands like PiL, Joy Division, Talking Heads, The Fall and The Human League dedicated themselves to fulfilling punk's unfinished musical revolution. The post-punk groups were fervent modernists; whether experimenting with electronics and machine rhythm or adapting ideas from dub reggae and disco, they were totally confident they could invent a whole new future for music.

    It's an essential ingredient in pop music and high art. Why do we choose accusations of elitism over open-mindedness? What do our anxieties about "pretending" say about us?Co-editor of frieze, Europe's foremost magazine of contemporary art and culture, Dan Fox has authored over two hundred essays, interviews, and reviews and contributed to numerous catalogues and publications produced by major international art galleries and institutions.

    It has been translated into every major language on Earth and dozens of minor ones; it has spawned entire genres of animation, and had more books written about it than all but a handful of American Presidents. Even its minor characters have become iconic, and the titular family is recognizable in almost every corner of the planet. It is a definitive and truly global cultural phenomenon, perhaps the biggest of the television age. As of this writing, if you flip on FOX at 8pm on Sundays, you will see a program that bills itself as "The Simpsons". It is not "The Simpsons". That show, the landmark piece of American culture that debuted on 17 December 1989, went off the air more than a decade ago. The replacement is a hopelessly mediocre imitation that bears only a superficial resemblance to the original. It is the unwanted sequel, the stale spinoff, the creative dry hole that is kept pumping in the endless search for more money. It is Zombie Simpsons.

    His first book, The Aesthetics of Rock (acclaimed by Greil Marcus as "a disemboweling of rock's soft white underbelly"), became an instant cult classic when published in 1970. And for the next thirty years he fearlessly expanded the boundaries of music writing. Now he has collected the best of his prodigious output into a gonzo sampler of the reviews, profiles, interviews, and essays that form the heart of his rockwriter legacy. Traveling from psychedelia to the "dinosaur-rot early '70s" to the redeeming majesty of punk and the constant solace of jazz, this will stand as a remarkable document of an era by a singular voice in music writing.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    They describe the comics and childhood classics that first inspired them to read, and what today continues to do so. Contributors include Catherine Cookson, Jeanette Winterson, John Mortimer and Sue Townsend.

    Neat people. Ugliness. War. Over six decades of intrepid reporting and elegant essays, Andy Rooney has proven a shrewd cultural analyst—unafraid to question the sometimes ridiculous, often surprising facts of our lives. Rooney’s great gift is telling it straight, without a hint of sugar coating, but with more than a grain of truth and humor. His take on America? “It’s just amazing how long this country has been going to hell without ever having got there.” On food? “There’s more dependable mediocrity than there used to be.”Andy Rooney: 60 Years of Wisdom and Wit brings together the best of more than a half-century of work (including long-out-of-print pieces from his early years) in an unforgettable celebration of one of America’s funniest men. Like Mark Twain, Finley Peter Dunne (Mister Dooley) and Will Rogers, Andy Rooney is a classic chronicler of America, a writer for the ages.

    Includes essays and excerpts from the works of prominent modern thinkers such as Umberto Eco, Jacques Derrida, and Isaiah Berlin among others.

    Hogan here gives his thousands of readers a generous serving of high-quality SF, along with a look behind the scenes. Read how a young girl raised by robots learned her true destiny. Travel in time to learn that inventors are always misunderstood, even Og, the caveman. Worried about the idea of cloning? Hogan will really have you worrying. And much more.

    Following in the maverick mold of Quentin Tarentino, Spike Lee, and Richard Rodriguez, Joe Queenan becomes an auteur and, in the process, funnier than ever, as he tries to master the art of writing, directing, scoring, casting, and marketing a movie--all by himself.

    What are you, crazy? You don't need to look. The monsters will find you.  THE MONSTER BOOK OF MONSTERS is a collection of 100 stories from around the world, inspired by the legendary book from Harry Potter. These aren't your everyday Werewolves and Wendigos either. Each story is told by the survivor of an encounter with a unique and mysterious creature more wild and varied than you can imagine. This book has something for everyone with a dark mind, so read now to find the perfect monster for you.Some monsters are quirky and friendly, while others are apocalyptic behemoths crawling up from the depths. Some stories are heartwarming, funny, or profound, while others are a blood bath..  As seen on TV* *Assuming you can see into the future. The Monster Book of Monsters is a joint media and literary project. These monsters are destined for the screen in an episodic series of short horror films. See the inside of the book for more information on how to get involved.  About Haunted House Publishing We're passionate about publishing horror stories for adults, scary books for teens, and all sorts of dark fiction. We've got new horror kindle books every month, specializing in supernatural stories, supernatural book collections, and paranormal books for adults. We've got zombie books, demonic horror, ghosts and specters, angels and demons, gothic novels, and haunted houses and ghosts novels. We promise some of the top horror books 2018.

    In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”