Together, they face all the difficulties of poor immigrants—the passage by ship, admittance through Ellis Island and the rough immigrant life. Khalid, always the dreamer, tries to participate in the political and cultural life of the teeming city—to often humiliating and comic result.Tiring of their sojourn, he convinces Shakib they should return to Lebanon. But their heads are now full of New World ideas. And Khalid, trying to improve his brethren, turns his understanding of Western thought into a call for political progress, and religious unity and tolerance in the Arab world. A call that has him, accidentally, almost founding a new religion—and almost becoming its first martyr, when his ideas incite the faithful to riot.Playing with classical Arabic literary forms, as well as Western literary conventions, Ameen Rihani’s The Book of Khalid is a unique contribution to American and World literature.From the Trade Paperback edition.

    Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone world beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake.In this issue--which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov, and non-fiction by David Searcy, Teju Cole, and Hector Abad--GRANTA presents a panoramic view of our shared landscape and investigates our motivations for exploring it. One’s destination is never a place,” Henry Miller wrote, but a new way of seeing things.”

    Whistling and thundering, a snake-like wonder hurtled past them, packed both on the inside and on top with infidels shouting and waving their hands. ‘The End of the World!’ thought both Mahmud-Hodja the Sunni and Djebral the Shiite.”Set mainly in Uzbekistan between 1900 and 1980, The Railway introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Among those whose stories we hear are Mefody-Jurisprudence, the town's alcoholic intellectual; Father Ioann, a Russian priest; Kara-Musayev the Younger, the chief of police; and Umarali-Moneybags, the old moneylender. Their colorful lives offer a unique and comic picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars, and Gypsies.At the heart of both the town and the novel stands the railway station—a source of income and influence, and a connection to the greater world beyond the town. Rich and picaresque, The Railway is full of color. Sophisticated yet with a naive delight in storytelling, it chronicles the dramatic changes felt throughout Central Asia in the early twentieth century.

    Who are the jokers?The jokers are the government, and the biggest joker of all is the governor, a bug-eyed, strutting, rapacious character of unequaled incompetence who presides over the nameless Middle Eastern city where this effervescent comedy by Albert Cossery is set.The jokers are also the revolutionaries, no less bumbling and no less infatuated with the trappings of power than the government they oppose.And the jokers are Karim, Omar, Heykal, Urfy, and their friends, free spirits who see the other jokers for the jokers they are and have cooked up a sophisticated and, most important, foolproof plan to enliven public life with a dash of subversive humor.The joke is on them all.

    With the arrival of his new office mate, Niagara Spense, George is forced to re-evaluate everything in his life from love and family, to science itself. Obsessed by the six feet tall Niagara, the very foundations of George's belief in facts and the physical world are shaken when she reveals that she is on an incredible quest for electrical evidence of life after death—"audible fossils" she calls them. As Niagara Spense seeks the dead, and George seeks her, everything suddenly becomes possible in a novel that makes engineering funny, and mixes the world of icemakers and buttersofteners with the miraculous.

    When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors. A tour de force of love and loneliness, war and art—as well as a loving homage to The Great Gatsby—Killing Commendatore is a stunning work of imagination from one of our greatest writers.

    A prizewinning tour de force when it was published in France, Violaine Huisman’s remarkable debut novel is about a daughter’s inextinguishable love for her magnetic, mercurial mother. Beautiful and charismatic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly. During a joyful and chaotic childhood in Paris, her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to let go.

    Composed after a five-year term in prison, the semi-autobiographical story follows a recently released political prisoner as he wanders through Cairo, adrift in his native city. Living under house arrest, he tries to write of his tortuous experience, but instead smokes, spies on the neighbors, visits old lovers, and marvels at Egypt’s new consumer culture. Published in 1966, That Smell was immediately banned and the print-run confiscated. The original, uncensored version did not appear in Egypt for another twenty years.For this edition, translator Robyn Creswell has also included an annotated selection of the author’s Notes from Prison, Ibrahim’s prison diaries—a personal archive comprising hundreds of handwritten notes copied onto Bafra-brand cigarette papers and smuggled out of jail. These stark, intense writings shed unexpected light on the sources and motives of Ibrahim’s groundbreaking novel. Also included in this edition is Ibrahim’s celebrated essay about the writing and reception of That Smell.

    Army corporal Lituma and his deputy Tomás believe the Shining Path guerrillas are responsible, but the townspeople have their own ideas about the forces that claimed the bodies of the missing men. This riveting novel is filled with unforgettable characters, among them disenfranchised Indians, eccentric local folk, and a couple performing strange cannibalistic sacrifices. As the investigation moves forward, Tomás entertains Lituma with the surreal tale of a precarious love affair.Death in the Andes is both a fascinating detective novel and an insightful political allegory. Mario Vargas Llosa offers a panoramic view of Peruvian society, from the recent social upheaval to the cultural influences in its past.

    His mother's suicide and his young wife's death at the hands of burglars left him to bring up his young twins alone. And now one of them has died in a grotesque accident as a result of bullying.Bryony, the remaining twin, has always been the family's great hope: a golden teenager, in love with her cello and her pony, clever, sweet and eager to please. Now that she is all Terence has left, he realises that his one duty in life is to keep her safe from the world's malign forces, whatever that may take. As he starts to follow his grieving daughter's movements, and enforces a draconian set of rules purely for her own safety, the voices in his head convince him to protect her innocence at any cost.

    Here long-suffering Telumee tells her life story and tells us about the proud line of Lougandor women she continues to draw strength from. Time flows unevenly during the long hot blue days as the madness of the island swirls around the villages, and Telumee, raised in the shelter of wide skirts, must learn how to navigate the adversities of a peasant community, the ecstasies of love, and domestic realities while arriving at her own precious happiness. In the words of Toussine, the wise, tender grandmother who raises her, “Behind one pain there is another. Sorrow is a wave without end. But the horse mustn’t ride you, you must ride it.” A masterpiece of Caribbean literature, The Bridge of Beyond relates the triumph of a generous and hopeful spirit, while offering a gorgeously lush, imaginative depiction of the flora, landscape, and customs of Gua­deloupe. Simone Schwarz-Bart’s incantatory prose, interwoven with Creole proverbs and lore, appears here in a remarkable translation by Barbara Bray.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    Through the narratives of four cousins at the brink of maturity, Laila Halaby immerses her readers in the lives, friendships, and loves of girls struggling with national, ethnic, and sexual identities. Mawal is the stable one, living steeped in the security of Palestinian traditions in the West Bank. Hala is torn between two worlds-in love in Jordan, drawn back to the world she has come to love in Arizona. Khadija is terrified by the sexual freedom of her American friends, but scarred, both literally and figuratively, by her father's abusive behavior. Soraya is lost in trying to forge an acceptable life in a foreign yet familiar land, in love with her own uncle, and unable to navigate the fast culture of California youth. Interweaving their stories, allowing us to see each cousin from multiple points of view, Halaby creates a compelling and entirely original story, a window into the rich and complicated Arab world.

    Lying about her age, she gets work on an assembly line in West Berlin making radios, and lives in a women's factory hostel.'The Bridge of the Golden Horn' is a witty, picaresque account of a precocious teenager refusing to become wise; of a hectic four years lived between Berlin and Istanbul; of a young woman who is obsessed by theatre, film, poetry and left-wing politics.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.