methodologically innovative... precise and perceptive and conscious... " --Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

    Combining historical research and oral history with his own personal experience, Espinoza examines the political and cultural forces behind this radical pastime. From Greek antiquity to the notorious Molly houses of 18th century England, the raucous 1970s to the algorithms of Grindr, Oscar Wilde to George Michael, cruising remains at once a reclamation of public space and the creation of its own unique locale—one in which men of all races and classes interact, even in the shadow of repressive governments. In Uganda and Russia, we meet activists for whom cruising can be a matter of life and death; while in the West he shows how cruising circumvents the inequalities and abuses of power that plague heterosexual encounters. Ultimately, Espinoza illustrates how cruising functions as a powerful rebuke to patriarchy and capitalism—unless you are cruising the department store restroom, of course.

    Frank Browning takes us into human gender geographies around the world, from gender-neutral kinde....

    When it comes to feminism, pop culture aids us in translating feminist philosophies, issues, and concepts into everyday language, making them relevant and relatable. In Feminism and Pop Culture , author and cofounder of Bitch magazine Andi Zeisler traces the impact of feminism on pop culture (and vice versa) from the 1940s to the present and beyond. With a comprehensive overview of the intertwining relationship between women and pop culture, this book is an ideal introduction to discussing feminism and daily life.

    Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

    Tens of thousands learned the emotional and ethical skills of BDSM topping from the first `Topping Book.` Now, in addition to the sage advice and good humor that made the first edition a classic, the authors tackle some of the issues that have come up for tops in the last six years: on-line domination, the challenges and rewards of `lifestyle` relationships, ensuring our own and our partners` safety, and more.

    Plus special BONUS material at the end. What are the characters up to? Save money by buying the bundle instead of individually! Tied Together Includes: Tied to the Boss Set to be Tied Wickedly Tied Tied in Knots Tied Down Special Bonus Material Tied to the Boss Want to taste the forbidden? Victoria Carson does. She's had a crush on her boss since he hired her five years ago. Her promotion to be his personal secretary fuels her fantasies. But she's not familiar with his sexual appetite. Her boss introduces her to a whole new world of sexual desires, enticingly different from her vanilla lifestyle. She's unsure at first, but Dominic Nox takes the reins. A true dom, Dominic can't take it anymore; he wants his sweet little secretary. With the help of his smoldering hot colleague, Raphael Silver, he leads Victoria in the right direction. His direction. And he'll do everything to ensure she's tied to the boss. Set to be Tied Set up for pleasure. Jessica Coleman, numb and distraught from her job, is forced to take a vacation to recoup. So she gets in her car with an unknown destination. She meets hot-as-hell entrepreneur Raymond Silver who is looking for someone to fill his needs. When he spies her. But when Jess refuses his blunt offer, Ray does whatever it takes to show her how ignitable their passion can really be. Little does Jessica know that she is set to be tied. Wickedly Tied She’s tied. Timid librarian Michelle has one night with gorgeous Raphael Silver. A hero in her eyes, he saved her friend Vicki from getting date raped. He’s wicked. Dominant Raphael can’t resist showing his shy little mouse a taste of his world. With just giving her a taste, he forces himself to let her go. He changes his mind in taking her fully into his world because he can’t taint something so pure. When her best friend’s wedding day arrives, can they avoid each other without going up in flames? Michelle appears as if she has moved on, but has Raphael? Or are they both wickedly tied? Tied in Knots Victoria Carson has lived under gorgeous CEO Dominic Nox’s dominant reign for a full year. They have a true dominant/submissive relationship. All of her friends have tied the knot, but Dom hasn’t even said the three words she longs to hear. Tired of his incomprehensible attitude, Vicki takes the reins into her own hands, but is Dom too dominant to relinquish control? Will he realize the full extent of his feelings or will Vicki have to let go? She’s simply tied in knots. Tied Down She's a free spirit. After having a one night stand with a powerful man, Katrina Day flees. Both parties agreed to have no-strings sex, but Kat feels the need to sneak out anyways while his back is turned. She never wants to tie herself to a man like her friends. She's too independent to give up control. He's in his prime. Cristoff Rivera, owner of Rivera Inc. finds he's intrigued by young Kat. She's not like the women he's dated. After their night, he is furious that she's escaped and will do anything to tie her down, if only temporally so he can get her out of his system. Both players. Neither wants to settle, but they both find themselves tied down.

    Cool under pressure with a tough, take-no-prisoners demeanor, he has been recruited by the CIA to head up an undercover team tasked with capturing a ruthless international drug trafficker.Posing as a sailing school captain in the U.S. Virgin Islands, he meets his fair share of young women, but his desires run dark and deep, and there is no room for romantic entanglements.When sassy, sexy, auburn-haired spitfire Beth Cameron charters his yacht, he keeps her at arm's length--until her rebellious streak puts her life in danger. Jerking her over his lap, he delivers a stinging spanking, then suddenly surrendering to temptation, he throws her on his bed and mercilessly ravages her until she is screaming his name and begging for more.Though he wants to oblige, engine trouble forces his return to shore, but just moments after they dock she vanishes. No note, no call, no text.It's now six months later, and he cannot believe his eyes.She is running frantically down the wharf towards him, terror in her face and wearing a long, blonde wig...

    Today, Delphy remains a prominent and controversial feminist thinker, a rare public voice denouncing the racist motivations of the government’s 2011 ban of the Muslim veil. Castigating humanitarian liberals for demanding the cultural assimilation of the women they are purporting to “save,” Delphy shows how criminalizing Islam in the name of feminism is fundamentally paradoxical.Separate and Dominate is Delphy’s manifesto, lambasting liberal hypocrisy and calling for a fluid understanding of political identity that does not place different political struggles in a false opposition. She dismantles the absurd claim that Afghanistan was invaded to save women, and that homosexuals and immigrants alike should reserve their self-expression for private settings. She calls for a true universalism that sacrifices no one at the expense of others. In the aftermath of the Charlie Hebdo massacre, her arguments appear more prescient and pressing than ever.

    In the two decades since, the book has inspired controversy and heated debate. Praise for The Sexual Politics of Meat: CAROL J. ADAMS i s the author of The Pornography of Meat (Continuum, 2004), and co-author of Beyond Animal Rights (Continuum, 2000), and The Bedside, Bathtub, and Armchair Companion to Jane Austen (Continuum, 2008). She has toured as a speaker throughout the United States, Canada, and Europe. More information can be found at her website: http://www.triroc.com/caroladams

    This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guarantee impunity for those crimes and even legalize them. A lawless city sponsored by a State in crisis. The facts speak for themselves. -- from "The Femicide Machine"Best known to American readers for his cameo appearances as The Journalist in Roberto Bolano's "2666" and as a literary detective in Javier Marias's nove "l Dark Back of Time," Sergio Gonzalez Rodriguez is one of Mexico's most important contemporary writers. He is the author of "Bones in the Desert," the most definitive work on the murders of women and girls in Juarez, Mexico, as well as "The Headless Man," a sharp meditation on the recurrent uses of symbolic violence; "Infectious," a novel; and "Original Evil, " a long essay. The "Femicide Machine" is the first book by Gonzalez Rodriguez to appear in English translation.Written especially for Semiotext(e) Intervention series, "The Femicide Machine" synthesizes Gonzalez Rodriguez's documentation of the Juarez crimes, his analysis of the unique urban conditions in which they take place, and a discussion of the terror techniques of narco-warfare that have spread to both sides of the border. The result is a gripping polemic. " The Femicide Machine" probes the anarchic confluence of global capital with corrupt national politics and displaced, transient labor, and introduces the work of one of Mexico's most eminent writers to American readers.

    She goes on to deftly synthesize the work of Freud, Marx, de Beauvoir, and Engels to create a cogent argument for feminist revolution. Identifying women as a caste, she declares that they must seize the means of reproduction for as long as women (and only women) are required to bear and rear children, they will be singled out as inferior. Ultimately she presents feminism as the key radical ideology, the missing link between Marx and Freud, uniting their visions of the political and the personal. In the wake of recent headlines bemoaning women's squandered fertility and the ongoing debate over the appropriate role of genetics in the future of humanity, The Dialectic of Sex is revealed as remarkably relevant to today's society, a testament to Shulamith Firestone's startlingly prescient vision.

    In chapters on the penis (in all its incarnations), fifties Hollywood, male beauty standards, and sexual harassment, and in discussions of topics ranging from Marlon Brando and Boogie Nights to Philip Roth and Lady Chatterley's Lover, Bordo offers fresh and unexpected insights. Always--whether she is examining Michael Jordan or Humbert Humbert, the butch phallus or her own grade-school experiences--she rejects rigid categories in favor of an honest, nuanced version of men as flesh-and-blood human beings.

    Transgender blogger Mia Violet reflects on her life and how at 26 she came to finally realise she was 'trans enough' to be transgender, after years of knowing she was different but without the language to understand why.From bullying, heartache and a botched coming out attempt, through to counselling, Gender Identity Clinics and acceptance, Mia confronts the ins and outs of transitioning, using her charged personal narrative to explore the most pressing questions in the transgender debate and confront what the media has gotten wrong. An essential read for anyone who has had to fight to be themselves.