A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government—and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him—until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades.Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human—and could unleash a force more sinister than she ever imagined.

    Most days, she's got other things on her mind. Like hiding her identity among the hundreds of alien species roaming the corridors of Watertower Station. Or making sure her adoptive mother doesn't casually eviscerate one of their neighbors. Again.And most days, she can almost accept that she'll never know the truth--that she'll never know why humanity was deemed too dangerous to exist. Or whether she really is--impossibly--the lone survivor of a species destroyed a millennium ago. That is, until an encounter with a bounty hunter and a miles-long kinetic projectile leaves her life and her perspective shattered.Thrown into the universe at the helm of a stolen ship--with the dubious assistance of a rebellious spacesuit, an android death enthusiast on his sixtieth lifetime, and a ball of fluff with an IQ in the thousands--Sarya begins to uncover an impossible truth. What if humanity's death and her own existence are simply two moves in a demented cosmic game, one played out by vast alien intellects? Stranger still, what if these mad gods are offering Sarya a seat at their table--and a second chance for humanity?The Last Human is a sneakily brilliant, gleefully oddball space-opera debut--a masterful play on perspective, intelligence, and free will, wrapped in a rollicking journey through a strange and crowded galaxy.

    Helen Kane, Yoshi Tanaka, and Sergei Kuznetsov must prove they’re the crew for the job by spending seventeen months in the most realistic simulation ever created.Retired from NASA, Helen had not trained for irrelevance. It is nobody’s fault that the best of her exists in space, but her daughter can’t help placing blame. The MarsNOW mission is Helen’s last chance to return to the only place she’s ever truly felt at home. For Yoshi, it’s an opportunity to prove himself worthy of the wife he has loved absolutely, if not quite rightly. Sergei is willing to spend seventeen months in a tin can if it means travelling to Mars. He will at least be tested past the point of exhaustion, and this is the example he will set for his sons.As the days turn into months the line between what is real and unreal becomes blurred, and the astronauts learn that the complications of inner space are no less fraught than those of outer space. The Wanderers gets at the desire behind all exploration: the longing for discovery and the great search to understand the human heart.

    No one knows where Ben is, but everyone wants to find him – especially The Department. And they should know, the all-seeing government body has fitted the entire population with a universal tracking chip to keep them ‘safe’.But suddenly Ben can’t be tracked. And Mim is questioned, made to surrender her passport and threatened with the unthinkable – her two children being taken into care at the notorious BestLife.Cornered, Mim risks everything to go on the run to find her husband – and a part of herself, long gone, that is brave enough to tackle the journey ahead.From the stark backroads of the Australian outback to a terrifying sea voyage, Mim is forced to shuck off who she was – mother, daughter, wife, sister – and become the woman she needs to be to save her family and herself.

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    Down on his luck and pining for his ex-wife, the fortysomething taxidermist spends his evenings drunkenly surfing the Internet, then passing out on his couch. In a last-ditch attempt to pay his mortgage, he becomes a research subject at the Center for Cybernetic Neuroscience, where “scientists” download humanities disciplines into his brain. Suddenly, Romie and his fellow guinea pigs are speaking in hifalutin SAT words and hashing out the intricacies of postmodern subjectivity. With his new and improved brain, Romie hopes to reclaim his marriage, revolutionize his life, and revive his artistic aspirations. While tracking down specimens for elaborate animatronic taxidermy dioramas, he learns of “Hogzilla,” a thousand-pound feral hog with supernatural traits that has been terrorizing the locals. As his Ahab-caliber obsession with bagging the beast brings him closer and closer to this lab-spawned monster, Romie gets pulled into an absurd and murky underworld of biotech operatives, FDA agents, and environmental activists.Part surreal satire, part Southern Gothic tall tale, The New and Improved Romie Futch is a disturbing yet hilarious romp through a strange New South where technology can change the structure of the human brain and genetically modified feral animals ravage the blighted landscape. In Romie Futch, Julia Elliott has created an unwitting and ill-equipped protagonist who nevertheless will win your heart.

    Now they are being given an opportunity to get that memory back. Four individuals are filled with new doubts, grappling with the unexpected question of whether to remember unknown events, or to leave them buried forever.Finn, an Irish architect living in the Arizona desert, begins to suspect his charming wife of having an affair. Mei, a troubled grad school dropout in Kuala Lumpur, wonders why she remembers a city she has never visited. William, a former police inspector in England, struggles with PTSD, the breakdown of his marriage, and his own secret family history. Oscar, a handsome young man with almost no memories at all, travels the world in a constant state of fear.Into these characters’ lives comes Noor, a psychologist working at the Nepenthe memory removal clinic in London. The process of reinstating patients’ memories begins to shake the moral foundations of her world. As she delves deeper into how the program works, she will have to risk everything to uncover the cost of this miraculous technology.A provocative exploration of secrets, grief, and identity—of the stories we tell ourselves—Tell Me an Ending is a sharp, dark, and devastating novel about the power of memory.

    And off the air, Billie and Spike are falling in love. What will happen when their story combines with the world's story.

    Instead, procedures to induce Acquired Savant Abilities (ASAs) are now purchased by the privileged. And Orpheus's father holds the copyright to the ASA procedure.Zimri Robinson, a natural musical prodigy, is a "plebe"--a worker at the enormous warehouse that supplies an on-line marketplace that has supplanted all commerce. Her grueling schedule and her grandmother's illness can't keep her from making music--even if it is illegal.Orpheus and Zimri are not supposed to meet. He is meant for greatness; she is not. But sometimes, rules are meant to be broken. Here is a thriller, love story, and social experiment that readers will find gripping--and terrifying.

    Now she's awakened a nightmare. During a routine survey mission on an uncolonized planet, Kira finds an alien relic. At first she's delighted, but elation turns to terror when the ancient dust around her begins to move.As war erupts among the stars, Kira is launched into a galaxy-spanning odyssey of discovery and transformation. First contact isn't at all what she imagined, and events push her to the very limits of what it means to be human. While Kira faces her own horrors, Earth and its colonies stand upon the brink of annihilation. Now, Kira might be humanity's greatest and final hope...

    But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

    His wife moved out, taking his son with her, and a devastated David hasn’t left his house since, terrified of the mysterious new power that followed him home from the ill-fated expedition.After months in seclusion, David’s ready for a fresh start, and ventures out, determined to keep his power in check. But David’s power isn’t the one he needs to worry about.

    She also thought that the fat paycheck—enough to get her off-planet and on the trail of her mother—meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane.Instead, she got Em.Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information to “ensure the smooth operation” of her expedition. Em knows all about Gyre’s falsified credentials, and has no qualms using them as a leash—and a lash. And Em has secrets, too . . .As Gyre descends, little inconsistencies—missing supplies, unexpected changes in the route, and, worst of all, shifts in Em’s motivations—drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive—she must confront the ghosts in her own head.But how come she can't shake the feeling she’s being followed?

    As the government enforces tighter restrictions, Luo in turn tightens the reins on the waste workers in his employ. Ruthlessness is his means of survival.Scott Brandle has come to Silicon Isle representing TerraGreen Recycling, an American corporation that stands to earn ungodly sums if they can reach a deal to modernize the island’s recycling process.Chen Kaizong, a Chinese American, travels to Silicon Isle as Scott’s interpreter. There, Kaizong is hoping to find his heritage, but finds more questions instead. The home he longs for may not exist.As these forces collide, a dark futuristic virus is unleashed on the island, and war erupts between the rich and the poor; between Chinese tradition and American ambition; between humanity’s past and its future.

    Then a popular scientist is murdered, and all evidence points to one of the Tosoks. Now, an alien is tried in a court of law-and there may be far more at stake than accounting for one human life.