Her new poems explore what it means to have roots, specifically roots in different cultures - with old Scots and modern Scots alongside poems inspired by Ibo dialect, and poems inspired by African and European art.

    Especially one into the unknown. The shocking discovery of her lover with someone else propels Roxanne into escaping to France, and seeking work as a grape-picker. She's never been abroad before and certainly never travelled alone. Opportunistic loner, Armand, exploits her vulnerability when they meet by chance. She never thought she would see him again, or be the one who exposes his terrible crime.Join Roxanne on her journey of self discovery, love and tragedy in rural France. Taste the wine, feel the sun, drive through the Provencal mountains with her, as her courage and resourcefulness are tested to the limit.

    Through reframing their own coming-of-age story, Ziyad takes readers on a powerful journey of growing up queer and Black in Cleveland, Ohio, and of navigating the equally complex path toward finding their true self in New York City. Exploring childhood, gender, race, and the trust that is built, broken, and repaired through generations, Ziyad investigates what it means to live beyond the limited narratives Black children are given and challenges the irreconcilable binaries that restrict them.Heartwarming and heart-wrenching, radical and reflective, Hari Ziyad’s vital memoir is for the outcast, the unheard, the unborn, and the dead. It offers us a new way to think about survival and the necessary disruption of social norms. It looks back in tenderness as well as justified rage, forces us to address where we are now, and, born out of hope, illuminates the possibilities for the future.

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    An inspiration to women everywhere, her incredible success is borne of her passion, impressive business instinct, ambition, and her very genuine, honest, down-to-earth outlook.This is her story… how she started out as a sparky 18 year old selling advertising space and how she went on to persuade David Sullivan, at the age of 23 to buy a football club – turning that business round to sell it for an incredible £82 million 12 years later. How she balances her personal life with her professional, her priorities, her life as mother of two and wife. How she coped when doctors told her after a routine scan that she had a brain anheurysm, that she must have a complicated operation immediately and had a 30% chance of not surviving, and how it has since influenced her outlook and priorities.An overwhelmingly inspiring and real look at work and life, Karren Brady defies convention as a directional business woman in a male industry. This is how she does it, and through her experience, her drive and her skills - it’s a brilliant insight into how you can do it too.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    But life for Abby is a constant struggle against her dominant and selfish mother, Nora, who is jealous of Abby's beauty and success. When war breaks out, all their lives change forever. In the furore of patriotism that follows, James signs up and Abby swears to wait for him, joining the land army to do her bit. But when Abby's father is involved in a dreadful accident, a terrible secret that Nora has been carrying for years is revealed, tearing the family apart. After receiving heartbreaking news of James, Abby begins to wonder if she will ever find happiness. Only time will tell if there are better days ahead...

    But when her parents discover there's yet another baby on the way, they have to tighten the belt even further. Pearl's mother decides to send her and her younger sister Eliza to the workhouse, where they are forced into a new life of hardship and struggle.Pearl's hopes are raised when the workhouse offers the sisters a new life in Canada and they board an orphan ship transporting unwanted children across the seas. Pearl hopes their luck has finally changed when she and Eliza are hired by the kindly Mrs Forbes to work in her grand house together. But when Pearl meets their mistress's bullying son Monty he reveals he will stop at nothing to make her life a misery.Will Pearl ever find the home she so craves?

    Breaking Bad star Bryan Cranston played the lead role in the play’s celebrated Broadway performance at the Neil Simon Theatre, for which he was awarded the Tony Award for Best Actor. In this volume, Cranston provides a never-before-published illuminating and personal introduction to the play.All The Way tells the story of the tumultuous first year of the presidency of Lyndon Baines Johnson, thrust into power following Kennedy’s assassination and struggling to hold onto the White House in an election that forces him to make concessions. In 1964, this pivotal year in American history, he passes a landmark civil rights bill, but begins his fateful descent into Vietnam. LBJ is fiercely determined to lift the country out of the ashes and rebuild it into The Great Society—by any means necessary.

    In this ground-breaking investigation, Laura Bates traces the roots of misogyny across a complex spider's web of groups extending from Men's Rights Activists and Pick up Artists to "Men Going their Own Way" trolls and the Incel movement, in the name of which some men have committed terrorist acts. Drawing parallels with other extremist movements around the world, Bates seeks to understand what attracts men to the movement, how it grooms and radicalizes boys, how it operates, and what can be done to stop it. Most urgently of all, she traces the pathways this extreme ideology has taken from the darkest corners of the internet to emerge covertly in our mainstream media, our playgrounds, and our parliament. Going undercover online and off, Bates provides the first, comprehensive look at this hitherto under-the-radar phenomenon, including fascinating interviews with trolls, former incels, the academics studying this movement, and the men fighting back.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Writing about a huge variety of subjects, we have Martha Mosse and Alice Stride on how they became feminists, Amy Annette addressing the body politic, Samira Shackle on having her eyes opened in a hostel for survivors of acid attacks in Islamabad, while Maysa Haque thinks about the way Islam has informed her feminism and Isabel Adomakoh Young insists that women don't have to be perfect. There are twelve other performers, politicians and writers who include Jade Anouka, Emily Benn, Abigail Matson-Phippard, Hajar Wright and Jinan Younis.Is the word feminist still to be shunned? Is feminism still thought of as anti-men rather than pro-human? Is this generation of feminists - outspoken, funny and focused - the best we've had for long while? Has the internet given them a voice and power previously unknown?Rachel Holmes' most recent book is Eleanor Marx: A Life; Victoria Pepe is a literary scout; Amy Annette is a comedy producer currently working on festivals including Latitude; Alice Stride works for Women's Aid and Martha Mosse is a freelance producer and artist.

    Reading these plays, we sample the whole comic spectrum of the Elizabethan world--from the satiric comes that portrays a world of people whose unreasonable behavior is ludicrous and in need of reform to the romantic comedy that takes us into a dreamlike holiday world whose inhabitants, for all their folly, are still endearing characters. And to give these plays more meaning for the modern reader, this edition includes the following special features:An Introduction by Sylvan Barnet, general editor of the Signet Classic Shakespeare series Reliable texts by noted Shakespeare scholarsTexts printed in the clearest, most readable typeName of each speaker given in fullDetailed footnotes at the bottom of each page keyed to the numbered lines of the textTextual notesUpdated bibliography--back cover

    Yet for so long the word “witch” has had negative connotations. In this book, third generation hereditary witch Lisa Lister explains the history behind witchcraft, why identifying as a healer in past centuries led women to be burned at the stake, and why the witch is reawakening in women across the world today.   All women are witches, and when they connect to source, trust their intuition, and use their magic, they can make medicine to heal themselves and the world. This book is a re-telling of Herstory, an overview of the different schools of witchcraft and the core principles and practices within them.  Discover ancient wisdom made relevant for modern witches:   The wheel of the year, the sabbats, the cycles of the moon.Tools to enhance your intuition, including oracle cards and dowsing, so that you can make decisions quickly and comfortably.Understanding the ancient use of the word “medicine”.How to work with herbs, crystals, and power animals so that you have support in your spiritual work.How to build and use a home altar to focus your intentions and align you with seasonal cycles, the moon cycles, and your own intentions for growth.Cleanse, purify, and create sacred space.Work with the elements to achieve deep connection with the world around you.In addition, Lisa teaches personal, hands-on rituals and spells from her family lineage of gypsy witch magic to help you heal, manifest, and rediscover your powers. Above all, Lisa shows that we really are “the granddaughters of the witches that they couldn't burn”.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.