This popular classic work by Robert Silverberg is in the English language, and may not include graphics or images from the original edition. If you enjoy the works of Robert Silverberg then we highly recommend this publication for your book collection.

    This collection features his best-known work: the great poem Meghadutam (The Cloud Messenger), a haunting depiction of longing and separation; the play Sakuntala, which describes the troubled love between a Lady of Nature and King Duhsanta; and the poem Rtusamharam (The Gathering of the Seasons), an exuberant observation of the sheer variety of the natural world as it teems with the energies of the great god Siva.

    The Shilappadikaram has been called an epic and even a novel, but it is also a book of general education. Adigal packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city and country life. And four Cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters’ and milkmaid’s song). Thus the story gives us a vivid picture of early Indian life in all its aspects.

    Short Story originally published in Analog (Jan 1962): The ever expanding Terro-Human Federation which makes first contact with the indigenous peoples of a new world, but for some reason the standard contact methods don't seem to be working.

    The Betrayal is the tale of the private war of one man who was determined to sell all for a convoluted allegiance to the King of France and the jealous Doctors of the Sorbonne, even if it cost him his own soul. Get set for royal intrigue, desperate escapes, violent martyrdom, hazard-all romance and loss, high-risk debate, and sword-point confession in this tale, one that is at last a story of how God uses the humility and unflinching faithfulness of one man to break down the barrenness and bitterness of another—all accomplished by grace alone.

    This textbook, based on the author's own undergraduate teaching, develops general relativity and its associated mathematics from a minimum of prerequisites, leading to a physical understanding of the theory in some depth. It reinforces this understanding by making a detailed study of the theory's most important applications - neutron stars, black holes, gravitational waves, and cosmology - using the most up-to-date astronomical developments. The book is suitable for a one-year course for beginning graduate students or for undergraduates in physics who have studied special relativity, vector calculus, and electrostatics. Graduate students should be able to use the book selectively for half-year courses.

    It remains the most incisive introduction to the ideas of Communism and the most lucid explanation of its aims. Much of what it proposed continues to be at the heart of political debate into the 21st century. It is no surprise, perhaps, that The Communist Manifesto (as it was later renamed) is the second bestselling book of all time, surpassed only by the Bible.  The Guardian’s editorial cartoonist Martin Rowson employs his trademark draftsmanship and wit to this lively graphic novel adaptation. Published to coincide with the 200th anniversary of Marx’s birth, The Communist Manifesto is both a timely reminder of the politics of hope and a thought-provoking guide to the most influential work of political theory ever published.

    Written immediately after the partition of the Indian subcontinent, the play is a profound meditation on the politics of violence and aggressive selfhood. The moral burden of the play is that every act of violence inevitably debases society as a whole. Alok Bhalla's translation captures the essential tension between the nightmare of self-enchantment, which the story of the Kauravas represents, and the ever-present possibility of finding a way out of the cycle of revenge into a redemptive ethicality.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism―the distillation of larger scientific or aesthetic concepts into smaller, more tractable components―has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals.In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time―the brain―has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.

    "A sort of frost seems to have descended on the souls of the human agents ... Every confrontation - and the play is a series of confrontations - instead of thawing the ice, leaves it a bigger iceberg.' -R.L.Nigam, in 'Enact'

    Featuring thirty-nine readings divided into four parts--Value Theory, Normative Ethics, Metaethics, and Moral Problems--it introduces students to ethical theory and a wide range of moral issues. The essays include selections from such historically influential philosophers as Aristotle, Hume, Kant, and Mill alongside work by contemporary philosophers like Philippa Foot, Robert Nozick, Peter Singer, and Judith Jarvis Thomson. Detailed section and reading introductions provide helpful contextual information. Designed as a companion reader to Russ Shafer-Landau's textbook, The Fundamentals of Ethics, The Ethical Life is also comprehensive enough to be used on its own. The book is enhanced by an Instructor's Manual and Testbank on CD and a Companion Website for students and instructors.

    A cultural icon of Bengal and India, he became Asia's first Nobel laureate when he won the 1913 Nobel Prize in Literature. A Pirali Bengali Brahmin from Calcutta, Tagore first wrote poems at age eight. He published his first substantial poetry under the pseudonym Bhanushingho (Sun Lion). Tagore's works included numerous novels, short-stories, collection of songs, dance-drama, political and personal essays. Some prominent examples are Gora (Fair-Faced) (1910), Gitanjali (Song Offerings) (1912), and Ghare-Baire (The Home and the World) (1919). His verse, short stories, and novels-many defined by rhythmic lyricism, colloquial language, meditative naturalism, and philosophical contemplation-received worldwide acclaim. His other works include The King of the Dark Chamber (1914), The Gardener (1915), Songs of Kabir (1915), Fruit-Gathering (1916), Stray Birds (1916), The Hungry Stones and Other Stories (1916) and Glimpses of Bengal (1920).

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    They had begun at dawn, the group of searchers keen to get going. A missing child spurred everyone on. In the end, it was a flash of colour, a bright neon pink that caught her eye. They had been looking for pink.Nothing tests your faith like being a mother. The first time your children walk to school alone, their first sleepover, when they finally fly the nest. As a parent, you have to believe that everything will be OK.It’s why, when Lydia’s sixteen-year-old daughter Zoe goes on a school camping trip, she has no idea of the horrors that will unfold. It’s why, when Lydia gets a call saying that her daughter has disappeared, she refuses to give up.As she searches the mountains, her voice hoarse from calling Zoe’s name, she imagines finding her. She envisions being flooded with relief as she throws her arms around her child, saying, ‘you gave us such a scare’. She pictures her precious girl safely tucked in bed that evening.It’s why, when they find Zoe’s body, Lydia can barely believe it. It is unthinkable. Her little girl has gone.Something terrible happened, she is sure of it. Something made Zoe get out of her sleeping bag in the middle of the night, walk out of the warmth and safety of the cabin, into the darkness of the mountains. Driven by the memory of her youngest child, Lydia needs to find out the truth. What kind of mother would she be if she didn’t?A heartbreaking, redemptive and beautifully crafted novel which brings to life a mother’s worst nightmare, questioning how well we ever really know the people we love the most. Fans of Jodi Picoult, Kerry Fisher and Liane Moriarty will be blown away by this stirring, unforgettable tale.