Dilbert has managed to keep up with technology like iPads and Twitter over the years, as well as advanced systems like the Disaster Preparedness Plan that has its followers eating the crumbs from their keyboards. It doesn’t get any more sophisticated than that.   It’s an office code violation to be this good after so many years, but Dilbert keeps doing what he does best: passive-aggressively out-witting his superiors and exercising conflict avoidance. And he is so good. No wonder office drones and workforce automatons alike can’t resist the cold embrace of Dilbert’s workplace.

    What the what?! Is there really a secret treasure hidden in the school’s basement?! Based on Cartoon Network’s award-winning original series, Gumball and Darwin head back to school! It’s a brand-new collection of shorts and illustrations featuring everyone’s favorite mischief-makers.

    But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter! Suppandi is back and he is funnier than ever! Tinkle’s most beloved Toon has once again been rolling through all sorts of odd jobs in libraries and cafes to police stations and senior citizen centers. But that is not all! This time, Suppandi also takes you with him on an adventurous Mexican holiday, a thrilling encounter with a witch, a disastrous visit to his grandmother, and more! Plus, revisit several (mis)adventures from his childhood, including one where he and Maddy meet for the very first time. Joining Suppandi in this Collection are guest appearances from the awesome foursome sisters Ina Mina Mynah Mo, and everyone’s favourite fangless vampire Billy Drain. So brace yourself because this Collection of stories is about to make your tummy hurt... with laughter!

    Records show that at his birth the Addams' lived on Summit Ave. They moved several times before taking up permanent residence in '20 on Elm St. & stayed there until '47. He attended public school in Westfield & was fond of visiting the Presbyterian Cemetery on Mountain Ave. When he was a youngster he was caught by the police for breaking into a house on Dudley Ave. On the 2nd floor of the garage behind the main house there's a chalk drawing of a skeleton which is believed to have been drawn by him. That house on Dudley & one on Elm is said to be the inspiration for the famous Addams Family house. At Westfield HS, he became the art editor for the Weather Vane & drew many cartoons. He graduated in '29 & attended Colgate University for a year. He switched to the University of Pennsylvania & then studied at Grand Central School of Art in NY City. His dream was to work for The New Yorker Magazine. He started submitting cartoons as early as '35, his 1st was entitled "I forgot my Skates." In '40 he submitted "Downhill Skier" & that got him an offer to come on board full time for NY's premiere magazine. He continued there until his death in '88, drawing over 1300 cartoons. On occasion, his work appeared in other publications such as Colliers & TV Guide. 1937 was the 1st year that an Addams Family cartoon appeared. It featured only Morticia & Lurch. They didn't look like we know them today. Morticia's hair was styled differently & Lurch looked more like Boris Karloff in OLD DARK HOUSE than the Frankenstein monster. As years went by, other members started appearing including Wednesday, Pugsley, Grandmama & Thing.

    Collects comic strips featuring the famous feline with an appetite for lasagna.

    Never seen in print before anywhere else!A new cartoon collection from the mind of Eisner Award-winning, Harvey nominated and current NewYorker Magazine cartoonist, Shannon Wheeler! It's the best-of-the-best of what's left on the cutting room floor from Wheeler's cartoon submissions to The New Yorker Magazine. Never seen in print before anywhwere else!

    If this is true for students, it is exponentially true for teachers-those hearty souls who have taken on the education of the youth of the world.This wonderful collection of the best and funniest cartoons published over the last eighty years in The New Yorker takes a wry look into the classroom-at the students, at their blindly devoted but demanding parents, and, especially, at the teachers who negotiate the delicate balance between those forces every day.With 118 cartoons, this is a perfect gift for teachers and a treasure of laughs for all!

    The outrageous humor of cult favorite and syndicated cartoonist Lynda Barry--one of the world's "shrewdest chroniclers of sex, love and romance" (Mother Jones).

    Because I was trapped in Texas at the time, I needed to believe that the broken tractor out back was a car of the future. Japanese, I’ll say, because of the exotic far-awayness of Japan from Texas, and because of the Japanese monster movies and woodblock prints that reached out to me in Texas. Japanese monster movies are part of the fabric of Texas.”In 1983, Panter finally got a chance to fully explore this world, and share it with an audience, when the L.A. Reader published the first 63 strips. A few years later, the Japanese reggae magazine Riddim picked up the strip, and Panter continued the saga of Dal Tokyo in monthly installments for over a decade.But none of these conceptual descriptions will prepare the reader for the confounding visual and verbal richness of Dal Tokyo, as Panter’s famous “ratty line” collides and colludes with near-Joycean wordplay, veering from more or less intelligible jokes to dizzying non-sequiturs to surreal eruptions that can engulf the entire panel in scribbles. One doesn't read Dal Tokyo; one is absorbed into it and spit out the other side.

    A semi-memoir covering a decade of the acclaimed cartoonists formative years (1935-1945), and including many reproductions of famous drawings and photos from the authors personal collection.

    Here is the plan. The plan is illustrated. The plan is quite complicated. But not too complicated. I think you will be thrilled by it. I am certain you will be thrilled by it.No need to read massive volumes or use the internetJUST READ THISONLY THIS

    In On the Prowl the best of Rupert Fawcett's brilliantly observed, touchingly true cartoons come together in book form for the first time.Featuring the secret thoughts and conversations of cats of every size, shape and breed, this gorgeous book is a celebration of our favourite feline friends.

    The Dandy's back again for another bumper feast of comic fun! Catch up with Desperate Dan, Winker Watson, Corporal Clott, Keyhole Kate, The Jocks and the Geordies and more! Loved by the young and the young-at-heart alike, The Dandy Annual is a book for the whole family to enjoy!

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Collecting issues 1-6 of The Tick in one volume, with a few supplemental materials.