The nine stories in this volume exhibit Strantzas’s wide range in theme and subject matter, from the Lovecraftian “Thistle’s Find” to the Robert W. Chambers homage “Beyond the Banks of the River Seine.” But Strantzas’s imagination, while drawing upon the best weird fiction of the past, ventures into new territory in such works as “On Ice,” a grim novella of arctic horror; “One Last Bloom,” a grisly account of a scientific experiment gone hideously awry; and the title story, an emotionally wrenching account of terror and loss in the baked Mexican desert. With this volume, Strantzas lays claim to be discussed in the company of Caitlín R. Kiernan and Laird Barron as one of the premier weird fictionists of our time.Cover artwork by Santiago Caruso

    To William Blake and his friends, the mystery of an underground chamber where no chamber should exist is an adventure to punctuate their round of champagne picnics and cocktail parties. But something dark and alien is seeping into this bright world, and shadows from the distant past are rising over Blake's glittering future. The church's congregation are being preyed on, body and soul. A deserted house reveals a disturbing secret. An unnatural and insatiable creature is lurking, madness is afoot...and a whirlwind of chaos and destruction is about to be unleashed from another dimensionBlake and his resourceful friends know archaeology, photography, esoteric lore and even non-Euclidean geometry. But can they even begin to understand the eldritch evil they are facing in time? Can they solve the riddle that lies behind the words Cthulu Fthagn before they are picked off one by one?An HP Lovecraft-inspired novella of madness and chaos to appeal to anyone familiar with the Cthulhu Mythos, and is sure to delight new readers and seasoned fans of the Call of Cthulhu alike.

    Monique learns that the hard way after her girlfriend Donna vanishes without a trace. Only after the disappearances of several other impoverished women does Monique hear the rumors. A taloned monster stalks the city’s underground and snatches victims into the dark.Donna isn’t missing. She was taken.To save the woman she loves, Monique must descend deeper than the known underground, into a subterranean world of enigmatic cultists and shadowy creatures. But what she finds looms beyond her wildest fears—a darkness that stretches from the dawn of time and across the stars.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Banks.Over the last thirty years, M. John Harrison has been inspiring readers and writers alike across the world. His return to science fiction in 2002 with the magnificent space opera LIGHT was a monumental triumph, shortlisted for every major award in the genre. He combines brilliant storytelling with complex plots and evocative, mesmerising writing.THINGS THAT NEVER HAPPEN is M. John Harrison's definitive collection of short fiction, twenty-four dazzling stories of science fiction and fantasy; the perfect introduction to one of Britain's most brilliant writers.Contents:Settling the World (1975)Running Down (1975)The Incalling (1978)The Ice Monkey (1980)Egnaro (1981)Old Women (1984)The New Rays (1982)The Quarry (1983)A Young Man's Journey to London (1985)Small Heirlooms (1987)The Great God Pan (1988)The Gift (1988)The Horse of Iron and How We Can Know It and Be Changed by It Forever (1989)Gifco (1992)Anima (1992)Isobel Avens Returns to Stepney in the Spring (1994)Empty (1995)Seven Guesses of the Heart (1996)I Did It (1996)The East (1996)Suicide Coast (1999)The Neon Heart Murders (2000)Black Houses (1998)Science & The Arts (1999)

    Also of note are "Children of the Black Meadow" where a bereaved mother resurrects her deceased kids as blackberry bramble homunculi; cyclical damnation tale "The Coal Man and the Creature" and the paranoia-inducing sucker punch "The Watcher From the Village" ... this is a collection that strongly invites a second reading.." - STARBURST MAGAZINE "A banquet of weirdness..." - Hypnobobs"...visceral dread slowly rises from its mustiness..." - Mythogeography"A fine piece of British Hauntology" - Gareth Rees Author of Marshland"Properly spooky and really well written." - Sebastian Baczkiewicz - Creator of Radio 4's Pilgrim"Tales from the Black Meadow" features a blend of weird and disturbing short stories. This collection is well worth checking out for its originality and chilling tone." - Phil Syphe Author of Cash 'n' Carrots and other capers"very atmospheric black and white illustrations courtesy of Mr Nigel Wilson" - Hypnobobs"Lambert manages to create genuine atmosphere and spine-tingling moments... but he also injects some black humour and much appreciated wit." Steevan Glover - Author of The Frog and the ScorpionWhen Professor R. Mullins of the University of York went missing in 1972 on the site of the area known as Black Meadow atop of the North Yorkshire Moors, he left behind him an extensive body of work that provided a great insight into the folklore of this mysterious place.Writer Chris Lambert has been rooting through Mullins' files for over ten years and now presents this collection of weird and macabre tales.Marvel at tales such as The Rag and Bone Man, The Meadow Hag, The Fog House, The Land Spheres and The Children of the Black Meadow.What is the mystery surrounding The Coalman and the Creature?Who or what is The Watcher in the Village?What is the significance of the Shining Apples?Why is it dangerous to watch the Horsemen dance?Beautifully illustrated by Nigel Wilson these tales will haunt you for a long time to come."Can you tell me, maiden fair Can you tell me if or where I shall see my child again Walk upon the fields of men? Will she ever stumble back From the meadow all a'black?

    No pastiches and no stories in his style. Using variety in tone, setting, point of view, time, but no direct reference in the story to Lovecraft or his works. Featuring work by Laird Barron, Brian Evenson, Caitlin R. Kiernan, Jeffrey Ford, Nathan Ballingrud, and many more, with a stunning cover by Hellboy creator Mike Mignola.

    They represent the whole evolving trajectory of such notions as Hastur, the King in Yellow, Carcosa, the Yellow Sign, the Black Stone, Yuggoth, and the Lake of Hali. A succession of writers from Ambrose Bierce to Ramsey Campbell and Karl Edward Wagner have explored and embellished these concepts so that the sum of the tales has become an evocative tapestry of hypnotic dread and terror, a mythology distinct from yet overlapping the Cthulhu Mythos. Here for the first time is a comprehensive collection of all the relevant tales.

    Ghosts, ghouls, incubi: all have one thing in common. They know Booth for one of their own . . .

    In these, "the sort of stories you might tell in front of a fire", Calvin Trillin brings together twelve funny, troubling, moving and always revealing narratives--extended pieces that have appeared in The New Yorker over the past seven years.

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.